| | Testify Triviality Beyond Acceptance CD Testify Discography of CDs
Testify: Myk Jung (vocals, programning); Ulf H. (guitars); Moses W.(guitars, programming); Mathias Black (programming).
5th Rel
Triviality Beyond Acceptance Music Testify Triviality Beyond Acceptance Songs | 1. | White Skinned Heroine |
| 2. | Fragile Puppet |
| 3. | Grinning Sun |
| 4. | Invisible Hell (The Plumpsack) |
| 5. | Abuser's Gabble |
| 6. | Entanglement of Sexus, The |
| 7. | Karl Found Out: The Definition |
| 8. | Braindead Friction |
| 9. | Seed of Wrath, The |
| 10. | Dumb/Numb/Gun |
| 11. | Under the Cold Moon |
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Triviality Beyond Acceptance Review
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Purchase Triviality Beyond Acceptance CD To buy, Click on price to add to cart | Shrinebuilder CD (2009)
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| | Swallow The Sun New Moon CD (2009)
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| | Loudness Thunder In The East CD (1985)
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Loudness was a Japanese hard rock quartet that had numerous hit albums in the 80's and early 90's. Thunder In The East reached number 74 on the Billboard charts in 1985. Wounded Bird. 2003.
With 1985's Thunder in the East, Loudness were faced with the daunting challenge of conquering heavy metal fans outside their homeland of Japan for the first time. Knowing that their early sound might prove a tad too heavy and complex for American audiences, the foursome rose to the occasion by dispensing their most melodic compositions ever. Yet, except for a few obvious examples, like "We Could ...
| | Baroness Blue Record CD (2009)
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| | Dio Holy Diver CD (1983)
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Despite recording two hit studio albums with Black Sabbath (1980's HEAVEN AND HELL and 1981's THE MOB RULES) and playing throughout the world ...
| | Judas Priest Screaming For Vengeance CD (1982)
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$6.75
Also available in a 3-pack with BRITISH STEEL and POINT OF ENTRY.
In the early '80s, a new musical movement, dubbed "The New Wave of British Metal," swept across England. The conspirators include such heavy bands as Iron Maiden, Motorhead, Saxon, and Def Leppard, but Judas Priest is often credited as the originator and leader of the pack. Rob Halford's vocal histrionics and the dual guitar attack of K.K. Downing and Glen Tipton mesmerized metal-heads everywhere. While Priest had been together since the early-'70s, the band's big U.S. breakthrough came with 1982's SCREAMING FOR VENGEANCE.
Like most other metal bands that broke through in the early '80s (Motley Crue, Twisted Sister, etc.), Judas Priest took advantage of the then-developing video medium. MTV put the clip ...
| | Dramatics Somewhere In Time (A Dramatic Reunion) CD (1986)
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This Fantasy release doesn't compare to their Volt or ABC releases, but it has some enjoyable moments. Original lead William "Wee Gee" Howard ("In the Rain") reunites with Ron Banks, Lenny Mayes, Willie Ford, and L.J. Reynolds for a new twist: ...
| | Opeth Morningrise CD (1996) (Import) Import; Australia
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$14.35 
Opeth's debut, Orchid, was quite an audacious release, a far-beyond-epic prog/death monstrosity exuding equal parts beauty and brutality -- an album so brilliant, so navel-gazingly pretentious that, in retrospect, Opeth's future greatness was a foregone conclusion. Fact is, these Swedes -- with the opening cut, "In Mist She Was Standing," exceeding the 14-minute mark -- laid their cards on the table at the beginning of the hand and still took the pot, so ambitious and convincing is the band's artistic vision. And while the record finds the group searching for the razor-sharp focus and prominent emotional hook put forth on the later, classic releases My Arms, Your Hearse, Still Life, and Blackwater Park, Orchid is still an exhilarating listen, with the band meshing double-time death tempos with bleak, frostbitten riffs and moodily expansive, jazz-influenced, melodic instrumental passages sporting an abundance of delicate acoustic guitars and pianos. Mastermind Mikael Akerfeldt's guttural growls puncture the nearly interminable arrangements with the kind of brutality that stops die-hard death and black metal fans from giving up on the lengthy arrangements completely, although with five exorbitant cuts clocking in at ten-plus minutes (three of them over 13 minutes), some fat-trimming would have kept things even remotely manageable. Still, one has to admire Opeth's unwavering adherence to the album's astoundingly depressive tone, Orchid being a near-brilliant ode to misery that would kick the door down for Akerfeldt and his cohorts to claim sole ownership of a well-conceived and, at the time, startlingly unique sound. [Note: Orchid was originally released in 1995 and reissued in 2000 by London-based label Candlelight with a bonus track, "Into the Frost of Winter," a considerably gritty, unproduced rehearsal recording from 1992; not surprisingly, the band vastly improved their songwriting and instrumental skills prior to Orchid's release. Parts of the track would eventually morph into the song "Advent" on Opeth's 1996 album Morningrise.] ~ John Serba
While they have taken a different approach with each album, Opeth has a very distinct and instantly recognizable sound: somber, mysterious, and very serious. Their style falls at a meeting point between melodic Swedish death metal and '70s progressive rock, though without any of the technical busyness that description might imply. Morningrise is, as far as the metal ...
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| | Fire Deuce Children Of The Deuce CD (2005) Extended Play
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| | G Zero + Acidplanet Locked N Loaded CD (2008)
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