| | Bell Biv Devoe BBD CD Bell Biv Devoe Discography of CDs
(3 Customer Reviews)
Although Michael Bivins had a hand in the creation of Boyz II Men, the '90s weren't an especially artistically fertile period for these ex-New Edition members, so BBD is a welcome return to form--and if the form in question is rap, leavened with considerable doses of the trio's trademark harmonies, then Bell Biv Devoe has made a successful attempt at updating its sound for the new millenium. Though the results may surprise former fans, there's enough on offer to satisfy those weaned on the past glories of "Do Me" and "When Will I See You Smile Again," while gaining the outfit some new credibility.
Album opener "Sic Wit It" with its mix of shimmering, soulful vocals and rapping is a clue to BBD's general direction, while "Breezy," with its simple, grainy keyboard figure and old school dance beat is an undoubted highlight. "Pesos" is a timely warning to today's would be gangstas about the dangers of avarice, while the swaying "I Ain't Going Nowhere" is a smooth dose of dimly-lit bedtime R&B. In short, BBD is a triumph for the old firm.
Originally released in 2001, first album of new material from Superb R&B trio in eight years.
Additional personnel includes: Trina Powell, Big Tezz, Richard Smith, William Davidson (vocals); Rockwilder (various instruments, programming); DJ Twinz (various instruments).
Producers include: Rockwilder, DJ Twinz, Dem Dem Twinz, Junod Etienne, Chris Jenkins.
Bell Biv DeVoe: Michael Bivins, Ricky Bell, Ronnie DeVoe.
BBD Music | List Price | $15.98 (You save $4.53) | | Category | Rock/Pop Albums, R&B CDs, Rap, Urban Soundtrack, Soul/R&B, Contemporary R&B | | Label | Universal | | Orig Year | 2001 | | All Time Sales Rank | 125986  | | CD Universe Part number | 2323452 | | Catalog number | 016457 | | Discs | 1 | | Release Date | Dec 18, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Richard Smith, Rockwilder, D.J. Twinz, Trina Powell, Big Tezz, William Davidson |
BBD Music Review Average Rating: (3 out of 5 stars)   Tighter Than Their First Album This album is better than their first simply because they were able to adjust to the current climate but keep that appeal that made them popular in the first place. This album will not get the credit it deserves because none of the songs charted, but from my observation of the music industry, not charting is usually because the artists took more chances and were more innovative in executing their style. Their first album was produced by the Bomb Squad, they were popular for doing production for Public Enemy and Ice Cube's first solo album, they were popular producers at the time. But for Bell, Biv, DeVoe to rock some sh!t by Rockwilda, The Alchemist and Heavy D/Tony Dofat says a lot about their vision and their growth as artists and people. Working with the Neptunes or Timbaland wouldn't have been challenging because their sound is already popular to radio stations, but as an artist of any kind and from any era, their goal is to always challenge themselves by taking chances and not just doing what's acceptable to the masses. That's what true Hip Hop iz. BBD 4 Life - God's Prodigy Submitted by God's Prodigy (Chi Illa) Was This Review Helpful? Yes No
Poor Effort... from 3 incredible talented brothers. Every fan will be disappointed. Submitted by Terror (Allah Zigzagzig) Was This Review Helpful? Yes No
YIKES.... it's not poppin' like before... Not to say this disc isn't decent... but this is a product that's WAY below par for these 3 guys.... the music isn't "booty poppin" like back in the days ( but I guess we aren't there anymore either ). And the curse words in the lyrics are not cute. The production behind them isn't all that either. Maybe they should've sampled some music or got with SQUARE TONE and let him do 2 or 3 cuts with them. AND also only 11 tracks?..... I guess they didn't have the dollars behind them in A&R.... overall this disc sounds like they RUSHED it..... I'm still a fan... but somewhat disapointed with this work.... Submitted by a reviewer (Oakland, Ca) Was This Review Helpful? Yes No
| Have you heard this album? |  |
Purchase BBD CD To buy, Click on price to add to cart | Dave Hollister Ghetto Hymns CD (1999)
BBD album
$6.55
| | JOE Better Days CD (2001)
BBD CD music
$8.49
| | Raphael Saadiq Instant Vintage CD (2002)
BBD music CDs
$11.99
| | Aaron Hall Adults Only CD (2005)
BBD songs
$13.35
| | Babyface Grown & Sexy CD (2005)
BBD album
$8.49
| | Cam'Ron S.D.E. CD (2000)
BBD CD music
$7.59
| | Shirley Witherspoon Magic & Love CD (2000)
BBD music CDs
$16.05 The cousin of blues singer Jimmy Witherspoon, Shirley Witherspoon has been singing professionally for more than 30 years. Among the many credits she has amassed is a year's sojourn with the Duke Ellington Orch. in 1969 and 1970. Influenced by Billie Holiday, with some Dinah Washington and Esther Phillips thrown in to give her voice a solid blusey sound, Witherspoon ...
