| | Behemoth Satanica CD - Import Behemoth Discography of CDs
 (1 Customer Review)
Fourth album from Polish black metal act. 2000 release on Avant Garde Music. Behemoth Satanica Songs | 1. | Decade of Therion |
| 2. | Lam |
| 3. | Ceremony of Shiva |
| 4. | Of Sephirotic Transformation and Carnality |
| 5. | Sermon to the Hypocrites |
| 6. | Starspawn |
| 7. | Alchemist's Dream |
| 8. | Chant for Eschaton 2000 |
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Purchase Satanica CD To buy, Click on price to add to cart | Nile Those Whom The Gods Detest CD (2009)
Satanica
 $12.78   
It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints on this heavy duty style (Egyptian-influenced lyrics and musical bits, highly impressive instrumental dexterity, etc.). And on their sixth studio effort overall, 2009's Those Whom the Gods Detest, Nile has once again proven that they are a step ahead of the rest of the pack. Although some of the sonic depth has to be attributed to producer Neil Kernon (after all, he worked with such sticklers for audio perfection as Queensr˙che in the past), it's the true metallic fury that Nile create themselves that makes it all extremely impressive. Case in point, such delicious death metal ditties as "Kafir!," while on selections such as the title track and what's sure to be top metal song title of 2009, "Yezd Desert Ghul ...
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| | Toby Keith American Ride CD (2009)
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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing.
Personnel: Ilya Toshinsky (acoustic guitar, banjo); Steven Sheehan (acoustic ...
| | Buckcherry Live & Loud 2009 CD (2009)
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When Buckcherry hit the scene in the mid-'90s, few would have predicted that the raunchy, stripper pole/retro-hair metal outfit had a 15-year career ahead of it, let alone a Grammy nomination. Despite the nearly complete dissolution of the band in 2002, Buckcherry managed to embrace the subversive ...
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The album's opening track, "Sweet Leaf," a salute to one of the band's favorite smokeable substances, contains one of metal's heaviest guitar riffs, courtesy of Tony Iommi. Another eternal band favorite is the grim, post-nuclear war tale "Children of the Grave." Vocalist Ozzy Osbourne is in fine voice on "After Forever" and "Lord of this World," while the more tranquil "Solitude" and the instrumental Iommi compositions "Embryo" and "Orchid" offer a bit of variety. Though not quite as influential as PARANOID, MASTER OF REALITY remains one of heavy metal's founding gems.
While other frontrunners of hard rock/metal like Led ...
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$17.09 | | Art Blakey Buhaina's Delight CD (1962) Bonus Tracks; Remastered
Satanica
$8.99
When Art Blakey's Jazz Messengers expanded to a sextet with the addition of Curtis Fuller on trombone, the group took on the character of a small big band propelled by Blakey's forceful drumming. BUHAINA'S DELIGHT, another session in the long line of great Blue Note dates from this period, displays that classic line-up in pristine form. With Freddie Hubbard replacing Lee Morgan, Cedar Walton replacing Bobby Timmons and musical director Wayne Shorter, the Messengers were full of fresh sounds and vibrant with energy.
Uncharacteristically for a Messengers session, the relaxed shuffle "Backstage Sally" opens the disc in a laid back groove. Shorter's brilliant playing is featured prominently on this session on the delicate ballad "Contemplation" and many stunning solo spots. The title track (dubbed for Blakey's Islamic name, Buhaina) and a dynamic arrangement of the standard "Moon River" are excellent examples of the classic Messengers sound: challenging horn arrangements, expressive soloing and assertive drumming by the leader. Also included on this set are bonus takes of all but two of the original tunes. For any Messengers fan, this is a DELIGHTful package, indeed.
In 1961, Art Blakey's Jazz Messengers had expanded to a sextet, likely his most talented ensemble, and riding on the crest of tenor saxophonist Wayne Shorter's vibrant modern compositions and arrangements. This edition features four alternate tracks from a separate session, and all of the wit, verve, and drive that made this band singularly unique and special in the annals of mainstream post-bop jazz. With Freddie Hubbard, Curtis Fuller, Cedar Walton, Jymie Merritt, Shorter, and Blakey, this band is one of the more unstoppable sextets to ever roam the earth, and at this time was coming back from a successful European and Japanese tour, while also conquering the tough-nut Los Angeles nightclub scene. The joyous and sparse quality of "Shaky Jake" -- written by Walton -- with its head-nodding, infectious blues shuffle -- is so simple and refined that it has proven to be timeless. Blakey dictates the up and down dynamics of the similarly shuffled Shorter offering "Backstage Sally," a sweeter but no less direct melody line urged by Walton's precise piano. Where Walton is an accompanist, he is actually cementing the relationship of all the bandmembers, most notably on the rearrangement of "Moon River" with its start-stop attitude and repeat phrasings triggered by the pianist's cues. Fuller wrote "Bu's Delight," a typical but compelling hard bop piece spurred by Blakey's five- and seven-stroke rolls. Of Shorter's other compositions "Contemplation" is a thoughtful ballad ...
| | Perfect Once, Twice, Three Times A Maybe CD (2004)
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It is widely believed that rock & roll is a genre for the young, but sometimes it takes a veteran to get it...well, perfect. Testament ...
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