| | Love, Peace & Poetry 5: British Psychedelic Music CD - Import
After touching down on the psychedelic ground of America, Asia, Latin America, and Japan, the folks at QDK have headed to Ole' Blighty for some late-'60s and early-'70s blotter fun. Alluding to the day's musical giants, the mix conjures up the goth organ ambience of Procol Harum (Bodkin's "Three Days After Death, Pt. 1"), the Small Faces' mod experimentation (Andwella's Dream's "Felix"), Hendrix's blues balladry (Candida Pax's "Reach Out"), and, of course, the Beatles' paisley pop (Gary Walker & the Rain's "Magazine Woman"). Through the mesmerizing and lo-fi mix of fuzz guitar, wobbly vocals, organ trippiness, and all-around garage raving, most tracks here transcend their obvious influences to become something fairly original. More far out than Syd Barrett at times and even catchier than an Association hit, this edition of the Love, Peace & Poetry series will provide crate-digging psych fans a host of musical pleasures. ~ Stephen Cook
Andwell's Dream/Dogfeet/Dark/ Tony Caro & John Candida Pax
Performers include: Andwell's Dream, Dark, Dogfeet, Tony Caro & John, Candida Pax, Pussy, Mark Fry, Motherlight, Light Years Away, Bill Nelson, Bodkin, Forever Amber, Oliver, Parameter. Love, Peace & Poetry 5: British Psychedelic Music Music Love, Peace & Poetry 5: British Psychedelic Music Review
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2008 1st place winner at "Unisong" Los Angeles 2008 Finalist "John Lennon Songwriting Contest" 2007 Finalist "USA Songwritingcometition"2006 Gran Prize "Songprize.Com" Nashville2006 Finalist "Song of the Year" Texas 2005 Top-20-Winner "Unisong" Los Angeles His mother was a well-known concert-singer, thus Thilo-Martinho's concert and stage life started even months before his birth.At the age of 7 he started playing piano; when he was 14 he added bass and; later on, drums. When he was 19 years old, a friend gave him a guitar.Three years later he gave his first concerts as a guitarist. And shortly thereafter Thilo was on his way in the German and European Club-scene; he also had his first gigs at folk festivals and performed about 80 to 100 concerts a year. The music he played at that time with acoustic steel-string guitars could be classified as instrumental folk-rock.In spite of growing success with that kind of music one thing left him increasingly unsatisfied: the limited possibility to "form tone" and to "make strings sing" with steel-string guitars.In 1985 a Paco ...
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