| | Bob Dylan Love & Theft CD (2001) SACD Hybrid
BBD songs
$6.99 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Bob Dylan's career has always been about defying expectations. Accordingly he followed 1997's much-heralded TIME OUT OF MIND with a marked about-face. Where its predecessor was a bleak emotional landscape full of languid atmospheres, existential sentiments, and graveyard vocal delivery, LOVE AND THEFT finds Dylan much more energized and hopeful. Instead of swamp-like textures, we get sharp, cracking bar-band blues, and lissome ballads with a '20s/'30s feel. The old codger has never sounded more spry; after observing that "summer days and summer nights are gone," he follows up with "I know a place where there's still something going on." Elsewhere he's variously hunting bear, standing on a table to make a toast, burning down a house, and starting a new empire.
The musical context for all this uproar is informed more heavily by Dylan's earliest Americana roots than anything other than his albums of traditional folk songs. Delta and Chicago blues are templates for many songs, while a few others even more anachronistically suggest a future for Dylan as ghost writer for Leon Redbone. The lyrics themselves are littered with quotes from/references to old blues tunes, but Dylan's classic non-linear structure and wild imagination allow him to transcend his influences even as he assimilates them.
Time Out ...
| | Billy Moore Rhythms Of The Heart CD (2007)
BBD album
$16.45
| | Seeking Sanity Shattered CD (2007)
BBD CD music
$16.45 ‘Seeking Sanity’ in Seattle’s Music SceneWith excitement building on the local music scene, Seattle is poised to explode onto the forefront of global recognition once again. The momentum of Seattle’s music scene has largely been driven by listeners’ respect for the truthfulness and heartfelt conviction exuded by local artists. No group better exemplifies this than Seeking Sanity. With their cutting-edge Industrial Electronic Rock style, Seeking Sanity may well be the band that puts the Seattle music scene back on the map. An original Northwest band, Seeking Sanity makes its passionate debut with their first full-length album, Shattered. With musical imagery evocative of the dark, moody waters of the Puget Sound, their music strikes a chord with local music fans and beyond. Slow brewed over the past two years, this album represents the efforts of over ten years of songwriting craft and an insight beyond their years into the psyche of troubled souls. There is something for everyone on this ...
| | Gravity 180 CD (2009)
BBD music CDs
$18.99 Within this circle is magic. Gravity 180, three master musicians: Clydene Jackson, vocals/keyboards, Harold Payne, vocals/guitar, and percussionist Oliver C. Brown. On their new eponymous CD the band distills their sterling song craft and illuminated performances into a stunning suite of songs that honors the significance of a shared history as it redefines their signature sound. Melodic pop is framed with classic soul; global grooves are polished by smooth jazz with Jackson and Payne’s patented vocal blend creating what one inspired scribe dubbed “sandpaper and silk.” Imaginative wordsmith Harold Payne describes the band’s genre as “Noomer Music” -- new music, by baby boomers, for everyone. A brief history: Jackson and Payne met when both were solo performers in clubs on the Redondo Beach pier. As a team, their first gig was at The Tijuana Inn in Gardena, California where they invited Brown down ...
|
|
|