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Sentimental Bus Sogento Kuzutetsu CD

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Sogento Kuzutetsu Music


Detailed Sogento Kuzutetsu Music Information



List Price $33.99 (You save $6.04)
Category World Albums, International CDs, Japanese
Label Sony Music
Orig Year 2001
CD Universe Part number 2082090
Catalog number 68551
Discs 1
Release Date Aug 06, 2001
Mono/Stereo Stereo
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Joao Gilberto is perhaps forever destined to be lesser known to casual jazz fans than his occasional collaborator Stan Getz (whose GETZ/GILBERTO albums introduced the United States to bossa nova) and his ex-wife Astrud Gilberto (whose shy, delicate voice made her one of the most distinctive and beloved jazz vocalists of the '60s). However, true fans of Brazilian music recognize that Gilberto is second only to Antonio Carlos Jobim as a writer and interpreter of traditional Brazilian music and Brazilian-influenced jazz. These two albums, collected in full on one CD, are among Gilberto's best solo albums. Alternating between ...
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The Italian version of EROS contains 2 songs that do not appear on the Spanish version. It also contains 8 songs that are completely re-recorded. At the height of his popularity, after establishing a fan base for himself across much of Western Europe as well as parts of the Spanish-language world, Italian singer/songwriter Eros Ramazzotti took some time off during the late '90s and released Eros, a greatest-hits compilation comprised primarily of newly recorded material. The 16-track compilation is comprised of five songs that appear in their original versions, nine that ...
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The debut album by the High Kings was issued by the same folks who had a hand in Celtic Woman and Riverdance, and consists of easy listening and buffed-and-polished Irish folk music of appeal to an audience that is comparatively massive for the world music fringe: this album made the lower levels of the Billboard Top 200 album chart. The High Kings is glossy and polite -- targeted perhaps toward listeners who enjoyed the pennywhistle on Celine Dion's "My Heart Will Go On" -- even on tunes that strive to be upbeat and frolicsome. ~ Stewart Mason The debut album by the High Kings, brought to you by the same folks who had a hand in faux-Celtic abominations like Celtic Woman and Riverdance, brings up an important philosophical question: just exactly what is the demographic for this blend of middlebrow easy listening and buffed-and-polished Irish folk music? More to the point, what does that audience ...
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Digitally remastered by Kevin Reeves and Jeff Willens (Universal Mastering Studios-East). This pairing of albums originally released in 1965 and 1966 shows what a subtly powerful force Smokey Robinson and the Miracles were. GOING TO A GO-GO opens with one of their biggest and most enduring numbers, "The Tracks of My Tears." As was the working method at Motown, other tracks on the album had their origins in assorted earlier or later sessions. But such was the cohesive identity of Robinson's songs and voice that, taken as a whole, it's a strikingly organic work. By turns soulful, funky, popish and doo-wop-influenced, it represents a time of enormous possibilities for Robinson, Motown and music in general. AWAY WE GO-GO continues the wining streak with Robinson's songs being joined by Holland-Dozier-Holland and a few other writers, including a pair by Burt Bacharach and Hal David, both of which are a perfect fit. Previously unreleased bonus tracks include the sweeping panorama of "Goin' Out of My Head" and a live version of "A Fork in the Road," where studio precision amazingly springs to perfect life on the stage. Gathering the first two long-players credited to Smokey Robinson & the Miracles, this two-fer compiles the 1965 and 1967 releases Going to a Go-Go and Away We a Go-Go. Admittedly, these are early entries into the voluminous Smokey catalog; artistically, however, both albums reflect the infinite talents of Robinson and company. Additionally, they are a testament to the cohesive, timeless, and fully developed sounds emanating from the inhabitants of Hitsville USA and the originators of the self-proclaimed Sound of Young America. Both LPs included copious hits, including "My Girl Has Gone," "Ooo Baby Baby," "Going to a Go-Go," "(Come 'Round Here) I'm the One You Need," and "Tracks of My Tears." However, equally enduring are the deeper album cuts that become more sharply defined when juxtaposed with the previously mentioned chart-topping and genre-defining works. "In Case You Need Love," "From Head to Toe," and "Let Me Have Some" are but a few of the up-tempo and rhythm-heavy sides that display the same "good-time" atmosphere as the title track, but became overshadowed in its wake. While the soul rattlin' "More, More, More of Your Love," as well as the crossover hit and leadoff track, "Whole Lot of Shakin' in My Heart (Since I Met You)," are featured on Away We a Go-Go, the album contains more than a few moments of pure and achingly sublime Smokey -- following in the tradition of the classic smoldering Motown love song. The dramatic brass arrangements on "You Don't Have to Say You Love Me" were obvious influences on the Thom Bell-led Philly soul revolution nearly a decade later. It is the delivery, however, that emotes this version over and beyond Dusty Springfield's more popular rendering. Likewise, the tight string arrangement on "Oh Be My Love" can directly be linked to the similar scores ...
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