| | Click Money & Muscle CD Click Discography of CDs
(4 Customer Reviews)
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MONEY & MUSCLE offers some hard-hitting hip-hop from an outfit that's got enough experience (not to mention collective skill) to present fresh rhymes and beats without abandoning rap verities. E-40, B-Legit, Celly Cell, and Suga T are all powerful performers in and of themselves, but when they pool they powers under the guise of The Click, it makes for a situation in which the whole is truly greater than its component parts. From "The Dope Track" to "I Mean What is It" and "Blowin' Hot Air," The Click consistently manages to combine its considerable linguistic skills with top-flight production and unfailingly propulsive beats for a hip-hop experience par excellence.
Additional personnel includes: W.C., Baby (rap vocals); Tone Capone, Bosko (various instruments).
Parental Adv. Click=E-40,Celly Cel,B-Legit,Suga T.
Producers include: Ric Roc, Bosko, Tone Capone, Studio Tone, DJ Fingers.
Engineers include: D-Wiz, Bosko, Ant Banks.
Personnel: D-Wiz (vocals, guitar); Bosko (talk box, programming); Anita Banks, Tone Capone (programming).
Audio Mixers: D-Wiz; Doug Wilson; Michael Denten; Rick Rock; Studio Ton; Tone Capone; Bosko.
Recording information: Bad Ass Beat Lab, Oakland, CA; Bosko's Chicken & Beats Studios, Los Angeles, CA; Sound on Sound Studios, New York, NY; The Cosmic Slop Shop, Sacramento, CA; The Orange Room, Danville, CA; Uppa Level Studios, Fairfield, CA.
The Click: E-40, B-Legit, Celly Cell, Suga T.
Click Money & Muscle Songs | 1. | Sick Wid It Special (Skit) | |
| 2. | It's All the Same - (featuring Baby/WC)  | |
| 3. | Say Dat Den | |
| 4. | Victor Baron | |
| 5. | Issues | |
| 6. | Dope Track, The | |
| 7. | Family | |
| 8. | Num Num Juice | |
| 9. | Hector da Ho Protector (MP3) | $0.99 | |
| 10. | Blowin' Hot Air | |
| 11. | Gimme Dat | |
| 12. | I Mean What Is It | |
| 13. | Do da Damn Thang | |
| 14. | What You Gon Do About It | |
| 15. | Money Luv Us | |
| Money & Muscle Music Review Average Rating: (4.8 out of 5 stars)   flamtastic what did you expect, for the click to fall off.never that.the beats are tight, e-feezy is ripping.its off the rictormeter pimping. Submitted by a reviewer (sacramento,ca)  Was This Review Helpful? Yes No
Best Click EVER!!! this is a mustbuy...best click album I've ever heard. Submitted by Dark Lotus (Poznan. Poland) Was This Review Helpful? Yes No
E-40 don of the westcoast rap game e-40 =platinum status puts it down for the westcoast like it's supposed to be put down, you know. Submitted by a reviewer (oakland, ca, usa) Was This Review Helpful? Yes No
WEST COAST AT ITS FINEST E-feezy holds it down whoever he rhymes wit....not sayin tht the click wudnt b good witout him but he definately makes them shine....check out tracks such as its all the same, say dat den, victor baron,num num juice, gimmie dat and money luv us.....tight cd....stay away from 10 and 13 and u r good 2 go....the rest r tight....E-40 does his thang....this is real west coast hip hop PICK THIS UP bottomline. Submitted by a reviewer (youngstown, oh) Was This Review Helpful? Yes No
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| | Nick Lowe Jesus Of Cool: 30th Anniversary Edition CD (1978) Reissue; Digipak
Money & Muscle album
$12.55 Nick Lowe's first album threw down the gauntlet in grand form--a baker's dozen of "pure pop for now people" (which is, in fact, what a nervous Columbia Records retitled the album for its stateside release). Lowe was charting regularly in his English homeland, and though he didn't reach the same heights of chart success in America, several songs have become familiar late '70s/early '80s reference points, particularly "I Love The Sound Of Breaking Glass" and "So It Goes." At the time of this album's release Lowe was also the house producer for Stiff Records (Britain's first independent record company) and Elvis Costello, producing his first handful of albums, as well as touring regularly with Rockpile. This is an auspicious debut, made good upon thereafter by a continuingly engaging career.
On the cover of his solo debut album Jesus of Cool, Nick Lowe is pictured in six rock & roll get-ups -- hippie, folkie, greasy rock & roller, new wave hipster -- giving the not-so-subtle implication that this guy can do anything. Nick proves that assumption correct on Jesus of Cool, a record so good it was named twice, as Lowe's American record label got the jitters with Jesus and renamed it Pure Pop for Now People, shuffling the track listing (but not swapping songs) in the process. As it happens, both titles are accurate, but while the U.K. title sounds cooler, capturing Lowe's cheerfully blasphemous rock & roll swagger, Pure Pop describes the sound of the album, functioning as a sincere description of the music while conveying the wicked, knowing humor that drives it. This is pop about pop, a record filled with songs that tweak or spin conventions, or are about the industry. Only a writer with a long, hard battle with the biz in his past could write "Music for Money" and much of Jesus of Cool does feel like a long-delayed reaction to the disastrous American debut of Brinsley Schwarz, where the band's grand plans at kick-starting their career came crumbling down and pushed them into the pubs. Once there, the Brinsleys spearheaded the back-to-basics pub rock movement in England and as the years ...
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