| | Susana Baca Lamento Negro CD - Import Susana Baca Discography of CDs
(1 Customer Review)
LAMENTO NEGRO won the 2002 Latin Grammy Award for Best Folk Album.
1986's Lamento Negro was recorded not in Susana Baca's native Peru, but in Cuba with a group of musicians left uncredited on the sleeve. (Before getting your hopes up, no, it doesn't sound like any members of the Buena Vista Social Club are involved.) Although elements of the more familiar Afro Peruvian style first introduced to U.S. audiences on 1997's Susana Baca are present and accounted for (note the glorious "Maria Lando"), Lamento Negro incorporates elements of Afro-Cuban jazz, Brazilian pop, and even classical art song. Most of the tracks, rather than being traditional songs, are musical settings of poems by the likes of Pablo Neruda, Mario Benedetti, and Cesar Vellejo. The resulting tracks are often bracing, but they tend to be hemmed in by the meter of the poetry itself; the recasting of Neruda's "Los Marineros," a funeral dirge set to a haunting, lovely string melody, is fascinating, but one does occasionally wish for the more subtle rhythmic looseness of Baca's more traditional records. The album was originally a Cuban-only release; it was issued in the U.K. and U.S. in 2001, apparently against Baca's wishes. ~ Stewart Mason
Recorded at EGREM Studios, Havana, Cuba.
Recording information: EGREM Studios, Havana, Cuba.
Editors: Julio Etchart; Jan Fairley; Paul Morris.
Introduction by: Jan Fairley.
Photographer: Julio Etchart. Susana Baca Lamento Negro Songs Lamento Negro Music Review Average Rating: (3 out of 5 stars)   Good CD, but not as good as her Eco De Sombras Album Lyrically, this is a beautiful CD. The majority of the songs are actually poems written by Pablo Neruda, so fans of the Chilean Poet would be very pleased.
The music however, while interesting, didn't move me. I may have been expecting too much, because I love her Eco de Sombras album, and that CD moves me. This album feels like they are trying to move the listener whereas Eco de Sombras simply did.
Despite my 3 stars Susana Baca's voice continues to brilliantly shine, and it is a good CD, just not as good as Eco. Submitted by jmqmurray (San Jose, CA)  Was This Review Helpful? Yes No
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Purchase Lamento Negro CD To buy, Click on price to add to cart | Oscar Noriega Luciano's Dream CD (2000)
Lamento Negro album
$13.25 Luciano's Dream is the long overdue debut recording from the fiercely talented young reedman Oscar Noriega. Like many downtown jazz players, Noriega's musical vision is very wide in scope, encompassing, from the sounds of this record, the rich history of jazz, myriad folk musics, as well as 20th century classical sounds. Thankfully, the album does not read like a hodgepodge of disparate musical influences, but rather a wide-ranging and satisfying musical document. Of course, this is due in no small part to his capable partners in crime: trumpeter Cuong Vu, guitarist Brad Shepik, and drummer Tom Rainey. This dexterous, bass-less quartet navigates Noriega's complicated charts with ease, from throwing down odd-meter grooves in "Funky Number 5" to displaying unearthly restrain with the delicate gypsy beauty of "The Z." Shepik is especially impressive; though the album does touch upon the jazz-inflected Balkan styles that have become ...
| | Matt Wilson Arts And Crafts CD (2001)
Lamento Negro CD music
$9.69 For his fourth Palmetto CD, Matt Wilson sends his regular quartet on a brief vacation and recruits Terell Stafford on trumpet, Larry Goldings on piano (not organ), and Dennis Irwin on bass. Previous efforts with the Matt Wilson Quartet and with Dewey Redman have gained Wilson a left-of-center reputation, but on Arts and Crafts the drummer confounds expectations altogether. He begins with Rahsaan Roland Kirk's "Stompin' Grounds," a no-frills ride through "Stompin' at the Savoy" changes. Two tracks later, the band runs down Bud Powell's "Webb City," packing an enormous punch without exceeding four minutes. But just when it seems this might be a bebop record, the band puts a boogaloo spin on Ornette Coleman's "Old Gospel" and throws yet more curves on Wilson's three adventurous originals. "Lester," written in honor of the late Lester Bowie, develops into a slow shuffle blues; "Final Answer," a diatonic free bop theme, features Goldings challenging the ears with some bracingly "outside" playing; and the title track, a slow groove, again finds Goldings ...
| | John Coltrane Love Supreme CDs (1964) Remastered; Deluxe Edition; Digipak
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$21.05 Digitally remastered using 20-bit technology by Erick Labson.
A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated.
A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above all--communication. Each simple musical statement is either followed by a motivic ...
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