| | Vivaldi: Concertos / Trevor Pinnock, English Concert CD Ecc / Pinnock / Vivaldi CDS
For the first time on CD,a 5 disc collection of Trevor Pinnock& the English Concert Orchestra's celebrated recordings of Vivaldi concertos from the late 1980's. The setcomprises two mixed anthologies, 'Alla Rustica' and 'L'Amoroso', named afterindividual concertos on the CD's, the complete opus 3 set of 12 string concertos 'L'Estro Armonico',and finally the delightful set of Flute Concertos opus 10. Vivaldi: Concertos / Trevor Pinnock, English Concert Music | List Price | $39.98 (You save $17.29) | | Label | Archiv Produktion | | Orig Year | 10/9/2001 | | All Time Sales Rank |  7801  | | CD Universe Part number | 2205453 | | Catalog number | 471317 | | Discs | 5 | | Release Date | Oct 09, 2001 | | Recording Time | 4 19 | | Additional Info | Box Set |
Vivaldi: Concertos / Trevor Pinnock, English Concert Review
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Vivaldi: Concertos / Trevor Pinnock, English Concert Music Composers on Vivaldi: Concertos / Trevor Pinnock, English Concert CD : Antonio Vivaldi Conductors on Vivaldi: Concertos / Trevor Pinnock, English Concert CD : Trevor Pinnock Ensembles on Vivaldi: Concertos / Trevor Pinnock, English Concert CD : English Concert Performers on Vivaldi: Concertos / Trevor Pinnock, English Concert CD : Carlos Riera, Colin Lawson, Micaela Comberti, David Reichenberg, Roy Goodman, Jaap ter Linden, Jakob Lindberg, James Tyler, Robin Jeffrey, Miles Golding, Nigel North, Philip Pickett [Classical], Trevor Pinnock, Anthony Pleeth, Rachel Beckett, Simon Standage, Milan Turkovic, Elizabeth Wilcock Purchase Vivaldi: Concertos / Trevor Pinnock, English Concert To buy, Click on price to add to cart | Israel Iz Kamakawiwo'Ole Facing Future CD (1993)
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Vivaldi: Concertos / Trevor Pinnock, English Concert
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Incl. 12" Mix Of Ymca
Village People: Victor Willis, Ray Simpson (vocals); David Hodo, Glenn M. Hughes, Randy Jones, Alex Briley, Felipe Rose (background vocals).
Additional personnel includes: Horace Ott (arranger, conductor).
Producers: Jacques Morali, Henri Belolo.
Compilation producer: Bill Levenson.
Includes liner notes by Joseph F. Laredo.
All tracks have been digitally remastered.
Personnel: Victor Willis, Ray Simpson (vocals).
Audio Mixer: Michael Hutchinson.
Liner Note Author: Joseph F. Laredo.
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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Contains an untitled hidden track after "In This Life."
Personnel includes: Israel Kamakawiwo'ole (vocals, ukulele); Mel Amina, Barry Flanagan (guitar).
Recorded in Hawaii. Includes liner notes by Jon De Mello.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
The late Israel Kamakawio'ole, known to his many fans simply as Iz, was a consummate Hawaiian with a wonderful voice and accomplished ukulele technique. This posthumous release of some unplugged performances, enhanced arrangements, and previously unreleased songs is definitely for his legion of admirers. While best known for his native Hawaiian songs, Iz covered a lot of ground, and three of the most affecting tracks here are standards: his take on "Mona Lisa," starting alone, then with a full arrangement behind him; the nursery rhyme "Twinkle Twinkle Little Star"; and a most unusual version of "Somewhere Over the Rainbow" which shouldn't work in his style, but quite stubbornly does. His angelic pipes seem capable of working around any material and doing it justice (although it should be noted "Starting All Over Again" and "In This Life," with full-on synths behind him, definitely go for saccharine overkill). But he's perhaps at his best when he's at his simplest -- just him and his ukulele -- whether on the strummed "Panini Puakea" or the delicate and mysterious "La Elima," which relies on his gentle picking. On the classic Hawaiian song "Opae E," the guitar backing fleshes out his work without overpowering it, a gentle filigree around his voice. To those who love Iz's albums, whether his solo work ...
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Personnel: Henry Burr (vocals); Ada Jones, Albert Campbell, Peerless Quartet, Will Oakland, Billy Murray, Frank C. Stanley, Sterling Trio (vocals); Frank Banta (piano).
It's safe to say that had it not been for the official introduction of electrical recording in 1925, the Bing Crosby revolution would not have come about in pop singing; the limitations of the acoustical, pre-1925 recording process did not all allow for the highly nuanced vocal style that Crosby and his numerous admirers -- from Frank Sinatra to the Ink Spots to Nat King Cole -- thrived on in the studio. But the acoustical, pre-Crosby, pre-crooner era of pop singing definitely had its charms, and in the 20th century's first quarter, Henry Burr reigned supreme as one of the leading pop vocalists. What this 27-track, 78-minute collection (which spans 1903-1928) lacks in subtlety and nuance it usually makes up for in terms of warmth and charisma -- most of the time, anyway. Burr (a major influence on Al Jolson, Rudy Vallée, and other pre-Crosby favorites) was not above recording cutesy novelty items; for example, "What Do You Mean, You Didn't Want to Do It?" (a male/female duet with Ada Jones) definitely falls into the novelty category. But Henry Burr Anthology: The Original King of Pop has plenty of great tracks as well, and Burr is in fine form when he turns his attention to "Loch Lomond" in 1905, "Peg o' My Heart" in 1913, "My Buddy" in 1922, and Irving Berlin's "Always" in 1926. Equally definitive is 1905's "In the Shade of the Old Apple Tree," the ballad that made Burr a pop star (even though the term "pop star" had yet to be invented in 1905). For those raised on smooth, nuanced crooners like Crosby, Sinatra, Cole, Mel Tormé, and Dean Martin, the quasi-operatic, over-enunciated approach of Burr, Billy Murray, Jolson, etc., can be an acquired taste. But there is no denying Burr's historic importance, and Archeophone deserves serious applause for assembling this collection in so thoughtful a fashion (from comprehensive, informative liner notes to excellent digital remastering). The Original King of Pop is not the last word on Burr's legacy -- he was recorded so exhaustively in the 1900s, 1910s, and 1920s that a multi-disc ...
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Track Listing of songs: Fill Me In; Can't Be Messing 'Round; Rendezvous; 7 Days; ...
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