X Los Angeles CD

Produced by Ray Mazarek (The Doors) in an attempt to capture the spirit of their infamous live performances, this groundbreaking studio debut is considered my many to be one of the most influential punk albums of all time. This Rhino Records release has been completely remastered and has 5 bonus tracks, including the demos of 'Adult Books', 'I'm Coming Over', an alternate version of 'Cyrano De Berger's Back', and the Dangerhouse version of 'Los Angeles'.

Available with WILD GIFT on 1 CD.
X: John Doe (vocals, bass); Exene Cervenka (vocals); Billy Zoom (guitar); D.J. Bonebrake (drums).
Additional personnel includes: Ray Manzarek (organ, synthesizer).
Recorded at Golden Sound Studios, Hollywood, California in January 1980.
Originally released on Slash (104). Includes liner notes by Kristine McKenna.
All tracks have been digitally remastered.
Personnel: John Doe (vocals); Billy Zoom (guitar); Ray Manzarek (organ, synthesizer); D.J. Bonebrake (drums).
Audio Remasterers: Dan Hersch; Bill Inglot.
Recording information: Hound Dog Studios, Los Angeles, CA (1977-1980); Kitchen Sync, Hollywood, CA (1977-1980); X's Garage, Los Angeles, CA (1977-1980).
Photographer: Frank Gargani.
By the late '70s, punk rock and hardcore were infiltrating the Los Angeles music scene. Such bands as Black Flag, the Germs, and, especially, X were the leaders of the pack, prompting an avalanche of copycat bands and eventually signing record contracts themselves. X's debut, Los Angeles, is considered by many to be one of punk's all-time finest recordings, and with good reason. Most punk bands used their musical inability to create their own style, but X actually consisted of some truly gifted musicians, including rockabilly guitarist Billy Zoom, bassist John Doe, and frontwoman Exene Cervenka, who, with Doe, penned poetic lyrics and perfected sweet yet biting vocal harmonies. Los Angeles is prime X, offering such all-time classics as the venomous "Your Phone's Off the Hook, but You're Not," a tale of date rape called "Johnny Hit and Run Paulene," and two of their best anthems (and enduring concert favorites), "Nausea" and the title track. While they were tagged as a punk rock act from the get-go (many felt that this eventually proved a hindrance), X are not easily categorized. Although they utilize elements of punk's frenzy and electricity, they also add country, ballads, and rockabilly to the mix. [In 1988 Los Angeles and Wild Gift were combined as part of a CD reissue by Slash Records.] ~ Greg Prato
Since its release in 1980, X's debut album LOS ANGELES has rightfully gone on to be widely heralded as one of punk rock's true classics. Produced by former Doors keyboardist Ray Manzarek, the album announced to the rest of the world the arrival of the West Coast punk explosion (which included such other acts as Black Flag, the Germs, Dead Kennedys, Circle Jerks, Fear, etc.). But X was more than just your average, ordinary punk band, as they weren't afraid to inject rockabilly riffs and poetic lyrics into the punk rock stew, as exemplified throughout LOS ANGELES.
The album spawned some of the quartet's best-known tracks, including "Johnny Hit and Run Pauline," "Nausea," "Los Angeles," and "The Unheard Music," while the 2001 Rhino Records reissue tacked on five extra bonus tracks. Of the newly included tracks, standouts include the forgotten early demo "Delta 88," as well as an early take of "Adult Books," which would be reworked on their sophomore release, WILD GIFT.
Rhino's 2001 X reissue series would have been welcome if all it did was restore their first three albums to print, not just because they're all superb, but because they'd been out of print for years. Also, Los Angeles and Wild Gift had only been available as a two-fer, without original artwork and with rushed sound (they were released in the first wave of CD reissues, after all). One listen to Los Angeles confirms that this reissue campaign is a first-ratSpin (5/01, p.108) - Ranked #4 in Spin's "50 Most Essential Punk Records" - "...Rip-your-granny-dress-and-hit-the-poetry-slam punk..."
Entertainment Weekly (9/28/01, p.75) - "...[Their] skewered harmonies made them the George and Tammy of urban dislocation..." - Rating: A
Q (p.106) - 3 stars out of 5 -- "[A] dark drawl around the City of Angels' dankest corners..."
Q (5/02 SE, p.144) - Included in Q's "100 Best Punk Albums".
Q (11/01, p.146) - 3 out of 5 stars - "...A sinewy 28-minute blast resembling a dour and acerbic B-52's..."
Uncut (12/01, p.118) - 4 1/2 stars out of 5 - "...[The album] came snapping from the traps, a furious, machine-gun spray of indignation..."
No Depression (11-12/01, p.108) - "...What guarantees their debut its exalted status is the band's wholly-formed attack - fast and lean..."