| | Glenn Yarbrough San Francisco Tapes: First Set CD Glenn Yarbrough Discography of CDs
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Our Price: $13.59  CDFor Sale Usually ships in 1-2 days
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Includes liner notes by Chris Olker.
Prev.Unrel;Live At The Hungry I On 8/9/65
Audio Remixer: Dr. Toby Mountain.
Recording information: The hungry i, San Francisco, CA (08/09/1965). San Francisco Tapes: First Set Music Glenn Yarbrough San Francisco Tapes: First Set Songs San Francisco Tapes: First Set Review
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This compilation features selections from 9 albums originally released on Elektra between 1964 and 1975.
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| | Michael Martin Murphey Cosmic Cowboy Souvenir CD (1973)
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Revealing Michael Martin Murphey's philosophical tendencies as well as his preference to drift into deep, thoughtful songs, Cosmic Cowboy Souvenir addresses the type of artist that Murphey truly is. The material on Cosmic Cowboy Souvenir is borderline romantic, but the album doesn't get too convoluted, too intricate, or too commercial sounding, and it manages to keep its simplicity and rustic charm intact. Tracks like "Cosmic Cowboy, Pt. 1," "Alleys of Austin," and the beautiful "South Canadian River Song" blend a certain amount of guilelessness with Murphey's own brand of urban poignancy, laying claim to Murphey's trademark as a "non-traditional" country music artist. The songs emerge as wholesome and wonderfully unceremonious, cashing in on Murphey's unconfined image and using it to give his material its wandering, nomadic quality in both the lyrics and the wide variety of string work. Even cuts like "Prometheus Busted" and "Drunken Lady of the Morning" keep the album's unbounded feel from sounding conventional or overindulgent without much effort. Although it spawned no hits, Cosmic Cowboy Souvenir is the album that quietly proclaimed Murphey as a progressive country artist, even though the material that was to follow would extend this style to even greater lengths. ~ Mike DeGagne
Michael Martin Murphey's enigmatic second album for A&M, Cosmic Cowboy Souvenir, in many ways began an enigmatic period in Texas music during the early 1970s. Like its predecessor, Geronimo's Cadillac, Cosmic Cowboy Souvenir was produced by the legendary Bob Johnston. Unlike Geronimo, this set is more introspective, with starker, more elegant textures and more surreal lyrical landscapes. The title track which opens the album is a free flowing country-ish tune carried by unplugged six strings, pedal steel, and muted trap drums. Murphey was deep into the mythological archetypes of his Southwestern heritage -- albeit with a hippie's sense of time, place and cosmology. The ease and good-time grace that permeate the tune make it a natural Austin, Texas anthem. From there, ...
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In contemporary country music, it's a rare performer who will dare to take on the industry on her own hogs-and-kisses terms. But for the artist whom Nanci Griffith has called 'this generation's Loretta Lynn,' it takes a certain tenacity to meld smart attitude with classic tradition, the credibility of a life lived with genuine hillbilly passion, and the integrity to write an acclaimed cache of uncommonly cool songs. In other words, for Elizabeth Cook, it takes balls. Balls is the bold declaration of an uncompromising artist unafraid to be exactly who she is. Produced by Rodney Crowell, 9 of the album's 11 tracks are written or co-written by Elizabeth - including the brash anthem 'Sometimes It Takes Balls To Be A Woman' - and the album stands defiant in its devotion to smiles, tears and sexy, sassy swagger. It's a fiercely independent ride where shuffles, ballads and even the occasional juice harp can soar alongside an exquisite cover of The Velvet Underground's 'Sunday Morning.' Balls is, quite simply, Elizabeth Cook's unabashed breakthrough. 'I still can't believe I got away with going into the studio and cutting these songs,' she says with a laugh, 'I feel like I've just robbed a convenience store. ' 'In an era of fabricated fame, Elizabeth is the real deal,' says Rodney Crowell, the legendary singer/songwriter whose work as producer has also included acclaimed records with Guy Clark, Beth Nielsen Chapman, Jim Lauderdale and five landmark albums with Roseanne Cash. 'Elizabeth has a quirky Loretta sensibility that is positively poetic. She's got that Emmylou quality that inspires those around her. ...
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