| | Sly & The Family Stone High On You CD - Import Sly & The Family Stone Discography of CDs
(1 Customer Review)
The first album attributed to Sly Stone rather than Sly & the Family Stone, High on You didn't exactly resurrect the troubled artist's sinking career, but it does remain one of the better straight-up funk albums of the '70s. Released during the same mid-'70s era that spawned vibrant funk albums such as the Commodores' Machine Gun, Parliament's Up for the Down Stroke, and the Ohio Players' Skin Tight, along with the first Graham Central Station albums, High on You seems like a genre exercise for Sly -- rather than trailblazing new sounds like he did five years earlier, he's now embracing the sound of the times. Still, even though Sly isn't doing anything especially novel here, he performs an impressive series of succinct, well-crafted funk songs with plenty of pop accessibility. Indeed, High on You has the makings of a comeback album. It's worth noting that the album's title track was an impressive single, peaking at number three on the R&B chart and even making an appearance on the pop chart -- though fairly obscure nowadays, "High on You," remains one of Sly's career highlights. Elsewhere, "Crossword Puzzle" stands out with its distinct horn hook and numerous background vocals (it's become most famous for being sampled by De La Soul on 3 Feet High and Rising), while the gentle "That's Lovin' You," the album's sole ballad, cools down the proceedings for a moment. After these first three highlights, the album drops off a little, though the funk level remains well in the red. In fact, the upbeat nature of the album is perhaps its most satisfying attribute, given the downcast mood of Sly's previous few albums. High on You doesn't measure up to the best Sly & the Family Stone albums of the late '60s and early '70s, granted, but it's a step up in quality from Small Talk and certainly all that would follow. Long written off and long out of print, High on You is an underrated album that deserves re-evaluation. ~ Jason Birchmeier
The first album attributed to Sly Stone rather than Sly and the Family Stone. One of the better straight-up funk albums of the 70's even though it's his most underrated. The title track, a career highlight, was an impressive single peaking at number three on the R&B chart. Originally released in 1975. Sly & The Family Stone High On You Songs | 1. | I Get High on You  | $0.99 | |
| 2. | Crossword Puzzle | $0.99 | |
| 3. | Thats Lovin You | |
| 4. | Who Do You Loe | |
| 5. | Green Eyed Monster Girl | |
| 6. | Organise | |
| 7. | Le lo Li | |
| 8. | My World | |
| 9. | So Good to Me | |
| 10. | Greed | |
| Purchase High On You CD To buy, Click on price to add to cart | Joe Simon Get Down CD (1975)
High On You album
$12.79
| | Gino Vannelli Storm At Sunup CD (1978)
High On You CD music
$7.45
| | Gino Vannelli Pauper In Paradise CD (1978)
High On You music CDs
$6.55 Though Gino Vannelli's third record didn't contain a big hit single like its predecessor, STORM AT SUNUP was a significant step forward artistically. Combining the Stevie Wonder-esque synth textures of POWERFUL PEOPLE with ...
| | Sly & The Family Stone Heard Ya Missed Me, Well I'm Back CD (1976) Japan
High On You songs
$26.95 Heard Ya Missed Me, Well I'm Back, Sly Stone's ninth album for Epic, features a reunited Sly & the Family Stone. Sly's previous album, the funk-filled High on You (1975), had been a solo effort. The sentiment here sure seems inviting -- Sly optimistically reuniting with his group in an aim to recapture the magic of his late-'60s prime -- yet the result is sadly disappointing. Rather than revisit the funk of High on You or the psychedelic pop/rock of late-'60s Sly & the Family Stone, Heard Ya Missed Me, Well I'm Back seems modeled after the Philly soul sound of the time. This in itself is fine -- this was 1976, after all, and the Family Stone seemed well-suited for the horn- and chorus-filled style ...
