| | Lucie Gascon Romance & Fantaisie CD - Import Lucie Gascon Discography of CDs
Romance & Fantaisie Music | List Price | $32.99 (You save $2.80) | | Category | Jazz Albums | | Label | SELECT | | CD Universe Part number | 2528229 | | Catalog number | 672409 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Lucie Gascon Romance & Fantaisie Songs | 1. | Nocturne Pour Harpe |
| 2. | Impromtu-Caorice Op. 9 |
| 3. | Adagio De La Sonate Op. 27, No.2 |
| 4. | 1re Arabesque |
| 5. | Fantaisie Pour Harpe |
| 6. | Six Danses Roumaines |
| 7. | Last Rose Of Summer, The |
| 8. | Home Sweet Home |
| 9. | J'ai L'ame A` La Tendresse |
| 10. | Romance (Extrait Du Film Mon Ami Max) |
| 11. | Summertime |
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Romance & Fantaisie Review
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Elvis Costello & The Attractions: Elvis Costello (vocals, guitar, anvil); Steve Nieve (keyboards, synthesizer); Bruce Thomas (bass); Pete Thomas (drums).
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| | Josh Howatt Opposite Of Disappearing CD (2008)
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He may say that it all started with a reunion of estranged friends; the prep-school outcast and the pitchy Wurlitzer. Both hidden away under some covert staircase. But many will attest it started far before he could even reach the piano pedals. Josh Howatt has far outgrown the title of child-prodigy and has begun to stake his claim as the eccentric and evocative composer of the new era. He is hungry, starving, inconsolably ravenous, to bring the industry to it\'s knocking knees and back to a time, when men may have worn wigs, but beat down into that ivory terrain like linebackers. With reverence and unabandon, Josh resurrects the greats: Chopin, Beethoven, Joplin (Scott, that is), in a seance of sonic mishmash, by fusing classical structure with alterna-rock influence.Originally from the freshly world famous Orange County, CA, Josh Howatt descended onto New York\'s hipster scene in the Fall of 2006. With showcases at the Bowery Ballroom, Sidewalk Cafe, Bitter End, The Living Room and his newly formed band in tow, he has begun to create a powerful surge in the art-rock undercurrent as a force to be reckoned with. Josh has positioned himself in a line-up of six more shows in the next two months, with a hardcore guarantee: \"You show up and I\'ll make sure we both leave out of breath\".Now, with his overdue debut EP ready for distribution come Sept 12, Josh is tackling his most ambitious work to date. In this 6 song little gem, he lands anywhere from fevered to fluid, darling to devastating; Josh\'s melodic clamor is never short of a breath-taking sucker punch. Sometimes unexpected and gut wrenching. Always honest. Deep in that nest of red curls he hoards such autobiographical impetuses of unrequited love, suicide, politics, addiction, religion, only to have them escape in a series of vocal acrobatics sopped in pathos. Each lyric lays pregnant with meaning, and ...
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Boston-based power-pop group The Vivs prepare to release their debut album Mouth to Mouth on September 22nd, 2009. A CD-release party in Boston at Church on Friday, September 25th will welcome many special guests, including a one-night reunion of seminal Boston band The Barnies, a special appearance by David Minehan (The Neighborhoods) and friends, and Boston’s own Buttercup among others. The members of The Vivs (formerly Edith) are no strangers to the Boston music scene. As Edith, they released Outfit (2000) to critical acclaim, with Billboard Magazine heralding the band as a modern throwback to “the salad days of the New York post-punk scene.” With this debut album and incarnation of the band, The Vivs bring into sharper focus their love of contrast— most notably via the yin/yang of two very different female voices: front woman Karen Harris’ gritty one joined by the pretty, other-worldly harmonies of long-time friend and keyboard player (and former member of the 90s Boston band Tribe) Terri Brosius. After playing together as Edith for a few years, half the members (including Harris) took a breeding hiatus. The name, The Vivs (think vivir, the Latin root for “to live”; think vivisection), marks their rebirth, as does Mouth to Mouth--a kinetic, hook-laden, fraught, powerful collection of songs. Harris, a high school teacher and mother of two, sings with the passion of a seasoned post-punk all-star. Her songwriting is marked with the raw sexuality, intelligence, and humor of legendary post-punk or lit-pop bands like Scrawl or Patti Smith. With The Vivs, she pioneers a fresh sound that could fit alongside power-pop and post-punkers Bettie Serveert or fellow Bostonians Mission of Burma. “I felt alternately heart-sick and off-the-charts elated when I wrote most of the songs on Mouth to Mouth,” says Harris. “It was just one of those seasons.” Lyrically, this intensity shows: From the paradox of being both beaten down and raised up by love ("You Should Have Seen the Other Guy") to celebrating the blowjob ("Better Now") and denial ("Waking ...
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