| | Usher 8701 CD - Import Usher Discography of CDs
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Features 17 tracks, including 'Pop Ya Collar' and the single 'U Remind Me'. P. Diddy also makes an appearance on the track, 'I Don't Know'.
This is an Enhanced CD which contains regular audio tracks and multimedia computer files. Personnel includes: Usher, P. Diddy, Kelis (vocals); Jermaine Dupri (vocals, various instruments); Soulshock (various instruments, turntables); Pharrell Williams, Chad Hugo, Jimmy Jam, Terry Louis, Babyface, Bryan-Michael Cox, Karlin (various instruments); Dave Barry (acoustic guitar); William "Billy" Odum, Juan "Johnny" Najera, LaMarquis Jefferson (guitar); Valdez Brantley (keyboards, programming); Arthur Strong, James "Big Jim" Wright (keyboards); Stokley (drums); Alex Richbourg (programming); Sheree Ford-Payne, Bria Fuentes, Raymond Ford, Tajuanna Ford (background vocals). Producers include: Edmund "Eddie Hustle" Clement, Jimmy Jam, Terry Lewis, The Neptunes, Jermaine Dupri. Engineers include: John Frye, Mark Rains, Bryan Garten. "U Remind Me" won the 2002 Grammy Award for Best Male R&B Vocal Performance. "U Don't Have To Call" won the 2003 Grammy Award for Best Male R&B Vocal Performance. This is a German import version. Photographer: Christian Lantry. Usher has the reputation as a loverman, largely because he fits the bill so well. He looks good, his material is smooth and seductive, and he has a nice voice, even if he tends to favor melisma. This has been true throughout his career, and remains true on his third album, 8701, a classy, seductive affair masterminded by Usher, Jermaine Dupri, and Antonio "L.A." Reid. There's not much new here, but Usher does move further in both directions -- the ballads are lusher, the dance numbers hit a bit harder -- but not so much so that it's really noticeable. Overall, the record is probably his strongest yet, but he still suffers from a lack of really memorable material (the singles usually are pretty good, but the album tracks are filler) and a tendency to oversing. Because of these two things, 8701 is more mood music than anything else, and while it does work fairly well on that level, it's not memorable outside of that mood. ~ Stephen Thomas Erlewine R&B mack daddy Usher puts a lot of himself into 8701; that's apparent even from the title itself, which represents the year Usher began exploring the world of music ('87) and the place where music brought him by the time of this recording ('01). He starts thing out in grand style with the romantic "U Remind Me." "I Don't Know" takes a hip-hop turn with a contribution from P. Diddy (that's Puff Daddy for those of you arriving late), but Usher is quick to point out that he's strictly about partying and loving, not about thug life. While there are some amped-up, percolating tunes that make good use of Usher's high energy ("I Can't Let U Go"), he really hits his stride when he falls into the familiar position of heartthrob/crooner. His sensual cooing, breathy tone, and smooth-as-silk delivery on the likes of "Can U Help Me" (Usher seems to have graduated from the Prince school of song titles) and "How Do I Say" play to this charmer's strengths and are sure to keep the sizable female quotient of his audience sufficiently entranced.Rolling Stone (8/30/01, p.125) - 3 stars out of 5 - "...His velvety voice and sky-high tolerance for crooning about girls are on full display....Usher's vocals are impressively adaptable....8701's wispy slow jams and booming club cuts strike a sweet nerve." Vibe (9/01, pp.235-6) - 3 discs out of 5 - "...A steady flow of bump'n'grind promises to the ladies....managing to bring some worthwhile dishes to the table....A consistent 3rd album that has a good chance amongst a marketplace overflowing with crooning R&B clones..." Purchase 8701 CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
8701
$5.59 Additional Tracks
Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, ...
| | Melanie Fiona Bridge CD (2009)
8701
$8.79 Melanie Fiona's debut single, "Give It to Me Right," was a perfect 2009 pop-R&B recording. The single coupled a timeless classic (the Zombies' "Time of the Season") with roof-raising vocals and infectious pop hooks that stuck like peanut butter. Fiona's single was perfect, albeit a touch formulaic. Because of this, it's no surprise that a large chunk of her debut album, THE BRIDGE, is much of the same. Like any good 2009 pop-soul recording, the album offers influences from decades of soul music. Fiona, a Kanye West protégé, collaborates with about as many styles of music as she has producers and writers, who include most prominently Canadian R&B singer-songwriter Andrea Martin, Rob Fusari, Peter Wade Keusch, Sidh Solanki, Vada Nobles, Bill Blast, ...
| | Linda Ronstadt Canciones De Mi Padre (Songs Of My Father) CD (1988)
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| | Michael Jackson Invincible CD (2001)
8701
$7.59 Producers include: Michael Jackson, Rodney Jerkins, Teddy Rilet, R. Kelly, Dr. Freeze.
