| | Beethoven: Sonatas For Piano And Violin / Oistrakh, Oborin CD Beethoven / Oborin / Oistrakh, D CDS
 (4 Customer Reviews)
4cds-David Oistrakh,Violin Lev Oborin,Piano Beethoven: Sonatas For Piano And Violin / Oistrakh, Oborin Music | List Price | $30.98 (You save $12.83) | | Label | Philips | | Orig Year | 10/9/2001 | | All Time Sales Rank |  1599  | | CD Universe Part number | 2205390 | | Catalog number | 468406 | | Discs | 4 | | Release Date | Oct 09, 2001 | | Recording Time | 3 49 | | Additional Info | Box Set |
Beethoven: Sonatas For Piano And Violin / Oistrakh, Oborin Classical Review Average Rating: (4.8 out of 5 stars)  Just perfect, nothing less, for a 6 star music issue
This is the re-edition of the LP version the duo Oistrakh/Oborin made in the 60'ies. Of all the many different versions (probably 10 or 15 or so, both in live concerts and on radio / LP / CD) I have heard during 30 years, this one is absolutely the best I heard.
Oistrakh and Oborin are so extremely well balanced (none of them tries to outshine the other), the emotion is just right (not too much romantism or passion, yet deep emotion, the music is so well understood, this is really sublime art.
I kept my old vinyl records, but I'm so happy to rediscover this duo again on CD. Now I can die in peace ... Fantastic !
Submitted by robrecht.paternoster (Brussels, Belgium)
Was This Review Helpful? Yes No 1 of 1 found this helpful.  Slow movement is excellent, but...
I love those slow movments, the performance is perfect, very sweet and warm. But for fast movement, defects of Oistrakh's playing caused an unplesant listening experience (I don't think this is a presentation of anger)
Submitted by Jacque (HK, HK) 
Was This Review Helpful? Yes No
Sublime Sonatas
Oistrakh and Oborin are a perfect match, unlike other performances where one artist tries to outshine the other, these two are a perfect. Unlike the slightly aggressive versions by Kremer and Argerich, here you will fine warm, sweet phrasing with the aggressive, and sometimes angry phrasing by Gidon Kremer. If you want great renditions of Beethoven's sonatas, you can't do better than this one.
Submitted by a reviewer (Manteca, CA)
Was This Review Helpful? Yes No Fantastic Pieces
The most magnificent recording of all the Beethoven's violin and piano sonatas.
Submitted by a reviewer (Portland,OR)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Beethoven: Sonatas For Piano And Violin / Oistrakh, Oborin Songs 1. Sonata for violin & piano No. 1 in D major, Op. 12/1: Allegro con brio (18:51)  Windows Media  Real Audio | | Common Name | Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1797-1798 | | Period | Classical | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | Notes | Composition written: 1797-98.
Composition revised: Germany. | | 2. Sonata for violin & piano No. 1 in D major, Op. 12/1: Tema con Variazioni, Andante con moto (18:05) Windows Media Real Audio | | Common Name | Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 1797-1798 | | Period | Romantic | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | Notes | Composition written: 1797-98.
Composition revised: Germany. | | 3. Sonata for violin & piano No. 1 in D major, Op. 12/1: Rondo, Allegro (16:21) Windows Media Real Audio | | Common Name | Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 1797-1798 | | Period | Romantic | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | Notes | Composition written: 1797-98.
Composition revised: Germany. | | 4. Sonata for violin & piano No. 2 in A major, Op. 12/2: Allegro vivace (18:17) Windows Media Real Audio | | Common Name | Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 1800 | | Period | Romantic | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | Notes | Composition written: 1800.
Composition revised: Germany. | | 5. Sonata for violin & piano No. 2 in A major, Op. 12/2: Andante piu tosto Allegretto (24:44) Windows Media Real Audio | | Common Name | Spring Sonata, Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1800-1801 | | Period | Classical | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | 6. Sonata for violin & piano No. 2 in A major, Op. 12/2: Allegro piacevole (22:05) Windows Media Real Audio | | Common Name | Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1801-1802 | | Period | Classical | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | Notes | Composition written: 1801-02.
