| | Loyko Gypsy Times For Nunja CD - Import Loyko Discography of CDs
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Loyko: Sergey Erdenko (vocals, violin); Leonsia Erdenko (vocals); Georgy Osmolovsky (violin); Alesha Bezlepkin (guitar). Gypsy Times For Nunja Music Loyko Gypsy Times For Nunja Songs | 1. | Gambrinus |
| 2. | Gypsy Time |
| 3. | Gypsy Street |
| 4. | The Return Of The Gypsy Maestro |
| 5. | Novo Bersh |
| 6. | Marjanja |
| 7. | Vishnya |
| 8. | Moroz |
| 9. | Osen |
| 10. | Christmas Present For Nunja |
| 11. | Shel Me Versty |
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Gypsy Times For Nunja Review
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WORLD WIDE UNDERGROUND was nominated for the 2004 Grammy Award for Best R&B Album. "Back In The Day" was nominated for Best Female R&B Vocal Performance. "Danger" was nominated for Best Urban/Alternative Performance and for Best R&B Song.
Despite being classified as an EP, the near 50-minute length of WORLD WIDE UNDERGROUND makes it closer to being Erykah Badu's fourth full-length outing. Inspired by the Frustrated Artist Tour that found this Texan crisscrossing the world in 2002, Badu uses a very groove-oriented and loosely defined approach towards these songs, thanks to the collaborative skills of her fellow members in the Freakquency team--James Poyser, Rashad "Ringo" Smith, and RC ...
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The Bajofondo Tango Club, whose mix of electro-acoustic nuevo tango is fascinating, seems to be trying to set itself up as a sort of young, hip version of Cuba's Buena Vista Social Club with this solo release from youngest member Luciano Supervielle. It's an odd disc, with several wisps of tango in tracks like "Decollage" and "Perfume" or "Tanogodrome," but ambitions toward classical, hip-hop and also downbeat electronica. As such, it's not a disc that gets in your face, but floats gently and lovingly in the background, with enchanting melodies and arrangements -- a bit more than background, but not enough to claim attention for its entire span. Also included is a second disc of remixes, and as usual, they're a mixed bag. Androval's take on "Miles de Pasajeros" comes close to house and garage in its thumping bass, while Omar takes the same tunes and brings it into hip-hop noir. Calvi & Neill have three runs at "Perfume," ranging from a lovely version that emphasizes the tango of the piece with echoes of dub to more rhythmic, passionate moves. So what to make of all this? Superveille is a composer and arranger of definite talent, and the main album (at least) is easy to listen to. But a little more focus might bring greater ...
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When Leila Pinheiro was born in 1960, bossa nova would only have a few years of life. But, taken by the expression of the pure samba, and the harmonic sophistication and the performing standards of that style, she knew how to make it hers, strongly linking her career to it. The cover of this album, for example, is a respectful tribute to Joao Gilberto's "Chega de Saudade" (1959), but she is fortunately open to new ideas and avoids clichés: The exquisite duo rendition (singer/double bass) for the true samba do ...
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The Bouchards formed in the summer of 2006 when ex Rank and File drummer Bob Kahr moved to Seattle and met Dennis Tevlin and Bill Preib. Tevlin and Preib were performing at house concerts and coffee houses and wanted to expand their horizons by adding a rhythm section. In Kahr they found a kindred spirit who could swing the beat and sing three part harmony. They then found another new Seattleite, former Tracy Chapman bassist Andy Stoller. With this quartet in place the Bouchards started recording the basic tracks for what would become High ...
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