| | All Live Plus One CD All Discography of CDs
 |
|
Our Price: $9.89 CDFor Sale Usually ships in 1-2 days
|  |
LIVE PLUS ONE features 2 live recordings, one performed by All and the other by All's predecessor band, Descendents.
Recorded on March 30 & 31, 2001 at Starlight, Fort Collins, Colorado.
Recorded from October 10-14, 1996 at Whisky A Go-Go, Los Angeles, California.
These two discs represent the flip sides of the All/Descendents entity. All, being the band which somehow has more stature at the moment, won the cover and the first disc of live material. The Descendents are relegated to the second disc, without the nice big cartoon graphic. The lineups are virtually identical -- indeed, the album art of the bands are the exact same graphic, only with the lead signer swapped. Listening to the music, however, reveals a sharper distinction between the two incarnations. All, being the later form, has songs which show a better overall sense of pop craftedness. The problem is that All's songs lack the primitive drive, (post-?) adolescent emotion, and angst of a Descendents track. The recordings of the Descendents, made in 1996 during the "Everything Sux" tour, show a band which can still summon up the energy first exhibited on record in 1983. Not a bad feat for a band 13 years after the fact and with two different members. The constant non-vocal section of Alvarez/Egerton/Stevenson has grown since their first lineup in 1987. This can be heard in tracks such as "Bikeage," which has a bit more tunefulness to a track that was originally surprisingly melodic for a hardcore band. Even though the Descendents already have two live records out from their mid-'80s run, this later release shows that they can still exist in fine form. All is All, and that should suit their fans, but the Descendents steal the limelight here as the more vital band, and deserves to be heard by a wider audience. ~ Jeremy Salmon
Additional Tracks
ALL LIVE PLUS ONE:
All: Chad Price (vocals); Stephen Egerton (guitar); Karl Alvarez (bass); Bill Stevenson (drums).
Producers: Bill Stevenson, Stephen Egerton, Jason Livermore.
Engineers: Jason Livermore, Jay Saylor.
DESCENDENTS LIVE PLUS ONE:
Descendents: Milo Aukerman (vocals); Stephen Egerton (guitar); Karl Alvarez (bass); Bill Stevenson (drums).
Engineer: Brett Gurewitz.
Personnel: Chad Price (vocals); Stephen Egerton (guitar); Ernie Ball (strings); Bill Stevenson (drums).
Audio Mixers: Jason Livermore; Bill Stevenson.
Recording information: Blasting Room, Ft. Collins, CO (10/10/1996-03/31/2001); Starlight, Ft. Collins, CO (10/10/1996-03/31/2001); Whiskey A-Go-Go, Los Angeles, CA (10/10/1996-03/31/2001).
Illustrator: Chris Shary.Q (10/01, p.140) - 3 stars out of 5 - "...Proof that white suburban punkers goofing around is a far from recent development....clear blueprints for the bands currently cleaning up in the malls..." Live Plus One Review
GuidelinesRemember to focus your comments on All Live Plus One CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Live Plus One CD To buy, Click on price to add to cart | Descendents Somery CD (1991)
Live Plus One album
$14.09 SOMERY is a retrospective compilation of tracks from each of the Descendents' studio records. It serves as a stopgap between the end of the band and the birth of its next permutation as ALL. The songs collected rarely hit the three-minute mark, and they amply demonstrate the rapid-fire punk that would eventually mutate into the pop-punk of such bands as Green Day and the Offspring. In fact, Green Day's DOOKIE is (perhaps overly) reminiscent of such Descendents songs as "Suburban Home" and "Sour Grapes."
