| | Louis Armstrong Alternative Takes, Vol. 2: 1935-1944 CD Louis Armstrong Discography of CDs
Compilation contains jazz legend's alternative takes in chronological order, complementing the French Classics CD series. Alternative Takes, Vol. 2: 1935-1944 Music Alternative Takes, Vol. 2: 1935-1944 Review
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Recorded live at the Hollywood Empire, Hollywood, California in February 1949.
Duke Ellington recorded a series of radio transcriptions during an extended engagement at the Hollywood Empire for Jubilee and Just Jazz, the source of the material for this compilation. As well-recorded as these performances are, an egomaniac announcer spoils several tracks by insisting on introducing every soloist in the midst of the actual performances. In ...
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Initial pressings of SEVEN STEPS are packaged with a deluxe metal spine.
Also includes a 92-page booklet with rare photos, complete discography and essays by Michael Cuscuna and Bob Blumenthal.
All tracks have been digitally mastered using 24-bit technology.
In the 1960s, trumpeter Miles Davis became a star outside of the jazz world, first with what history refers to as "the Quintet" with Wayne Shorter and Herbie Hancock, then with his highly influential post-BITCHES BREW electric bands. But there was a "transitional" period, after John Coltrane left Davis's employ and before the Shorter/Hancock era, which the SEVEN STEPS box set based around the ...
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A Blue Note release with Les McCann on piano, Herbie Lewis on bass, and Otis Finch on drums. Small group format. Excellent (and exciting) soul-jazz session with Turrentine blowing hot. ~ Ron Wynn & Michael Erlewine
This 1962 session places tenor saxophonist Stanley Turrentine in the company of pianist Les McCann, bassist Herbie Lewis, and drummer Otis Finch. Of the six cuts on the original release, McCann, who was already in serious soul-jazz territory, wrote four. His meaty three- and four-chord figures are prominently placed and, as always, ...
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KICK UP THE FIRE AND LET THE FLAMES BREAK LOOSE is the 2003 second album by eclectic U.K. indie band the Cooper Temple Clause, featuring "The Same Mistakes" and "Promises Promises."
By combining elements of metal, pop, jazz, and electronica, the Cooper Temple Clause create a broad album that is subtle and meticulous as well as driving and bombastic. Songs like "The Same Mistakes" have a distinctly post-Radiohead sheen -- spare, experimental arrangements, hazy, emotional vocals, and live drums that mirror programmed beats. But in other moments -- "Promises, Promises," for example -- the band unleashes sinewy and abrasive all-out rock & roll that references everything from Primal Scream electro-garage rants to slippery Faith No More hard rock and the grandiosity of Oasis. There are pure rock numbers too, like "New Toys," which could have made a mark in the '80s alongside the Cure and INXS. "Into My Arms," though, is atmospheric and spacy, then explodes into an industrial clamor. "Blind Pilots" combines bittersweet pop and thrash in a single song -- like the Smiths or Blur crashing headlong into Nirvana. There are so many styles side by side on Kick Up the Fire, and Let the Flames Break Loose, but the great thing about the record is that the Cooper Temple Clause make it all work, and it may not be the most noticeable ...
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