Enrique Iglesias Escape CD

Personnel includes: Enrique Iglesias (vocals); Ron Smith (arranger, conductor); Aaron Fishbein, Rusty Anderson (acoustic & electric guitars); Adam Pilips, Paul Barry (acoustic guitar); Mark Taylor (electric guitar, keyboards, bass, drums, percussion); Steve Morales (keyboards, programming, background vocals); Lester Mendez, David Siegel (keyboards); Lee Levin (drums); Siedah Garrett, Jon Secada, Sylvia Mason James (background vocals).
Producers include: Steve Morales, Enrique Iglesias, Kara DioGuardi.
Engineers include: Shane Stoner, Fabian, Carlos Paucar.
Recorded at The Hit Factory Criteria, Circle House, South Point, Miami, Florida; The Record Plant, Los Angeles, California; Angel Studios, London, England.
Personnel: Enrique Iglesias (vocals, background vocals); Carlos Paucar (vocals); Rusty Anderson, Aaron Fishbein (guitar, acoustic guitar, electric guitar); Adam Phillips (guitar, acoustic guitar); Barry Paul, Paul Barry (acoustic guitar, keyboards, drums, percussion, background vocals); Mark Taylor (electric guitar, keyboards, drums, percussion); Steve Morales (keyboards, programming, background vocals); David Siegel, Lester Mendez (keyboards); Lee Levin (drums); Dorian Holly, Andy Blackwood, Sylvia Mason, James Blackwood, Jon Secada, Kara DioGuardi, Niki Haris, Siedah Garrett, Sylvia Mason James (background vocals).
Audio Mixers: Mark Taylor ; Sebastián Krys; Walter Turbitt; Fabian Marasciullo.
Recording information: Angel Studios, Islington, London, England; Circle House, Miami, FL; Larrabe Studios, North Hollywood, CA; South Point Productions, Miami, FL; The Hit Factory Criteria, Miami, FL; The Record Plant, Los Angeles, CA.
Photographer: Alan Silfen.
If money is the great influence, then call Enrique Iglesias the most influential Latin music artist in the world, having sold a record-breaking number of albums over a stretch of several years. With Escape, his sophomore English-language release, he brings the whole Latin Invasion to a screeching halt, or "maybe" a gentle halt, making for an opportune screeching question: Have Latins traded in their musical roots for the American musical dream? When Latin-flavored music came flooding into the United States in the late '90s, it sounded a lot more, well, "Latin" than it sounds these days. Repetition and popularity certainly have something to do with it, and keep in mind that the likes of Ricky Martin, Christina Aguilera, and Jennifer Lopez have had the benefit of hits from American pop writer heavyweights like Diane Warren, Carl Sturken, and Evan Rogers. Here, however, is an album executive produced by and with every song written (with collaborators) by Iglesias. The musical result is not exactly consecrated to his native country of Spain, nor his Miami upbringing. Touring with musicians from the bands of Billy Joel, Elton John, and Bruce Springsteen might have shaken loose the rock soul inside of him. Escape is a pop/rock album through and through, and it is also reminiscent of classic pop albums of the 1980s -- short (ten original songs), sweet, and wildly catchy. It is not without Spanish flavor, if only for Iglesias' pronunciations and three added Spanish-version tracks; it just has other priorities in mind. Though Iglesias' songs always turn up as remixes and at dance clubs, and though he could just as easily thicken the sound effects to overtake the basic melodies, he remains reserved in sound and lyric. On "One Night Stand," he makes reference to intimate belongings left behind by his "girlfriend." There is such a childlike vulnerability in his voice that listeners get the impression this scenario may not have ever happened to him.
While Escape is not excessively stylized, it is meticulously styled in the way great albums are, where surprises are hidden in every corner. The surprises here include hushed female vocals that glide into the choruses (most notably on "Don't Turn Off the Lights") and the rippling echoes and vocal distortions that