| | Fred Rosebud CD Fred Discography of CDs
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Our Price: $7.49  CDFor Sale Usually ships in 1-2 days
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Audio Mixers: Bobby Shea; Fred Giannelli; Dan Mackay.
Recording information: Tandem, Boston, MA.
Editors: Bobby Shea; Fred Giannelli; Dan Mackay. Fred Rosebud Songs | 1. | Rosebud: M.D. |
| 2. | Rosebud: Patty/ Tanya |
| 3. | Rose-Chop |
| 4. | Rosebud: Doris |
| 5. | Rosebud: Dante |
| 6. | Rosebob |
| 7. | Rosebud: A.J. / Piss Off |
| 8. | Rosebud: Miss X |
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Rosebud Review
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Purchase Rosebud CD To buy, Click on price to add to cart | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
Rosebud songs
 $22.69  
In 1978, the legendary prog-rock band Jethro Tull descended on Madison Square Garden, unleashing an epic 14-song set that stretched from "Sweet ...
| | Judas Priest Concert Classics CD (2009) Reissue
Rosebud album
 $11.18   
There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, on stage. Judas Priest re-invented heavy metal. The first band to use the twin-guitar attack, they built on the foundation Black Sabbath had laid and moved metal to a new level. Looking back on the body of the work that the classic Priest line-up of Rob Halford, Glenn Tipton, K.K. Downing, Ian Hill and Dave Holland has left us, nobody is ...
| | Rod Stewart Soulbook CD (2009)
Rosebud CD music
$13.79   (MP3 Available for Download)
Continuing his stroll through pop's backpages, Rod Stewart moves on from "The Great Rock Classics of Our Time" and dives into the SOULBOOK, shorthand for all the great Motown and soul songs that still are in heavy rotation on oldies radio well into the new millennium. Rod doesn't spend much time with the soul and blues singers so influential on him, choosing instead to run through a bunch of Motown hits - a full six of the 13 songs here are from the Motor City - adding a couple of smooth soul hits from the early '70s, plus Chuck ...
| | Porcupine Tree The Incident CDs (2009)
Rosebud MP3 Album
$15.65 (MP3 Available for Download)
Porcupine Tree, have found a way to incorporate both prog rock's '70s, with its 10-minute-plus suites and bombast, and its more refined, rock heavy '80s, into their 2009 effort, THE INCIDENT. Set up similarly to Rush's 1978 classic, HEMISPHERES, THE INCIDENT is comprised of a single long song -- the title track ...
| | Timothy B Schmit Expando CD (2009)
Rosebud music CDs
$11.99  (MP3 Available for Download)
Timothy B Schmit launched his solo career late - in 1984, after the Eagles disbanded and right in the thick of the era of shiny, synthesized production. Schmit released three solo albums, all big and glossy, between 1984 and 1991, then reunited with the Eagles in '94, so he never quite had a chance to record an album as relaxed and natural as 2009's EXPANDO. Ditching all the sheen, but not professional panache, that lingered all the way to 2001's FEED THE FIRE, Schmit returns ...
| | Shakira She Wolf CD (2009)
Rosebud songs
$14.39 
Shakira's brand new English album She Wolf is an uptempo pop album. It is all about synthesizers and electronic concepts, all mixed with the world sounds that we are used to from Shakira.. sounds from countries like India, the Middle East and her home country of Colombia. She Wolf features a predominantly English track list with a follow up album of new and unique repertoire in Spanish to come in 2010. The title track "She-Wolf " boasts the infectious and energizing sound that made Shakira a household name, with a slightly more dancey/ electronic beat (about 125 beats per minute). Though most tracks on the upcoming album will be in English, Shakira chose to service the Spanish version of the first single, "Loba", two weeks before the English single is launched.
Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied ...
| | Louis Armstrong 1952-1953 CD (2004)
Rosebud album
$12.89
This 21st chapter in the Classics Louis Armstrong chronology documents the great jazz trumpeter's steady development into a mainstream pop vocalist with recordings made for the Decca label between September 22, 1952, and October 22, 1953. The first four titles are among the most heavily sugared he ever recorded; although Pops could make even "White Christmas" and "Winter Wonderland" sound good, the Gordon Jenkins Orchestra & Chorus had a way of drenching everything in Karo syrup. It's a pity the voices were used on "Listen to the Mockingbird," as Louis sounds marvelous intoning the words to this old-fashioned melody, originally published in 1855 by a Philadelphian Afro-American music instructor named Septimus Winner. On February 23, 1953, Armstrong was in Detroit making records with an orchestra using arrangements by Sy Oliver; his performance of "Your Cheatin' Heart" was waxed only weeks after the sudden death of Hank Williams. During the spring and summer of 1953 Armstrong was able to record with a reasonable number of solid jazz players -- most importantly clarinetist Barney Bigard, trombonist Trummy Young, tenor saxophonist Sam Taylor, pianists Joe Bushkin and Marty Napoleon, bassist Arvell Shaw, and drummer Cozy Cole. Two extra-long performances, "Basin Street Blues" and "Otchi-Tchor-Ni-Ya," were recorded in Los Angeles during June of 1953 for intended inclusion in The Glenn Miller Story, a Universal motion picture starring Jimmy Stewart and June Allyson. Both tracks perk up halfway through with pyrotechnic drumming by Gene Krupa. Although Bigard, Young, Shaw, and Cole were with Armstrong on the session that took place on July 16, 1953, they had to contend with relatively corny material and square arrangements foisted upon the world by the Jack Pleis Orchestra. The following session, featuring a big band billed as Louis Armstrong & the Commanders, resulted in two more Christmas tunes and three perfectly reasonable big-band ballads, the best of which was Armstrong's own composition "Someday You'll Be Sorry." This itinerary is a good illustration of Armstrong's career as it stood in the early '50s, represented by a little bit of jazz surrounded by a whole lot of pop, some of it rather overbearing. While "Someday" is a record of which Armstrong was justifiably proud, "'Zat You, Santa Claus?" typifies the kitschy excesses of the U.S. entertainment industry during the Truman/Eisenhower era. ~ arwulf arwulf
This CD opens with two tracks that were made months before the musicians had any thoughts of winter. "Winter Wonderland" is a pure delight. Gordon Jenkins and his band provide discreet accompaniment which leaves Louis Armstrong the musical freedom he nee
Recording information: Detroit, MI (09/22/1952-10/22/1953); New York, NY (09/22/1952-10/22/1953).
Directors: Jack Pleis; Sy Oliver; Toots Camarata.
Arranger: Gordon Jenkins.
Personnel: Louis Armstrong (vocals, ...
| | Attracted To Gods Sinners & Saints CD (2009)
Rosebud CD music
$12.65
Attracted to gods is anything they want it to be. From a guitar and drums duo to a three guitar full band onslaught!Most of the members (Nate collis (guitar/vocals), Brett Johnson (Bass), Brian Mcleod (drums)) have been a part of the underground hip-hop group Atmosphere.The music sound is rock for sure, but touches on country, blues, 70's rock and a small pop element. We try not to be to held to any one style. It helps us write a body of work, not just a couple of songs that sound the same.The band name came from a conversation with a friend of Nate's, Lil’ Dan Shite (rhymes with kite and high as hell), when they were talking about human infatuation with spirituality of all types. But after all is said and done, it's just a attraction.The ...
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