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Bill Ware III alters the lineup and adds a smattering of miscellaneous instruments on this, the fourth disc by his band Vibes. For starters, his regular rhythm mates, bassist Brad Jones and drummer E.J. Rodriguez, appear only on half the cuts; the others feature Dmitri Kolenski and Vince Cherico. Chris Theberge provides additional percussion, and Jay Rodriguez, Ware's colleague in the Groove Collective, makes a melodic appearance on tenor sax, flute, and vocals on "2 Butterflies." Ware crafts fairly ambitious string arrangements for violinist Rob Thomas and cellist Sara Wollan, bringing prickly dissonance to the unusual "Little Jack Russell," a reharmonized "Michelle" by the Beatles, and a couple of other tracks. Last but not least, Deborah Harry, who worked with Ware in the Jazz Passengers, rejoins him here in a vocal duet called "Me and You," a deliciously poppy track that sounds like something Donnie Hathaway and Roberta Flack might have recorded once upon a time. (Ware's love of old-school pop comes through again on his groovy closing rendition of "Can't Take My Eyes off of You.") Amid all these additional elements (including Ware's proficient Rhodes piano), the disc features a healthy amount of stripped-down trio interplay -- check out "Silk Flowers" and "Crebwalkin'." ~ David R. Adler
New Rel.From Bill Ware's Trio
Vibes includes: Jay Rodriguez (vocals, tenor saxophone, flute, alto flute); Bill Ware III (vocals, vibraphone, piano, Fender Rhodes piano, timbales, cowbell); Rob Thomas (violin); Sara Wollan (cello); Dmitri Kolenski (bass); E.J. Rodriguez (drums); Chris Theberge (congas, bata drum, calves).
Additional personnel: Deborah Harry (vocals).
Vibes 4 Songs | 1. | Silk Flowers |
| 2. | Away With Me |
| 3. | Me and You |
| 4. | Little Jack Russell |
| 5. | Butterflies |
| 6. | Then Came Jacky |
| 7. | Antonia |
| 8. | Michelle |
| 9. | Crebwalkin' |
| 10. | Can't Take My Eyes Off You |
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Purchase Vibes 4 CD To buy, Click on price to add to cart | Davka Lavy's Dream CD (1996)
Vibes 4 album
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In 1996, violinist Daniel Hoffman, cellist Moses Sedler, and doumbeck and zarb player Adam Levenson (with special guest Norbert Stachel playing flute on one track) released the album Lavy's Dream on an obscure San Francisco label. Few people heard it, even fewer bought it, and it disappeared into the realm of the obscure. Enter John Zorn, one of the few to be sure in more ways than one. In the spring of 2000, the band reassembles, cut five more tracks, and then issues the whole bunch ...
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Digitally remastered by Mark Wilder & Seth Foster (Sony Music Studios, New York, New York).
The creative vision of Miles Davis was at its most mercurial in the late '60s and early '70s. He advanced ...
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| | Bobby Previte Just Add Water CD (2002)
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Over the course of 15 plus recordings since 1987, Bobby Previte has learned that sometimes the best projects result from pure and unexpected serendipity. One ...
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| | Buddy Tate Just Jazz CD (1984)
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| | Misanthrope Libertine Humiliations CD (2007) (Import)
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| | Jovanotti Buon Sangue CD (2005) (Import) Italy
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| | Krsna Prema Das Prema Das,Krsna Vol. 2-Invocation-Krsna Vision & CD (2005)
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Krishna Prema das was born as GiamPaolo Tofani in Florence Italy, 1944. At the age of 16 he started playing guitar following the mood of artists of that time (Eddie Cochran, Gene Vincent, The Shadows etc.)In 1969 after different musical experiences in Italy (including the groups “I Samurai”, “I Califfi” ), he found him self in England playing in various clubs in London. At that time he started getting involved with the Electronic Synths of EMS and working on solo productions. He mastered a way to get great sound out of a simple stereo tape recorder.In 1973 Paolo returned to Italy to join the group named “Area”. During this time he became deeply ...
| | Spanky Wilson & The Quantic Sou I'm Thankful CD (2006)
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It was much to soul singer Spanky Wilson's surprise -- she didn't realize she had had such an impact -- when British multi-instrumentalist/producer Will Holland contacted her in her Los Angeles home in 2004, professing his love of her music and wondering if she'd collaborate with him. Still, she agreed to go the studio, and together they did two songs, "Don't Joke with a Hungry Man" and "When You're Through," for Holland's solo project, Quantic, on the album Mishaps Happening. That collaboration worked out so well that they decided to make an entire record together, this time with Holland's full band, the Quantic Soul Orchestra. Wilson's lovely voice is the centerpiece of I'm Thankful, and it does show a bit of its age, but only in the best of ways, deepening it and giving it an added measure of credibility and authenticity while still preserving its expressiveness and strength. Attesting to Wilson's tremendous ability is the fact that the record is very intimately and sparsely produced, making it seem as if the singer is almost in the room right with the you, the sometimes raspy and breathy line endings audible in that professional, practiced way. The band, which plays J.B.'s-inspired tight funk riffs, occasionally branching into modern jazz horn solos or even wah-wahed guitars, often uses a modern dancefloor-esque beat (in both versions of "Don't Joke with a Hungry Man," for example, which are different from the Quantic one), which makes sense as Holland is an able electronica producer as well as composer (besides the cover of Bo Diddley's "You Can't Judge a Book by Its ...
| | Jim Messina Oasis CD (2008)
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It was in Santa Barbara California in 1977, that I found myself mesmerized by the local jazz and Latin musicians performing in small music clubs around town. Eventually they began to ask me to sit in. This ...
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