| | Terry Hall Complete CD - Import Terry Hall Discography of CDs
UK collection from EMI gold, featuring 17 tracks from the Specials, Fun Boy Three, Colourfield & more. 2001
Complete is plagued by the same problem as many best-of compilations: It isn't comprehensive enough. Condensing Terry Hall's varied career onto a single disc offers only bite-sized pieces of the artist's range. Complete is far from complete; instead, it's an introduction to his stylistic deviations. Hall leapt from the groundbreaking ska of the Specials to the new wave bubblegum of Fun Boy Three to exploring neo-psychedelia and bossa nova with the Colourfield. And that isn't even including his solo work. Ironically, although the album is credited to him, Hall's post-band material isn't acknowledged here. "Forever J," Hall's moving love letter to his ex-wife, is nowhere to be found, although many of his fans consider it to be one of his finest songs. "Missing" was recorded with Blair Booth and Anouchka Grace, and it comes closest to reflecting the early-'70s AM radio pop style that he would perform on his own. Never let Hall fool you. Beneath the bouncy keyboards of "Missing," for example, are sad lyrics that describe the hardships of a father and child after a divorce: "The kids are crying/The dog is dying/I've just got the flu/Oh, how we're missing/Missing you." "The Lunatics (Have Taken Over the Asylum)" is a political diatribe disguised as a Halloween ditty. Complete is almost like an abridged version of The Collection from 1993, except that none of the tracks are presented in chronological order. Given Hall's bouncing from one genre to another, Complete can seem a little jarring, especially when the joyful "Really Saying Something" -- featuring Fun Boy Three buddies Bananarama -- is followed by the bleak "The Colourfield." Moreover, as good as these songs are, the Japanese release of the Colourfield's Virgins and Philistines CD is much better in showcasing Hall's brilliance. Complete is just a taste test. ~ Michael Sutton
Terry Hall Complete Songs | 1. | Ghost Town |
| 2. | Thinking of You |
| 3. | Our Lips Are Sealed |
| 4. | Really Saying Something |
| 5. | Colourfield |
| 6. | Too Much Too Young |
| 7. | Nelson Mandela |
| 8. | Missing |
| 9. | Farmyard Connection |
| 10. | Castles in the Air |
| 11. | Lunatics (Have Taken Over the Asylum) |
| 12. | Man at C&A |
| 13. | Things We Do |
| 14. | Beautiful People |
| 15. | Enjoy Yourself  |
| 16. | Windmills of Your Mind |
| 17. | Ultra Modern Nursery Rhymes |
| 18. | Yours Sincerely |
| Complete Review
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Purchase Complete CD To buy, Click on price to add to cart | Fun Boy Three Really Saying Something CD (2002) (Import) United Kingdom; Greatest Hits
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$11.79 REALLY SAYING SOMETHING is a 19-song best-of package from Fun Boy Three, a Specials spinoff, augmented by B-sides and rare tracks.
Instead of concentrating on the single versions of hits like "Our ...
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| | Ub40 Labour Of Love CD (1983)
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$8.85 This is UB40's "tribute" album with cover versions of their favorite songs from 1969 through 1972.
Playing reggae and supporting the UK Labour Party during a decade of Thatcherism and racism demonstrated that these chaps had morals and guts. They eventually prospered ...
| | Bob Marley Legend CD (1984) Bonus Tracks; Remastered
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Recorded between 1972 and 1981. Originally released on Island (90169).
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| | Bad Brains CD (1982)
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$9.55 BAD BRAINS was originally released on cassette. It was issued on CD for the first time in 1996.
The Bad Brains were one of the most important voices of the East Coast hardcore scene during its halcyon days of the '80s. What they brought to the scene was nothing short of revolutionary--infusing the form's rage with the spiritual conviction of the Rasta tradition and the instrumental prowess of seasoned jazz players, they breathed new life into a genre in danger of stagnation, or worse, homogenization. Their album on the initially cassette-only ROIR label arrived like a new day, brimming with positivity and spirituality, as well as an unarguable ...
| | 20th Century Masters: The Millennium Collection: The Best Of The 70'S CD (2000)
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| | Downliners Sect Country Sect CD (1965) Bonus Tracks
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$16.65 COUNTRY SECT is the 1965 remastered reissue of raw '60s British blues rockers The Downliners Sect featuring "Rocks In My Head," "Wait For The Lights To Shine," and six bonus tracks including "Leader Of The Sect."
The second Downliners Sect album has always confused the uninitiated because of its title. At the insistence of their producer, Mike Collier, the band plays some country music such as "Ballad of the Hounds" and "Wolverton Mountain," but also branches into folkier sounds on "Hard Travellin'" (done in country style, but known best in the early '60s as a folk standard) and even brushes up against protest music on "Little Play Soldiers," but the big surprise comes with gospel numbers like "Wait for the Light to Shine" and "Waiting in Heaven." The group's primitive nature comes through loud and clear on the loud Bo Diddley-based backbeat on "I Got Mine" and most of the rest here, which not only makes a lot of it work really well but generally turns this album into yet another brilliant outing for the band, if not quite the same as the first album. Oh, and then the country blues here -- represented by the scintillating five-minute-long "Rock in My Bed" -- is pretty intense, especially for five white English guys, and shows some blues chops that weren't on the debut album. ~ Bruce Eder
The second Downliners Sect album has always confused the uninitiated because of its title. At the insistence of their producer, Mike Collier, the band plays some country music such as "Ballad of the Hounds" and "Wolverton Mountain," but also branches into folkier sounds on "Hard Travellin'" (done in country style, but known best in the early '60s as a folk standard) and even brushes up against protest music on "Little Play Soldiers," but the big surprise comes with gospel numbers like "Wait for the Light to Shine" and "Waiting in Heaven." The group's primitive nature comes through loud and clear on the loud Bo Diddley-based backbeat on "I Got Mine" and most of the rest here, which not only makes a lot of it work really well but generally turns this album into yet another brilliant outing for the band, if not quite the same as the first album. Oh, and then the country blues here -- represented by the scintillating five-minute-long "Rock in My Bed" -- is pretty intense, especially for five white English ...
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