| | Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares CD Wit, Antoni CDS
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Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares Music | List Price | $8.97 (You save $2.38) | | Label | Naxos (Distributor) | | Orig Year | 11/20/2001 | | All Time Sales Rank |  14531  | | CD Universe Part number | 2327493 | | Discs | 1 | | Release Date | Nov 06, 2001 | | Recording Time | 59 minutes |
Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares Review
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Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares Songs | 1. Postludes (3) for orchestra (4:02) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Date Written | 1958-1963 | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Notes | Grzegorg Fitelberg Concert Hall, Katowice, Poland (09/06/1996-05/17/2000) | | 2. Preludes (7) and Fugue for 13 solo strings (34:04) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Genre | Fugue / Prelude | | Date Written | 1970-1972 | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Recording Date | 07/23/2000 | | 3. Mini Overture for brass quintet (3:12) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Genre | Overture | | Date Written | 1978 | | Country | Poland | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Notes | Grzegorg Fitelberg Concert Hall, Katowice, Poland (05/16/2000-05/17/2000) | | 4. Fanfare for Louisville, for orchestra (1:12) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Genre | Fanfare | | Date Written | 1986 | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Notes | Grzegorg Fitelberg Concert Hall, Katowice, Poland (05/16/2000-05/17/2000) | | 5. Fanfare for CUBE, for brass quintet (0:26) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Genre | Fanfare / Quintet | | Date Written | 1987 | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Notes | Grzegorg Fitelberg Concert Hall, Katowice, Poland (05/16/2000-05/17/2000) | | 6. Prelude for G.S.M.D., for orchestra (1:53) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Genre | Prelude | | Date Written | 1989 | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Notes | Grzegorg Fitelberg Concert Hall, Katowice, Poland (05/16/2000-05/17/2000) | | 7. Fanfare for Lancaster, for brass ensemble & side drum (0:28) | | Composer | Witold Lutoslawski (1913 - 1994) | | Conductor | Antoni Wit | | Genre | Fanfare | | Date Written | 1989 | | Venue | Grzegorg Fitelberg Concert Hall, Katowic | | Notes | Grzegorg Fitelberg Concert Hall, Katowice, Poland (05/16/2000-05/17/2000) |
Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares Music Composers on Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares CD : Witold Lutoslawski Conductors on Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares CD : Antoni Wit Genres on Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares CD : Fanfare, Fugue, Overture, Prelude, Quintet Purchase Lutoslawski: Preludes & Fugues For 13 Solo Strings: Three Postludes; Fanfares To buy, Click on price to add to cart | Lutoslawski: Orchestral Works Vol 5 / Wit, Polish Rso CD (1998)
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With the contemporary prominence of such composers as Elgar and Vaughan Williams, it is, perhaps, easy to overlook, or at least to underestimate, the revivifying effect of Parry's work. Musical life in Britain during the first half of the nineteenth century was in a state of stultification: the innovations of continental Europe were largely condemned by the Establishment and there was a steady trend towards archaism, with the 'pure' musical language of the sixteenth and seventeenth centuries being upheld as the ideal.It was due largely to his teacher and mentor, Edward Dannreuther, that Parry was able to draw on wider musical influences for his own compositions. Dannreuther was, as Parry wrote after his first lesson, 'a decided Radical in music'; he was a champion of Brahms, Liszt, and Wagner; and, as well as his introduction to English audiences of piano concertos by Chopin, Grieg, Tchaikovsky and Scharwenka, he instituted a series of chamber music concerts at his London home, 12 Orme Square. These concerts provided a vehicle for the first performances of several of Parry's own chamber works, including the Piano Trios in E minor, B minor and G major; the Piano Quartet in A-flat; and the String Quintet in E-flat; as well as two of the works featured on this disc: the Fantasie-Sonata and the Sonata in D major. The edition used for this recording is Volume LXXX of 'Musica Britannica': 'C. Hubert H. Parry: The Sonatas for Violin and Piano', published in 2003 by Stainer & Bell and edited by Professor Jeremy Dibble. Sonata in D minor for Violin and PianoforteParry's first Sonata for Violin and Piano was composed probably between November 1874 and March 1875; the first movement was revised during the winter of 1876-7 while Parry was staying in Cannes with his wife, who was convalescing from an infected lung. The work shows the influence of Schumann, especially in the opening Allegro, where the syncopated piano part of the development's closing passage is strongly reminiscent of the German composer's Piano Quintet, which Parry had first heard in February. The voice of Brahms can also be heard: for instance, in the flatwards inflection over a tonic pedal that occurs at the end of the second movement. The Andante is also remarkable for ...
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