| | Loscil Triple Point CD Loscil Discography of CDs
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The drummer from Destroyer, a fellow named Scott Morgan, moonlights as Loscil. With Triple Point, it appears he's made a laptop ambient concept record about thermodynamics. Some hints: "Hydrogen," "Discrete Entropy," "Fuel Exergy," "Enthalpy," and "Vapour." Wait -- the record isn't even close to being that boring. (And at least Morgan uses actual pronounceable words as titles for his compositions, rqkght? Rqkght.) Snagging the listener early on with the sublime pulsing of "Hydrogen," Morgan regularly finds a central texture or rhythm and applies as little ornamentation as possible for maximum impact. Throughout the remainder of these 60 minutes, the listener is treated to finely detailed and rather glitch-free ambient. Aside from the relatively amiable and forward flow of the opener, Triple Point vacillates between the haunting and the soothing. It's almost a shame that the record doesn't bear the logo of a label that's more known for delivering this type of thing. Having been released by Kranky -- a label that's nonetheless established and as forward-looking as they get -- their logo probably won't be able to attract the attention of experimental techno fans who remain loyal to a few select labels and choose not to venture outside of that tiny realm. Pay no mind to the label and pay no mind to the producer's locale (Vancouver isn't Cologne or Detroit); Triple Point is one of the finest -- and most varied -- ambient techno releases of 2001. ~ Andy KellmanAlternative Press (12/01, p.90) - 8 out of 10 - "...It's a shame other artists aren't this concerned with creating light and heat..." Loscil Triple Point Songs Triple Point Music Review Purchase Triple Point CD To buy, Click on price to add to cart | Casino Versus Japan Whole Numbers Play The Basics CD (2002)
Triple Point album
$11.59 Whole Numbers Play the Basics is another triumph for Casino Versus Japan's Eric Kowalski, and if it just misses carrying the freshness and sense of imagination evident on Go Hawaii, it's a better record for being slightly less precious. (Yes, the children's vocal samples of "Very Sunny" would sound odd on this record of chilled grandeur.) Scottish electronica heroes Boards of Canada are still the closest touchstone, due to a similar emphasis on stately breakbeats, a track listing that alternates short vignettes with longer pieces, ...
| | Loscil Submers CD (2002)
Triple Point CD music
$12.95 Clearly a producer with an unapologetic love for the conceptual, Scott Morgan's second album for Kranky as Loscil takes on an aquatic theme -- each track is named after a submarine. However, not a whole lot has changed in Morgan's approach from his debut. These tracks sound only a little more aqueous than the ones on Triple Point, continuing to carry wide-open spatial qualities, with the odd hint of dub occasionally thrown in for variation (with its lathery suds of dubspace, "Le Plongeur" rivals Rhythm & Sound's best work). The only significant difference is the emphasis on waves of rhythm over thumps and pulses. "Triton" is the most wonderful thing Morgan has produced yet, an elegantly dramatic, filmic composition based on a submerged two-note bass hum, a series of rhythmic noise effects, and what sounds like a sampled and drastically altered orchestral arrangement. The notes ...
| | Loscil First Narrows CD (2004)
Triple Point music CDs
$11.89 Scott Morgan's -- aka Loscil -- third full-length is titled for the first gap in the entrance to the Burrard Inlet spanned by the Lion's Gate Bridge into Vancouver, his hometown, from the Pacific Ocean. The title is not an accident, as the notions of gap, time span, and movement in Morgan's new pieces offer a nocturnal view of the transition of fluid inner space. First Narrows also marks a first for Morgan: this is his first collaborative recording with live instruments. Morgan's generated sounds, from varied sources both organic and electronic, both musical and found atmospheres, were custom programmed and processed with the notion of time displacement built in -- the programs were designed as "flawed" so that no two performances of his sonic patches would ever be the same. Morgan then asked Jason Zumpano (Rhodes), Nyla Raney (cello), and Tim Loewen (guitar) to improvise over his aural constructions, and then edited and mixed the constructed electronic sounds with the live ones. The end result feels unlike anything he's ever done before, but retains his trademark moodiness -- in spades. Pulses and sequences flit by through the middle of washes of white noise and played sound, ...
| | M83 Before The Dawn Heals Us CD (2005)
Triple Point songs
$9.89 After their breakthrough album, DEAD CITIES, RED SEAS & LOST GHOSTS, Anthony Gonzalez and Nicolas Fromageau, the collaborators in M83, parted ways. For the follow-up, BEFORE THE DAWN HEALS US, Gonzalez is at the helm, taking the swirling, evocative synth-scapes of the previous outing in tighter, more focused directions. Analog synthesizers still dominate the music, recalling early Tangerine Dream, and there is no shortage of the dramatic flourishes and cinematic sensibility that characterized DEAD CITIES (just listen to "Moon Child," the album's leadoff track). However, Gonzalez's song structures and increased use of vocals signal something new.
There are moments of drifting bliss, of course, on the Brian Eno-esque "I Guess I'm Floating," and "Farewell/Goodbye," a breathy electronic ballad with vocals from Lisa Papineau. Yet the shoegazer-meets-New Wave track "Don't Save Us from the Flames" could be an indie-pop ...
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Triple Point album
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Triple Point CD music
$12.59 Longtime DJ Shadow fans tend to display a rabid devotion to his often arcane, decidedly DIY production methods. Now the stuff of legend, Shadow's debut, ENTRODUCING, was famously constructed from ...
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Triple Point music CDs
$13.35 Liner Note Author: Steven C. Tracy .
Recording ...
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Triple Point songs
$13.89 Funker Vogt may be one of the more aggressive bands to emerge from the electro-industrial scene in the mid-90's, and on Thanks For Nothing they do their ...
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Triple Point album
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