| | Early Days Of Super Euro Beat: Euro Fantasy, Vol. 3 CD
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Early Days Of Super Euro Beat: Euro Fantasy, Vol. 3 Review
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On THE BLUEPRINT 3, still unretired Jay-Z announces "the only rapper to rewrite history without a pen." It's a standard Jigga boast, but the Brooklyn icon has earned the bragging by backing it up, particularly on his gold-label, top-shelf BLUEPRINT series. Ever-ready for battle, Jay-Z takes on autotune, crossover radio, and many other hip-hop concerns with the gloriously jagged rap elan for which he's become known.
When Jay-Z first made a series out of his best album, 2001's The Blueprint, it became a game of high expectations. The first volume saw Jay-Z as vital as he'd ever been, storming back to the hardcore after a few years of commercial success. THE BLUEPRINT 2 took a different tack, with guest shots to compliment his sinuous flows. BLUEPRINT 3 is somewhere between the two, closer to the vitality and energy of the original but not without the crossover bids and guest ...
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Annie ran into some obstructions on the way to the release of her second album. Don't Stop was supposed to come out on Island well over a year before it was finally issued on Norway's Smalltown Supersound; Island had gone as far as releasing "I Know UR Girlfriend Hates Me" as a single and video, as well as a cover of Stacey Q's "Two of Hearts" as a promotional single, but Annie and Island split, and Don't Stop finally surfaced with a different track list that included neither "Girlfriend" nor "Hearts." As on Anniemal, Don't Stop contains some of the catchiest, most clever dance-pop in circulation, highlighted by the fizzy "I Don't Like Your Band," one of three songs produced by Paul Epworth (Bloc Party, Florence and the Machine). Nearly as ensnaring as "Chewing Gum," Annie's taunting, attitudinal wordplay is in top form, with "It's not you, it's your tunes" ...
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Mario first earned attention in his mid-teens with his huge hit "Just a Friend," a smooth R&B updating of Biz Markie's rap classic, and followed it up with a successful self-titled debut. With the shift into adulthood for his second record, Mario faced inevitable comparisons to another newly matured R&B crooner--Usher. Far from shying away from his similarities to Usher, Mario gets them out of the way on the first track of 2004's TURNING POINT, "18," where, with the help of Cassidy, he reminds listeners that he has "seven years to catch up" to the older superstar.
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