| | Lisa Ono Lisa's Ono Bossa Hula Nova CD - Import Lisa Ono Discography of CDs
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Our Price: $46.89  CDFor Sale Usually ships in 1-2 days
(Only 2 available)
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Lisa's Ono Bossa Hula Nova Music Lisa Ono Lisa's Ono Bossa Hula Nova Songs | 1. | Swing Time in Honolulu (No Ceu Azul de Honolulu) |
| 2. | Nani Wai 'Ale'ale |
| 3. | Blue Hawaii |
| 4. | Manoa |
| 5. | Mauna Loa |
| 6. | Hawaiian Vamp (Nova Hula) |
| 7. | E Assim |
| 8. | Beyond the Reef |
| 9. | Poliahu |
| 10. | Kaimana Hila |
| 11. | Flor de Yemanja |
| 12. | Sway It, Hula Girl |
| 13. | Aloha'oe |
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Lisa's Ono Bossa Hula Nova Review
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UNDERTOW is the latest release from GREEN ROOM , & after an interval of ten years since their highly acclaimed albums on LEO Records' pioneering LEO Lab label - 'Hidden Music' & '(Live) Trajectories' (5-star ratings in the Penguin Book of Modern Jazz). Originally working as a trio, percussionist David Garrett, along with pianist Chick Lyall and guitarist David Baird forged a musical language which drew from such wide sources as jazz, modern 'classical music' and the radical sonic experiments of John Cage and Karlheinz Stockhausen. Conventional instruments such as piano, drums and guitars could be combined with electronic sounds driven by computer as well as newly constructed instruments and found objects. Since 1998 Chick Lyall and David Garrett have continued to evolve the music of Green Room by means of a combination of live improvisation with prepared computer generated sequences. On UNDERTOW they produce an even wider range of colour than before. Multi timbral explorations are combined with detuned acoustic instruments,flutes,sampling and electronic programming. Composition and improvisation exist simultaneously and the music is somehow arrived at through a dialectic of structure and freedom.From a recent review of 'Tin Man' & 'Undertow' by Green Room by Martin Longley (Jazz Review, UK) :"... Lyall is also a composer of mod classical orchestral pieces and a longtime purveyor of electro-acoustic sounds. Less is known about David Garrett but both Scots are dedicated to the transmogrification of acoustic trad instruments by digital processing means. ... Both players are clearly experienced as post-jazz improvisers, but can also enjoy an avant garde classical rigour. There are also strong elements of folkloric exotica, principally from the Far East, and more precisely, the Indonesian gamelan vocabulary of gongs , bells and metallophone shimmers. Often these effects are arrived at by software-jiggling means..."..."The packaging for both discs is emphatically scientific, but their soundscapes are very organic, caught inside ...
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