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Choosing to extinguish the band name under which Gira and Jarboe had worked together for so long must not have been an easy step, but when they decided to end Swans with one last studio release as a prelude to a farewell tour, they did so with what turned out to be their biggest and best album ever. Interestingly, the double-disc, two-and-a-half-hour long Soundtracks makes no pretensions at being a uniform creation like The White Album or Mellon Collie and the Infinite Sadness; Gira's own notes indicate the song sources as being from "hand-held cassette recordings to found sounds, to samples, to loops, to finished multitrack recordings," recorded with ten different musicians. Everything from raging electric music in extreme to the gentlest of acoustic strums can be found here, ultimately being a perfect encapsulation of Swans' sound -- as much as any greatest-hits anthology could ever have been. "The Helpless Child," the epic-length Gira-sung piece previewed on Die Tür ist Zu, amazingly gets an even more brilliant revision here, while another similarly lengthy track, "The Sound," at once roars and whispers over its length in a way that early Swans -- much less many other bands -- could never have done. Other tracks continue Swans' then-recent practice of mixing random taped conversations with exquisitely arranged performances: "I Was a Prisoner in Your Skull" is especially noteworthy as the clear forerunner of Godspeed you Black Emperor!'s entire musical approach. Jarboe's own tracks are all winners, from the fractured, tempo-shifting techno of "Volcano" to the howling live version of a solo album track from Sacrificial Cake, "Yum-Yab Killers." Ending on the unexpected yet appropriate "Surrogate Drone," Soundtracks lets Swans bow out from recording on the highest note possible. ~ Ned Raggett
2-CD;;1997
Alternative Press (2/97, p.55) - 5 (out of 5) - "...Swans' out-and-out noise may have receded into quietude and somnolent hypnoscapes, but this monster of an album will leave ripples pulsing out for many years to come." Soundtracks For The Blind Music Swans Soundtracks For The Blind Songs | 1. | Red Velvet Corridor |
| 2. | I Was A Prisoner In Your Skull |
| 3. | Helpless Child |
| 4. | Live Through Me |
| 5. | Yum-Yab Killers |
| 6. | The Beautiful Days |
| 7. | Volcano |
| 8. | Mellothumb |
| 9. | All Lined Up |
| 10. | Surrogate 2 |
| 11. | How They Suffer |
| 12. | Animus |
| Soundtracks For The Blind Review
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Purchase Soundtracks For The Blind CD To buy, Click on price to add to cart | Swans Various Failures (1988-1992) CDs (1999)
Soundtracks For The Blind album
$16.95 VARIOUS FAILURES contains material from THE BURNING WORLD, WHITE LIGHT FROM THE MOUTH OF INFINITY, LOVE OF LIFE and 10 SONGS FOR ANOTHER WORLD, a side project from longtime Gira collaborator Jarboe.
Swans made their early career by crafting a series of bludgeoning albums that foretold noise rock by at least a decade. By 1988, however, the initial explosion ...
| | Swans Filth/Body To Body, Job To Job CDs (2000)
Soundtracks For The Blind CD music
$13.99 This collection includes the 1983 album FILTH and various studio out-takes and live recordings from 1982 to 1985, originally released as BODY TO BODY, JOB TO JOB.
From the center of New York's celebrated downtown music scene emerged a most ugly ducking, the Swans. With a sound like a ditch witch stuck in a tar pit, in 1982 the Swans were the height of noise. Musically, it would be termed proto-industrial, proto-noise rock, but aesthetically it was a sound shot through the axes of power. Strung between the poles of domination and submission, the Swans created a music with a sexually dark, malefic vision of society as despotic and individuals as subjugated to the point of dissolution. This double album, part of a planned ...
| | Angels Of Light How I Loved You CD (2001)
Soundtracks For The Blind music CDs
$12.95 Arguably Michael Gira's finest work outside of his pioneering noise band, Swans, HOW I LOVED YOU is an atypically low-key, at times downright beautiful album blending acoustic guitar, piano, accordion, banjo, and quirky orchestrated passages underneath Gira's conversational vocals. One of the centerpiece tracks is called "Song For Nico," and comparisons to classic Nico albums like THE MARBLE INDEX and DESERTSHORE are not far off the mark. Serge Gainsbourg circa HISTOIRE DE MELODY NELSON is another musical touchstone: while Gira's album is nowhere near as musically lavish, ...
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| | Angels Of Light Everything Is Good Here/Please Come Home CD (2003)
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$13.09 Slouching like a pagan funeral parade towards the genre crossroads between 18th century Appalachian murder ballads and 1970's New York experimentalism comes this third Angels of Light album, a true peak in the vast output of leader Michael Gira. The songs ...
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