| | Picchio Dal Pozzo Camere Zimmer Rooms CD Picchio Dal Pozzo Discography of CDs
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tenor saxophone); Claudio Lugo (flute, saxophone); Andrea Beccari (flute, bass); Aldo Di Marco (drums, percussion).
Principally recorded at Studio G, Genova, Italy between 1977 and 1978.
The Italian progressive rock group Picchi dal Pozzo put out only two LPs during their existence, and nothing substantial had been added to the discography prior to the apparition of Camere Zimmer Rooms. Released by Cuneiform, Camere Zimmer Rooms presents a set of live-in-the-studio recordings from 1977-1980. It chronicles the five-year interim between the group's studio albums. The quality of sound and performance is above what could be expected from archival recordings (small imperfections in the master tapes are detectable, but otherwise anyone could be fooled to believe this a legit studio LP). Picchio dal Pozzo was one of a kind. Their music belonged to the Italian sound (Banco del Mutuo Soccorso and Celeste, mainly), but was also strongly influenced by Canterbury outfits like Hatfield and the North and National Health. The result is surprisingly reminiscent of the U.S. group Grits. "The President" is pure gold: beautiful Italian vocals, Fender Rhodes, complex twists and turns, and a jazzy feel to match. "The Town" includes a good freeform clarinet solo by Paolo Griguolo embedded in strong prog rock. "The Penguins" is a leftover from Abbiamo Tutti i Suoi Problemi, the group's 1980 LP. Why it was not included at the time is anybody's guess -- it's as exciting as anything the group recorded. Camere Zimmer Rooms may be a bit short at 44 minutes, but fans of Italian prog rock should not hesitate to grab it. ~ François Couture
Paolo Griguolo (guitar, clarinet, background vocals); Roberto Romani (flute,
Personnel: Paolo Griguolo (vocals, guitar, clarinet); Aldo De Scalzi (vocals, guitar, keyboards); Roberto Bologna (guitar); Francesco Tregrossi (acoustic guitar); Giorgio Karaghiosoff, Claudio Lugo (flute, saxophone); Roberto Romani (flute, tenor saxophone); Andrea Beccari (flute); Aldo Di Marco (drums, percussion).
Recording information: Studio G, Genova, Italy (1977-1980).
Picchio Dal Pozzo includes: Aldo De Scalzi (vocals, guitar, keyboards);
Alternative Press (5/02, pp.96,98) - 9 out of 10 - "...Archival prog plunder of the highest caliber..." Camere Zimmer Rooms Music | List Price | $17.97 (You save $2.38) | | Category | Rock Albums, International CDs, Romance, Rock/Pop, Progressive, Italian, Enhanced CD | | Label | Cuneiform | | Orig Year | 2001 | | All Time Sales Rank |  179181  | | CD Universe Part number | 2030331 | | Discs | 1 | | Release Date | Sep 18, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Aldo De Scalzi - vocals, guitar, keyboards
Claudio Lugo - flute, saxophone
Claudio Lugo - flute, saxophone
Aldo Di Marco - drums, percussion
Andrea Beccari - flute
Francesco Tregrossi - acoustic guitar
Giorgio Karaghiosoff
Paolo Griguolo - vocals, guitar, clarinet
Roberto Bologna - guitar
Roberto Romani - flute, tenor saxophone
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Picchio Dal Pozzo Camere Zimmer Rooms Songs | 1. | President, The |
| 2. | Sea of Ireland, The |
| 3. | Town, The |
| 4. | Penguins, The |
| 5. | Irish Ghost, The |
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Recorded between 1968 & 1971. Includes liner notes by Pete Townshend, John Atkins, and Chris Charlesworth.
Though Pete Townshend was originally unhappy with WHO'S NEXT, it was quickly welcomed by critics and fans, becoming one of the most celebrated titles in their enduring catalog. His frustrations boiled down to the album being a compromised version of a larger work he'd envisioned, LIFEHOUSE, which proved too unwieldy to be realized. Expanded to a two-disc set with essays by both Townshend and John Atkins, the original nine-song album is expanded with six additional studio tracks.
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Billy Corgan has emerged from his three-year hiatus following The Smashing Pumpkins' 2000 break-up, with Zwan and their debut, MARY STAR OF THE SEA. Rounding out the group are former Pumpkins drummer Jimmy Chamberlain, Slint/Tortoise guitarist Dave Pajo, Skunk string-slinger Matt Sweeney and bassist from A Perfect Circle, Paz Lenchantin. Corgan does not disappoint as he resurrects the crashing guitars ...
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Raven Records, Australia's premier reissue label, does it again with the first true retrospective of pop chanteuse Jennifer Warnes. While it only covers her formative and blockbuster years (it cuts off well before Famous Blue Raincoat), it nonetheless sheds light on one of the truly brilliant song stylists who, in the crystalline grain of her voice, embodied -- whether she was on the charts or not -- the true restless spirit of radio pop from the era. Indeed, she is a perfect pop vocalist. The album is divided up into three sections. There are tracks from her first three albums, issued between 1968 and 1972, beginning with her cover of Joni Mitchell's "Chelsea Morning" and Lennon and McCartney's "Here, There and Everywhere." Her single of "Easy to Be Hard," recorded while she was in the Los Angeles production of Hair (she played Sheila), came from her second album, See Me, Feel Me, Touch Me, Heal Me, and was issued three months before the Three Dog Night version. This is the only cut from the sophomore effort, but her only Warner album in 1972 (called simply, Jennifer) is well represented here by covers of Jackson Browne's "These Days," Jimmy Webb's "P.F. Sloan," Barry Gibb's "In the Morning," and Donovan's "Sand and Foam." John Cale produced the album. The second half of this disc kicks off with one of the greatest pop singles of the 1970s; in Pete McCann's "Right Time of the Night," Warnes had found her place. In its plaintive yet dynamic delivery one can hear the everyday ache of lovers everywhere. Full of light and joy, it offered a different view of desire than had been heard on the radio before. Her version of the Jagger/Richards classic "Shine a Light" sounds as if it had been written for her, and carries within its melody and articulation the same reckless, wanton country-soul Linda Ronstadt did in her version of "Hasten Down the Wind." Her own "I'm Restless" is also included here, offering ...
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