| | Mysteries Of Egypt CD
Mysteries Of Egypt Songs | 1. | Guaguanco |
| 2. | Didrenuou |
| 3. | Mambo Ricci |
| 4. | Jungla |
| 5. | Shanga |
| 6. | Conga |
| 7. | Banda |
| 8. | Rumba Abierta |
| 9. | Tempena de Mim |
| 10. | Meringue |
| 11. | Road March |
| | Mysteries Of Egypt Songs DISC 2: |
| 1. | Ja Mustapha |
| 2. | Susu |
| 3. | Jamalem |
| 4. | Zurini |
| 5. | Manzura |
| 6. | Bent L. Shalabijah |
| 7. | Ghuzajel |
| 8. | Ammer Jammuammer |
| 9. | Samer |
| 10. | Bahija |
| 11. | Layla |
| 12. | Jamal |
| | Mysteries Of Egypt Album DISC 3: |
| 1. | Andebdoea |
| 2. | Finshabi |
| 3. | Zinde |
| 4. | Larousa Hmis |
| 5. | Snara |
|
Mysteries Of Egypt Review
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Purchase Mysteries Of Egypt CD To buy, Click on price to add to cart | Patrizio Buanne Patrizio CD (2009)
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2009 third album from the sensational Italian vocalist produced by Humberto Gatica (Celine Dion, Andrea Bocelli, Michael Bublé).The album features contemporary but timeless interpretations of Italian and American classics, alongside some stunning new compositions. Songs include 'On the Street Where You Live', 'Crazy', 'Have You ...
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Michael Ross released his debut CD "We Finally Meet" in 1992. This CD was embraced by the smooth jazz radio station immediately. It was also released in Japan. We Finally Meet has a very sensuous but exciting touch. Michael Ross captured the mood of each song and he plays with conviction.Born in Chicago IL. and started taking private lesson at the age of thirteen and continued to pursue his craft in music.Later when he was older he began playing in jazz clubs. His music studies enabled him to become a staff musician at the Schubert Theater, performing a number of broadway plays. Michael Ross's sound is sometime compared to the likes of George Benson, but he has distinctly developed his own approach to convey his message in his music.He is someone you must hear.
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Usually, the best rock & roll songs are those that wear their craft lightly. If the first thing you notice is that the writer must have put tons and tons of thought into the crafting of the song, then what you're witnessing is a failure of craft. But there are exceptions to that rule, and this EP (notwithstanding its title) is one such exception. The Pale Pacific makes pop music that is intelligent, complex, and artsy without sounding in the least bit affected (well, maybe the least bit -- note the Jump, Little Children-style vocal breakdown on "Sucker Punch"), and straightforwardly hooky, even pretty, without sounding in the least bit simple. It's hard to follow the organizational structure of songs like "Identity Theft" and "In the Sun, Pt. 1," but they don't leave you feeling lost, either -- they have some kind of private, internal logic that makes it easy to just relax and enjoy the ride. (This is a stopgap EP; the group's full album, Urgency, includes three of these four songs.) ~ Rick Anderson
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With an unassailable punk rock pedigree earned from over 20 years in the trenches, No Use For a Name could be excused for taking a nice long break, but the journeyman act continues to endure here. THE FEEL GOOD RECORD OF THE YEAR is another in a long line of fine pop-punk LPs, with neither half of the equation neglected. Bittersweet melodies and choruses subtly color otherwise sturdy buzz saws with golden California sun. "I Want to Be Wrong" captures the secret melancholy of the Everly Brothers without resorting to retro costuming, and "Ontario" is a surprisingly beautiful and sad piano ballad that leads into the barn-burning album ender, "Pacific Standard Time". Whoever said that punks couldn't grow old gracefully isn't paying attention to the distinguished traces of silver creeping into No Use For A Name's style.
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