Death Cab For Cutie Photo Album CD

3rd full-length from Seattle indie darlings features guest appearances by Sean Nelson, John Vanderslice & James Mendenhall ,on Barsuk Records.

Death Cab For Cutie: Benjamin Gibbard, Nicholas Harmer, Michael Schorr, Christopher Walla.
Audio Mixer: Christopher Walla.
Unknown Contributor Role: Michael Schorr.
2000's We Have the Facts and We're Voting Yes delivered on the promise of You Can Play These Songs with Chords and Something About Airplanes. For once, a band's popularity grew commensurate with its maturation. Despite the heightened attention, singer/songwriter/guitarist Ben Gibbard next let loose Death Cab for Cutie's finest moment, "Photobooth," the lead track on the sparkling Forbidden Love EP. New fans worldwide swooned under its beguiling romantic rise 'n' fall and its lingering, bittersweet, wallet-sized artifact. And though it wouldn't have killed them to include "Photobooth" here -- for its spotless greatness and thematic likeness -- The Photo Album's ten tracks are of the EP's heightened caliber. Gibbard's words screen intriguing mini-films of the mind, stoked by corresponding daydreamy music. An exquisite liaison of the British penchant for ringing, knelling, subconscious guitars, and direct/grittier American drive, the band is tight, evocative, and inventive. Bassist Nick Harmer and drummer Michael Schorr lock in creative rhythmic bases, while Gibbard and Chris Walla's guitar work give the band climactic, cinematic coloring shades. And, in the end, it's Gibbard's remarkable abilities as a writer and singer that are on display most. Each word draws you in via his sweet-guy thoughtful voice. The solo 1:47 opener "Steadier Footing" is merely a starter course, but it feels like an entrée: "And this is the chance I never got/To make a move, but we just talk" is only one measure of the chances/plans/dreams/connections and relationships that have eluded him or fizzled. Reeled in, one is left to look back over one's own smoldering wreckage, of opportunities or attachments lost -- much as "Movie Script Ending"s abrupt turn, "Passing through unconscious states/When I awoke I was on the highway," somehow segues into the couplet, "With your hands on my shoulders/A meaningless movement, a movie script ending." Like "Photobooth," it's a typically sobering, adverse assessment of how unromantic the romanticized can become. That it's a great pop song, arresting in its jerky wobble, is just another point in its, and this LP's, favor. The world needs more superb pop with brains and heart and emotional complexity. ~ Jack Rabid

Spin (11/01, p.138) - 7 out of 10 - "...10 tracks of heart-baring guitar-doodles by and for people who'd rather talk about feelings than have them..."
Q (3/02, p.118) - 3 stars out of 5 - "...Full of beautiful pop songs, THE PHOTO ALBUM is just that - a collection of vignettes from songwriter Ben Gibbard..."
Alternative Press (12/01, p.76) - 8 out of 10 - "...An intimate, down-to-earth affair..."
Magnet (12-1/02, p.82) - "...Gibbard is in transit, singing songs of traveling across America while his bandmates slowly perfect the post-punk melodies that snake their way through these crooked pop songs. It's a great pairing..."
CMJ (10/8/01, p.16) - "...These musical snapshots are worth treasuring..."
Mojo (Publisher) (April 2002, p.96) - "...Death Cab weave together smartly taut guitars with vivid observational lyrics to creat perfectly crafted pop songs, stunning in their simplicity and beauty..."