| | Jo Hisaishi Joe Hisaishi Meets Kitano Films Soundtrack CD (1 Customer Review)
Polydor. 2001. Joe Hisaishi Meets Kitano Films Soundtrack Music | List Price | $54.98 (You save $8.39) | | Category | Soundtrack Albums | | Label | Polygram | | Orig Year | 2001 | | All Time Sales Rank |  214635  | | CD Universe Part number | 2190576 | | Discs | 1 | | Release Date | Jun 21, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Import |
Jo Hisaishi Joe Hisaishi Meets Kitano Films Soundtrack Songs | 1. | Intro - Office Kitano Sound Logo |
| 2. | Summer (Kikujiro) |
| 3. | Rain (Kikujiro) |
| 4. | Drifter ... In Rax (Brother) |
| 5. | Raging Men (Brother) |
| 6. | Ballade (Brother) |
| 7. | Brother (Brother) |
| 8. | Silent Love (Main Tame) (A Scene at the Sea) |
| 9. | Clifside Waltz III (A Scene at the Sea) |
| 10. | Bus Stop (A Scene at the Sea) |
| 11. | Sonatine I : Act of Violence: (Sonatine) |
| 12. | Play on the Sands (Sonatine) |
| 13. | Kids Return (Kids Return) |
| 14. | No Way Out (Kids Return) |
| 15. | Thank You, ... For Everything (Hana-Bi) |
| 16. | Hana-Bi (Hana-Bi) |
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Joe Hisaishi Meets Kitano Films Soundtrack Music Review Purchase Music From Joe Hisaishi Meets Kitano Films CD To buy, Click on price to add to cart | Ghost World DVD (2001) Widescreen; Subtitled
Joe Hisaishi Meets Kitano Films Soundtrack album
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Bob Balaban, Brad Renfro, Illeana Douglas, Scarlett Johansson, Steve Buscemi, Thora Birch - Director: Terry Zwigoff
Terry Zwigoff finally follows up his 1994 breakout success, CRUMB, with this infectious, insightful, and ultimately sad look at teenage angst and boredom in suburbia that recalls such films as WELCOME TO THE DOLLHOUSE and ...
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Joe Hisaishi Meets Kitano Films Soundtrack CD music
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Joe Hisaishi Meets Kitano Films Soundtrack music CDs
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| | On Her Majesty's Secret Service CD (1969) Remastered; BNS
Joe Hisaishi Meets Kitano Films Soundtrack songs
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The 2003 remastered edition includes a previously unreleased score.
John Barry's best score for any James Bond movie -- including the best song ("We Have All the Time in the World") ever written for any movie in the series -- is reasonably well represented on this CD. Barry had already begun adding more diverse and complex orchestral pieces to his underscoring and greater lyricism to his songs with the preceding movie, You Only Live Twice, and he continued the process with On Her Majesty's Secret Service. The serious nature of its plot, however, and the unique mood of the movie, dictated that almost an entirely new score be devised: the brassy "007 Theme," which had appeared in three prior films, was absent, and the "James Bond Theme" was re-arranged. Barry also wrote one of his longest and most easily embellished action themes (heavily featuring the synthesizer, an instrument new to film scores), and dressed it up with a string section playing running scales that is startling to hear in stereo, with the discreet separation of the orchestral ...
| | Throne Of Blood DVD (1957) Subtitled
Joe Hisaishi Meets Kitano Films Soundtrack album
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Akira Kurosawa's stunning reconception of Shakespeare's MACBETH is a dark samurai drama, set in feudal Japan. As the film begins, two soldiers--Washizu (Toshirô Mifune) and Miki (Minoru Chiaki)--find themselves lost in a dense forest during a powerful ...
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Joe Hisaishi Meets Kitano Films Soundtrack CD music
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| | Best Of James Bond-LTD Ed 30th Anniversary Best Of James Bond-30th Anniversary CDs (1992) Original Soundtrack; Limited Edition
Joe Hisaishi Meets Kitano Films Soundtrack album
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This 2-CD set includes a booklet tracing the history of Bond films and soundtracks, complete track annotations, movie still photos and original album and single art. In addition, this compilation contains rare and previously unreleased versions and radio spots, including "The Thunderball Suite," a 20-minute collection of the original background score music heard throughout THUNDERBALL.
Digitally remastered by Bob Norberg ...
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Joe Hisaishi Meets Kitano Films Soundtrack CD music
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| | John Tabacco and Meryl Mathews Fuzzy Gray Logic CD (2007)
Joe Hisaishi Meets Kitano Films Soundtrack album
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Fuzzy Gray Logic is actually the name of the group Meryl Mathews and I came up with many years ago. A boy and a girl with similar background influences just testing the waters, tossing around musical ideas that we thought would be fun to listen to... In fact, five of these tunes originated during one night long session we had at Back Door Studios in Huntington Station, NY. That night sparked us to complete this collection. We were fortunate to have such fine players as Steely Dan's be-bop guitarist Drew Zingg, David Byrne's hard hitting drummer Todd Turkisher, Joe Jackson's violinist Todd Reynolds, Peter Noone's arranger Chris Pati on guitar, Hiromi's wonder kid bass guitarist Mitch Coen, and WUSB's Jim Dexter on guitar to name a few who helped us see our musical vision to fruition. For the continuity ...
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Joe Hisaishi Meets Kitano Films Soundtrack CD music
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In 1988, guitarist/composer Ray Russell climbed onto the Montreux Jazz Festival stage with a crack band comprised of rhythm team Mo Foster and Simon Phillips, trumpeter Stuart Brooks, and keyboardists Tommy Eyre and Tony Hymas. The success of their show convinced Russell to capture this unit for posterity, and bolstered by saxophonists Iain Ballamy and Tony Roberts, the group entered the studio. A Table Near the Band was the result, a set originally released in 1989 and now reissued by Angel Air. Within, the group laid down seven pieces in a range of fusion styles, but all given the cinematic sheen that today is Russell's trademark. "Guadeloupe" opens the set in fine style, a delightful number that swings from synth-led rock to avant-garde jazz, all spiced up by calypso-fied Latin flavors. Crossing the Atlantic, the group revisits Gil Evans' "London," with the late keyboardist helping rework his composition, blending together blues, jazz, and rock into a smoky piece that echoes of the capital's jazz club past. "Snow (A Passing Phase)" was composed by Russell for the movie Colorado, and here lightning strikes of guitar slice through a frigid vista. "Avian," in contrast, with its percolating rhythm and jazzy piano and sax, soars in and out of prog rock -- as does the rest of the set, as the musicians blur the boundaries between free-form jazz and '70s rock, with the set ending with the title track's exploration of pure avant-garde jazz. The musicianship is as high caliber as one would expect, and ...
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