| | Fatboy Slim Ya Mama EP CD - Import Fatboy Slim Discography of CDs
This Japanese exclusive version of Fatboy Slim dance tracks features five cuts, highlighted by the Chemical Brothers remix of "Song for Shelter."
Japanese exclusive 5 track version.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Ya Mama EP Review
GuidelinesRemember to focus your comments on Fatboy Slim Ya Mama EP CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Ya Mama EP CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Ya Mama EP
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded ...
| | Egberto Gismonti: Saudacoes CDs (2009)
Ya Mama EP
$22.19 Photographer: Milton Montenegro.
| | Everette Harp First Love CD (2009)
Ya Mama EP
$15.09 On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful ...
| | Keith Jarrett Testament: Paris/London CDs (2009)
Ya Mama EP
$27.39
|  | | Also Bought |
| Doc Severinsen Brass Roots CD (1971)
$11.94 | | Unwrapped Vol. 6: Give The Drummer Some! CD (2009)
Ya Mama EP
$9.30
| | Ramon Ayala Corridos Famos, Vol. 2 CD (1995)
Ya Mama EP
$11.65
| | Ahmad Jamal Big Byrd: The Essence Part 2 CD (1997) (Import) France
Ya Mama EP
$10.65 The elements that made The Essence Part One such a success - bright, crisp, rhythmically alive piano work often revolving around a tense bass ostinato and propulsive percussion - are abundantly present on Part Two, which was drawn from the same Paris and New York sessions but released a year after its predecessor. In no way is this a collection of leftovers; the quality level is so high that one can only conclude that marketing considerations alone prevented The Essence from being issued as a double album in ...
| | Nicole Nur Das Beste CD (2000) (Import) Germany
Ya Mama EP
$14.45
| | Spyro Gyra Deep End CD (2004) SACD Hybrid
Ya Mama EP
$16.09 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Spyro Gyra has been making high caliber, accessible jazz fusion records since 1976, and 2004's THE DEEP END adds impressively to the band's track record. True to form, THE DEEP END ranges in flavor from easy listening to funky explorations that incorporate samba, Caribbean themes, and rock. The musicianship of the group's two core members, saxophonist Jay Beckenstein and keyboardist Tom Schuman, is top-drawer as usual, as are contributions from guitarist Julio Fernandez and ...
| | Dan Nimmer Tea For Two CD (2007) (Import) Japan
Ya Mama EP
$34.15 Japanese pressing. Venus. 2005.
| | Vienna Art Orchestra Triology-30th Anniversary Box CD (2007) (Import)
Ya Mama EP
$51.25 Track Listing of songs: Jean Harlow Blond, Sharp ; Loud; Rita Hayworth Latin Twister; Louise Brook Lulu's Ragtimes; Katharine Hepburn La Grande Dame; Grace Kelly One Day My Prince Did Come; Judy Garland Wizards ; Blizzards; ...
| | Artension Forces Of Nature CD (1999) (Import)
Ya Mama EP
$18.09
| | Roberto Daiqui Dalt Vila Cafe CD (2008)
Ya Mama EP
$16.45 DALT VILA CAFE is a musical work as a result of a southern vision of someone who like many others has come from abroad, in this particular case, using a guitar as the main object to look through present and past emotions and images. Bossa, jazz, soul, rythm & blues, tango, latin, spanish and classical music, a mixing of sound and races that you can discover just having a look around this cosmopolitan area of Ibiza.ROBERTO DAIQUI Guitar Player, Composer, Producer.In 1979, it does already almost 30 years, he received of master teacher of guitar and solfeggio. Went on experiencing all these rules of conservatoire with some teachers in their materpieces of instrumentation, electroacoustic, composition and harmony, and He took part in international seminars in National Radio and in the Cultural Center St Martin of Buenos Aires; among them he mentions Ivo Malec, Marcelo Arce and Abel Carlevaro. Then he decided to break with all this orthodox hegemony and threw to the street, to feel the music freerly. He thinks the art has been done to liberate ourselves, a strange and terrible paradox would be to shut away inside its rules. Then he met a guitar player who had a great influence in ...
|
|
|