Personnel includes: Michael Jackson (vocals, various instruments, programming); Notorious B.I.G., Fats (rap vocals); Baby Rubba, Prince Johnson, Chris Tucker (spoken vocals): Teddy Riley (various ...
| | K'Jon I Get Around CD (2009)
8701
$10.55 Photographer: Christian Lantry. When K'Jon languorously croons "I'm finally gettin' around" on the title track of his 2009 debut slab I GET AROUND, he's putting it lightly. Like Anthony Hamilton and so many others before him, the years of hustle pour out in the singer's impassioned voice, and when he intones the near-cliche "I just want you so bad/it just seems so real" in the intro to the torch song "On The Ocean," there's a hunger behind his words of desire giving them power. An otherworldly `70s vibe pours out of K'Jon on the first half of I GET AROUND, a late-night AM radio tenor of passion and seduction and sex and discarded ...
| | Betty Davis Nasty Gal CD (1975)
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| | Reality Young Drunk Punks CD (Import) United Kingdom
8701
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| | Liane Foly Man I Love CD (1998) (Import) France
8701
$13.15 EMI. 2004.
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8701
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| | Black Merda CD (2006)
8701
$21.69 The missing link between Jimi Hendrix and Funkadelic, the Mississippi spawned Black Merda released this 1967 album on Chicago's famed Chess Records and it's black social consciousness predates Sly Stone's "There's A Riot Goin' On" by a year. The organic
Personnel: Anthony Hawkins , Charles Hawkins (guitar); Tyrone Hite (drums). Audio Mixer: Roger Anfinsen. Photographer: Peter Amft. Usually linked in with the brief explosion of "black rock" bands that followed Jimi Hendrix in the late '60s and early '70s, Black Merda's formula was a good bit more complicated than most, and their debut album blends elements of hard rock, blues, soul, folk, and embryonic funk with a tough and uncompromising political consciousness that makes the disc at once a product of its time and not quite like anything else around back in the day. The guitar work from Anthony Hawkins and Charles Hawkins is tough and organic, whether they're stretching out on extended blues jams such as "Over and Over" and "Windsong" or cutting some hard R&B-accented rock on "Cynthy-Ruth" and "Prophet." Bassist Vessee L. Veasy (who also contributes most of the lead vocals) and percussionist Tyrone Hite ...
| | Christina Aguilera Stripped CD
8701
$26.69 According to Christina Aguilera, the title of her second album, Stripped, refers to her emotions and not her body, but the topless photograph of her on the cover suggests otherwise. Most things about Stripped suggest sex, actually, since Xtina -- as she calls herself in a handful of interviews accompanying the release of the album -- never hesitates to put her body, her piercings, and recently liberated sexual beliefs on display throughout her hyper-sexual, convoluted sophomore effort. Like any diva, Christina believes her trials and tribulations are inherently more fascinating than anybody else's and, like any diva, she has an inflated sense of self-importance, defiantly strutting on the "Stripped Intro" that she's "sorry you can't define me/sorry I break the mold." What she's referring to is anybody's guess, since she hasn't exactly defied expectations since her last album -- releasing a Christmas album and a Spanish-language record of your debut ain't exactly breaking the mold: it is the mold. Plus, Stripped clearly has its origins in the sound of two of Christina's teen pop contemporaries -- the teasing sexiness of Britney Spears and the wonderful, gonzo dance-rock confessionals of Pink, who truly did break the mold with M!ssundaztood. Since Aguilera spent so much time working on the album, tearing through a seemingly countless number of producers, she seems desperate to not just catch-up with these two, but surpass them in the sex and confessions, breaking it down so they become the same thing, while adding a strong hip-hop undercurrent throughout all the songs. And the end result is utterly bizarre, surpassing Mariah Carey's Glitter as the modern-day standard for musical immolation while rivaling The Teaches of Peaches in its sheer carnality. Where Peaches always is in control of her sexuality, using it as a weapon and a joke in equal measures, Christina is overwhelmed by the reaction of others to her sexuality, putting it on equal ground with her voice, which remains a remarkably powerful instrument, especially since she's toned down the scale-running histrionics from her debut. If she's mastered her vocals, she's still desperately searching for her artistic voice, placing too much emphasis on club and street-level R&B, which fit her poorly ...
| | Elevate The Next Level CD (2007) (Import)
8701
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8701
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