This collection includes all of the Descendents' classics. Among the highlights are the ...
| | Ramones Leave Home CD (1977) Deluxe Edition
Live Plus One CD music
$7.09 Digitally remastered by Bill Inglot ...
| | Pressure Point To Be Continued CD (2001)
Live Plus One music CDs
$10.69
| | Bad Religion Process Of Belief CD (2002)
Live Plus One songs
$10.35 Bad Religion has been the iron man of Southern California hardcore punk for more than two decades. The core of the group, founded in the San Fernando Valley in 1980 by teenagers Brett Gurewitz (guitarist), Greg Graffin (vocalist) and Jay Bentley (bassist), are reunited on their twelfth album, THE PROCESS OF BELIEF. Gurewitz rejoined the band for a second time in 2001 to record 14 blasts of melodic punk that take off with the hyperdrive rocker "Supersonic," in which Graffin yearns to live "decently, meaningfully" over double-time drums and buzzing guitars. The album is a return to form for the group, mixing pop-inflected hard rock songs about alienated, throwaway teens ("Broken") ...
| | Face To Face How To Ruin Everything CD (2002)
Live Plus One album
$11.49 This California punk combo has been around since the early '90s, doing time on the punk circuit opening for the likes of Offspring and the Mighty Mighty Bosstones. It's ...
| | Descendents Cool To Be You CD (2004)
Live Plus One CD music
$6.29 On their first album since their 1996 reunion ...
| | Savage Garden CD (1997) (Import) Import; Australia
Live Plus One music CDs
$36.79 Big, expansive Euro-pop, Australian style. Stylistically, this duo is coming straight out ...
| | Fourplay Heartfelt CD (2002)
Live Plus One songs
$8.99 The four men who make up the smooth-jazz supergroup Fourplay are the creme de la creme of the studio scene. They've probably graced the albums of more artists than there are notes on this recording. So you can be sure that when they come together to make a collective musical statement like HEARTFELT, you're in for some of the most immaculate production and technically flawless ...
| | Sekouba Bambino Diabate Sinikan CD (2002)
Live Plus One album
$12.45 Bembeya Jazz vocalist Sekouba Bambino continues his ongoing quest to follow the musical model of Salif Keita's epochal Soro. And guess what? He nailed it this time. Sinikan is a rootsier version of Kassa and the freshest disc in this modern, griot-rooted West African pop vein in recent memory.
Yes, it looks back to Soro by recruiting François Bréant for the arrangements (he did half of the landmark Keita disc) and bringing in Keita's regular guitarist Ousmane Kouyate to anchor the band. But most crucially, Sinikan strikes the right balance between African roots and Europop polish, allowing Bambino's individuality to shine through, his voice front and center in a lush, full bed of sound on this collection of five-minute songs.
So big, dramatic string swirls play off bass and kora/balafon sounds on the title track, "Decourage" rocks out with horns and lead guitar upfront, and "Ate Tolama" opens with a nice bass melody and muted voice before hitting its loping stride. "Ni Matele" weighs in with more detail, dramatic strings, and hard-to-figure rhythm moves to help get a sweeping cinematic sound and the roots-simple "Famou" with accordion, "Ndiwa Ndiwa," and "Gnangnini," with its breathy flute solo, are ruled by skittering kora lines playing off Bambino's voice.
"Banandiou" works in a mournful, bluesy mode with a lonely horn-synth solo before Bambino enters, the Keita influence apparent, but he's more of a straight-ahead singer who doesn't aim for virtuoso turns. The ballad "Diougouya Magni" is softer, with a prominent jazzy/bluesy harmonica part, a unique and inventive touch that shows the creative effort that went into crafting Sinikan. But the final three tracks offer the real proof positive of that. "Promesse" ropes in Paris-based Senegalese rapper Disiz La Peste to rhyme in French against Bambino's vocal over an almost go-go beat, with nice funky guitar topped by flute. It's an obvious play for the youth market, but winds up as a totally organic, unforced groove that works perfectly. The most radical move is tackling James Brown's "It's a Man's World," with Bréant's arrangement Afro-stringing up the melody and just letting Bambino be Bambino, and it works wondrously well.
Taking the ...
| | Pixies Bossanova CD (1990) Remastered
Live Plus One CD music
$10.15
| | Power & The Glory Call Me Armageddon CD (2004)
Live Plus One music CDs
$9.79
| | Derek Sherinian Blood Of The Snake CD (2006) Germany
Live Plus One songs
$13.70
| | David Liebman Back On The Corner CD (2007)
Live Plus One album
$14.49
| | Go It Alone Histories CD (2007)
Live Plus One CD music
$11.29
| | Jamie Scott & The Town LP1 / Park Bench Theories CD (2007)
Live Plus One music CDs
$10.59
|
|
|