System Of A Down Toxicity CD

Parental Advisory 5272356

System Of A Down: Serj Tankian (vocals, keyboards): Daron Malakian (guitar, background vocals); Shavo Odadjian (bass); John Dolmayan (drums).
Additional personnel: Rick Rubin (piano); Arto Tuncboyaciyan (background vocals).
Producers: David Schiffman, Greg Collins, Darren Morr.
Engineers: Rick Rubin, Daron Malakian, Serj Tankian.
Recorded at Cello Studios, Hollywood, California.
"Chop Suey!" was nominated for the 2002 Grammy Award for Best Metal Performance.
"Aerials" was nominated for the 2003 Grammy Awards for Best Hard Rock Performance.
System of a Down's 1998 debut was initially overlooked by the mainstream hard rock audience, as well as the specialized press. But heavy metal cognoscenti in both camps quickly realized that in their hands was a potentially crucial stepping stone for the future development of heavy metal. Sure enough, so challenging and groundbreaking were its contents that the album soared over most everyone's unsuspecting heads, its eventual gold sales status only achieved via Columbia Records' massive promotional muscle and nearly three years of intensive touring on the band's part. Consequently, early believers were pleasantly surprised when 2001's long awaited follow-up, Toxicity met with instant popular acceptance, skyrocketing up the charts toward multi-platinum success. Yet, for the most part, it also managed to retained SOAD's unorthodox signature sound: so-called "nu-metal" uniquely infused with remarkable originality, including angular riffs, jagged rhythms, and oblique lyrics splattered all over the place. Like its predecessor, Toxicity seems utterly chaotic upon first listen, but things quickly begin falling into place, thanks to a number of small refinements, not least of which is a more generous melody, obviously pre-meditated, but rarely overdone. In turn, this immediacy greatly improved the album's chances at radio -- case in point, first single "Chop Suey!," a track so potent not even September 11, nor mainstream radio's ensuing self-imposed, politically correct attempt at self-censorship, could tear from the airwaves (despite its none-too-discreet lyrics about suicide), the song's surprising success was reminiscent of another left-field hit from a decade earlier, Faith No More's "Epic" (hear its piano-led outro for proof). And sure enough, from the unexpected false starts of "Prison Song" to the relatively mellow conclusion of "Aerials," the band's heightened commercial sensibility continues to joust with their inherently quirky songwriting. The excellent title track, "Forest," and "Science" are among the most accessible standouts from an incredibly diverse set, the likes of which SOAD's inferior nu-metal peers could only hope to emulate. Lyrically, it's simply no contest. Whether tackling typical rock subject matter like drug abuse ("Needles") and groupies ("Psycho"), or embarking on inscrutable Dadaist gems like "Jet Pilot" and "Shimmy," co-songwriters Daron Malakian and Serj Tankain sound like are the bastard children of Frank Zappa and Slayer. And while sub-Rage Against the Machine political invective (unfairly attributed to their Armenian heritage) remains an integral part of the band's creative makeup (e.g. "Deer Dance," "Atwa"), Toxicity's approach is much more cautious in this regard than that of their incendiary debut. In conclusion, when a band takes this many left turns, you'd expect them to start going in circles sooner rather than later, but this is not the case with System of a Down. Hands down one of 2001's top metal releases, Toxicity may well prove to be a lasting heavy metal classic to boot. ~ Eduardo Rivadavia
While System of a down are often cast with the nu-metal crowd, their sound is closer to '80s thrash (and even hardcore punk) than to any of the rap-metal hordes. Grinding guitars and death-knell drums may be the order of the day, but they work in service of a highly developed socio-political consciousness. In fact,Rolling Stone (9/27/01, p.70) - 3.5 stars out of 5 - "...Both manic and schizoid, Tankian veers easily from sing-rap rhythm to Korn-ish hysterics to demonic baritone growl to doomily ruminative....the music insists on forward motion without trapping itself in a thrashy lock-step rut..."
Spin (1/02, p.76) - Ranked #1 in Spin's "Albums of the Year 2001".
Spin (p.89) - "System have an undeniable nerd-prog charm..."
Entertainment Weekly (9/7/01, pp.161-2) - "...Strange and engaging....It all adds up to bizarro type of meta; that has a warped majesty and strength..." - Rating: B-
Q (9/01, p.121) - 4 stars out of 5 - "...Matches Slipknot for manic intensity while employing a freeform approach to songcraft which invites comparison to the lunatic-fringe rock of the '60s..."
Alternative Press (2/02, p.64) - Ranked #9 in AP's "25 Best Albums of 2001".
Alternative Press (10/01, p.102) - 9 out of 10 - "...This is not pop music - this is psychic wreckage."
Mojo (Publisher) (p.54) - Ranked #93 in Mojo's "100 Modern Classics" -- "[T]he world's most darkly hilarious noise band had come of age."