Composition revised: Germany. | | 7. Sonata for violin & piano No. 3 in E flat major, Op. 12/3: Allegro con spirito Windows Media Real Audio | | Common Name | Eroica Sonata, Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 1801-1802 | | Period | Romantic | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | 8. Sonata for violin & piano No. 3 in E flat major, Op. 12/3: Adagio con molt' espressione Windows Media Real Audio | | Common Name | Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1801-1802 | | Period | Classical | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | Notes | Composition written: 1801-02.
Composition revised: Germany. | | 9. Sonata for violin & piano No. 3 in E flat major, Op. 12/3: Rondo, Allegro molto Windows Media Real Audio | | Common Name | Kreutzer Sonata, Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 1802-1803 | | Period | Romantic | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 | | 10. Sonata for violin & piano No. 10 in G major ("The Cockcrow"), Op. 96 | | Common Name | The Cockcrow Sonata, Sonata For Violin & Piano | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | David Oistrakh (Violin)
Lev Oborin (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1812 | | Period | Classical | | Venue | Le Chant du Monde, Paris, France | | Recording Date | 1962 |
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Recorded between 1967 & 1983. Includes liner notes by Jim Ladd.
Released to celebrate the 40th anniversary of the release of the first Doors album, THE VERY BEST OF THE DOORS supercedes all former Doors compilations. At two discs and 34 tracks, this is quite comprehensive for a band whose key lineup released only half a dozen albums. In addition to all the expected hits like "Light My Fire," "Hello I Love You," and "Roadhouse Blues," this compilation delves much deeper into the catalogue with fan favorites such as "Not To Touch the Earth" and "Wishful Sinful," as well as a handful of previously obscure rarities. Remastered and newly remixed by original engineer Bruce Botnick and the surviving members of the Doors, THE VERY BEST OF THE DOORS is a solid tribute to the band.
The first Doors album was an important development in the evolution of rock, representing the dark underbelly of the '60s counterculture, the Jekyll to the Beatles/Beach Boys' Hyde. The Doors were the antithesis of windblown Californian pop. Dark, brooding and alienated, every element of the quartet's metier was unveiled on their debut album. In Jim Morrison they posessed one of rock's authoritative voices, while the group's dense instrumental prowess reflected his lyrical mystery. Highly literate, they wedded Oedipian tragedy with counter-culture nihlism and, in "Light My Fire", expressed exotic images previously unheard in pop. How
Packed with over 2 1/2 hours of groundbreaking and career-spanning cuts, all remastered for stellar sound. Features the previously unreleased studio version of 'Celebration Of The Lizard'. Slipcase. Elektra/Rhino. 2003.
Includes liner notes by Danny Sugarman.
Digitally remastered by Bruce Botnick.
Digitally remastered by Steve Hoffman.
Includes liner notes by Max Bell.
All tracks have been digitally remastered.
Recorded at Sunset Sound Recorders, Hollywood, California.
Recorded at Sunset Sound Recorders, Hollywood, California in September 1966. Originally
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A native of Brooklyn, New York, Tony Falanga received his musical education at the Manhattan and Juilliard Schools of Music, where his principal mentor was the world-renowned David Walter, and at Boston's Berklee College of Music, where he received a degree in Jazz Performance.While at the Juilliard School he was awarded the prestigious Lewine Foundation Scholarship.His extensive professional activities as a solo, chamber and jazz bassist have earned him critical acclaim as a player of "extraordinary excellence".In the classical repertoire he has appeared as soloist with the New York Concertino, The Tchaikovsky Chamber Orchestra, the Spoleto Music Festival, the Newport Music Festival and the International Society of Double Bassists, while as jazz musician he has played with leading artists such as Wynton Marsalis, André Previn, Jim Hall, Junior Mance, Joe Lavano, Randy Brecker and Bob Mintzer.He is also in frequent demand by New York orchestras and ballet companies.Recent years have seen extensive collaboration with Klezmer phenomenon Giora Feidman, with whose ensemble he has concertized throughout Europe, and with virtuoso bassist John Feeney, as half of the Feeney/Falanga Duo, setting new standards for double bass performance and providing ample display of Falanga's natural talents as a creative, innovative and spiritual musician.
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