| | JB's Food For Thought CD (1972)
High On You album
$22.89
| | Dells I Touched Dream/Whatever Turns You On CD (1998) (Import) United Kingdom
High On You CD music
$16.39 I Touched a Dream/Whatever Turns You On reissues two Dells LPs from 1980 and 1981, respectively, together on one CD. I Touched a Dream was the last great Dells album, and one of 1980's big surprises. The Dells were on another new label, working with Carl Davis and Eugene Record (also of the Chi-Lites). The pair simply restored the Dells' strengths; each production made sure Marvin Jr.'s roaring leads and Johnny Carter's wavery falsetto were at the forefront. They also got a superb ballad in the title track, a good message song in "It's All About the Paper," and other fine cuts. Whatever Turns You On featured less consistent material, but was still a workmanlike effort. ~ Steve Huey
The decade-spanning Dells were still scoring chart hits beyond the '70s, and these two Chi-Sound LPs from the early '80s include the R&B hits "I Touched A Dream" (#17) and "Passionate Breezes" (#76). Both albums were produced by Carl Davis and Eugene Rec
Recording information: Universal Studios, Chicago, IL.
Illustrator: Stan Watts.
Photographer: Todd Gray.
Arrangers: Thomas C. Washington; Sonny Sanders.
Personnel: John E. Carter (vocals); Vern Allison, Marvin Junior (tenor); Michael McGill (baritone); Danny Leake, Cornelius Hall, Fleton L. Crews, Keith Henderson, Steele, Bobby Robinson (guitar); Sue DeVale-Carter (harp); Everett Mirsky, Philip Hilson, David K. Edge, Deborah Miller, Peter LaBella, Ellen Panitch, Karen Nelson, Elliot Golub, Samuel Magad, Edward Green, Jerry Sabransky, Adrian Gola, George Palermo, Mariou Johnson, Helen Blazie, Phyllis McKenny, Roland P. Urbanick, Sol Bobrov, Edmund Bauer, Johnny Frigo, Alexander Balanescu, Arnie Roth, ...
| | Putumayo Presents: Music From The Coffee Lands CD (1997)
High On You music CDs
$10.89 A portion of the proceeds from the sale of MUSIC FROM THE COFFEE LANDS will be contributed to Coffee Kids, an international non-profit organization established to improve the quality of life for children and families who live in coffee-growing communities around the world.
A portion of the proceeds from this 1998 release (which spans 1982-1996) went to Coffee Kids, a New England-based non-profit organization whose goal was to improve conditions for coffee growers and their families in coffee-producing countries. Most (but not all) of those countries are in South America, and many of artists heard on this rewarding CD are South American. Illustrating the vitality of South American music are Peru's Susana ...
| | Motown Christmas Vol. 2 CD (2001)
High On You songs
$8.19 Digitally remastered by Kevin Reeves (Universal Mastering Studios-East).
Appearing almost three decades after the first volume, which topped charts in 1973, A Motown Christmas, Vol. 2 collects 14 holiday tracks from the biggest and best stable of soul singers ever seen. Unfortunately, several of these tracks were recorded long after Motown's prime era; the Temptations' "Love Comes With Christmas" and "The Little Drummer Boy" are rather maudlin affairs from their 1980 holiday record Give Love at Christmas, ...
| | Fat Greggy & The Panda Wanna Hang Out I'll Hang Out CD (2007)
High On You album
$6.69 Fat Greggy & The Panda are a hip-hop Mick and Keith playing a spirited mix of alternative hip hop and jazz rap. They combine the polished experimentalism of Beck, the eclectic universal appeal of Talking Heads, the lightning percussions of a street bucket drummer, and ...
| | Music From The Arabian Gulf CD (2006)
High On You CD music
$20.95 Largely licensed from a small label in Dubai, Music from the Arabian Gulf collects music from the southern coast of the gulf, from Saudi Arabia, Qatar, Kuwait, Oman, Bahrain, and the UAE (Iraq and Iran are often not included among the Persian Gulf states). However, the artists heard on this album are nearly to the last from the UAE. Many have likely moved there over the years to the big cities, as indeed most of the population has. Nonetheless, the music is often representative of their original homes, or at least popular there. There is a bit of a dichotomy here, with some of the pieces being astoundingly popular while holding on tightly to the old forms of singing with little accompaniment, and other pieces being heavily updated with string sections, thicker beats, and synthesizers. These rai-like pieces also hold popularity well, particularly among the urban dwellers. All of the pieces are danceable ...
|
|
|