| | Eels Souljacker CD Eels Discography of CDs
Fourth album for the Eels who put a novel twist on the post-grunge low-fi norms of American indie bands. Will not be released in the US until January 2002. Souljacker Review
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Purchase Souljacker CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
Souljacker album
 $13.79   
Continuing his stroll through pop's backpages, Rod Stewart moves on from "The Great Rock Classics of Our Time" and dives into the SOULBOOK, shorthand for all the great Motown and soul songs that still are in heavy rotation on oldies radio well into the new ...
| | Judas Priest Concert Classics CD (2009) Reissue
Souljacker CD music
$11.18   
There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, on stage. Judas ...
| | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
Souljacker music CDs
 $22.69 
| | Mariah Carey Merry Christmas CD (1994)
Souljacker songs
$8.49
At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs.
She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid phrasing is key. "Miss You Most (At Christmas Time)" shows off a dynamic voice that is hard to match. She has fun with the Phil Spector goodie "Christmas (Baby Please Come Home)," a song straight out of '60s girl-group heaven. There is even a "Joy To The World" medley mixing the old and the new--the traditional Christmas song and the Three Dog Night hit. And, as usual, her gospel-voiced background singers are out in full force.
There are two ways to enjoy this album. One is to sit back and revel in Mariah Carey's vocal fireworks, and the other is to pour yourself a glass of egg-nog, get cozy by the tree and have yourself a MERRY CHRISTMAS.
Recorded at the Hit Factory, New York.
Producers: Mariah Carey, Loris Holland, ...
| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
Souljacker album
$17.79
Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album becoming ponderous either as the economical tracklist and purposeful songs wipe away the sins of their previous album, 2005's ROSENROT. The group's loyal fans have remained with them through the '00s and have braved all the difficult but ultimately rewarding efforts that came with it. To them, LIEBE IST ...
| | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
Souljacker CD music
$16.00
Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she's not just a fleeting pop phenomenon.
Initially planned ...
| | Don Ho Tiny Bubbles CD (2000)
Souljacker music CDs
$11.59
| | Funker Vogt T CDs (2001)
Souljacker songs
$15.69 
Funker Vogt had been demanding attention in the electro-industrial genre for several years prior to this 2000 release, and the double-CD T continues this trend for the two-piece band. An interesting and diverse release for the duo, T's diversity comes from its four flavors -- distinct sections with their own tones. NeuZeit is the first, consisting of four original songs. The new material is classic Funker Vogt, but with the dance aspect turned way up -- stronger bass, more pitch bending, solid beats, aggressive electro melody, and vocals. This may make NeuZeit more accessible to new listeners to the genre. While these songs may not achieve the cult status of "Tragic Hero" or "Gunman," NeuZeit is varied in sound and marks an interesting new direction. At times the sound seems to take on a hint of smoothness reminiscent of the Funker Vogt side project Ravenous, providing contrast to an otherwise constant beat. MachinenZeit and TraumZeit are Funker Vogt remixing the duo's previous material. MachinenZeit is a collection of harder-edged ...
| | Heritage Colossus Story CD (1995)
Souljacker album
$11.39
| | Frontline Attack Mindless Violence CD (2004)
Souljacker CD music
$12.15
| | Whitesnake Trouble CD (2007) (Import) Bonus Track; Japan; Mini LP Sleeve
Souljacker music CDs
$39.49
| | D R I Dirty Rotten LP CD (1984)
Souljacker songs
$9.95 
Starting with the awesome "I Don't Need Society" and ending with the anthemic "Explorer," D.R.I.'s debut album was an important stepping stone in the evolution of both metal and hardcore. D.R.I. drew a line in the sand between the American hardcore bands who wanted to stick close to the original punk sound and bands who wanted to branch out into heavy metal territory. D.R.I.'s use of thunderous heavy metal drumming and California hardcore songwriting made Dirty Rotten LP something special, putting them in a category with Corrosion of Conformity and Suicidal Tendencies as the forefront of a new movement. Their angry lyrics revolved around the usual political and social ills, but their approach was a staggering blend of pre-grindcore blastbeats (that particular drumming style may have even had its first recorded instance here), blunt and simplistic guitar riffs, and an acidic vocal workout from the young Kurt Brecht. His charismatic shout was the tone-deaf glue that kept the band together, especially in the face of abbreviated songs and sloppy playing. With some humorous lyrics, endless enthusiasm, and a penchant for short song times (only one song makes it past the two-minute mark), D.R.I.'s debut was a landmark album that paved the ...
| | Reverse Monkey Mind CD (2009)
Souljacker album
$10.15
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