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Gagnon, Andre - Resonance CD Cover Art
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Andre Gagnon Resonance CD - Import

 Andre Gagnon Discography of CDs

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Resonance Music


Detailed Resonance Music Information



List Price $48.99 (You save $3.00)
Category Rock/Pop Albums, Jazz CDs, Easy Listening, Christmas
Label Jvc Victor
Orig Year 2000
All Time Sales Rank   356621  
CD Universe Part number 2594199
Catalog number 61613
Discs 1
Release Date Nov 21, 2001
Mono/Stereo Stereo
Additional Info Japan
Andre Gagnon Resonance Songs


Andre Gagnon Resonance Album Track Listing



1.Resonance
2.Matin Blanc
3.Murmure au Printemps
4.La Valse Oubliee
5.Comme une Vague
6.Incertitude
7.Sous un Arbre
8.Un Doux Souvenir
9.Matinee
10.Ombrage
11.Serenite
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On 2005's CHRISTMAS SONGS, Diana Krall applies her sultry vocals and nuanced piano lines to a strong set of holiday classics. In addition to turning in a stirring performance of "The Christmas Song" that would make Nat "King" Cole proud, Krall eases into a swaying version of "Winter Wonderland" and a lush rendition of "Have Yourself a Merry Little Christmas." With its dynamic arrangements and pitch-perfect mix of pop and jazz, this album stands alongside other timeless Yuletide outings. Recording information: Capitol Studios, Hollywood, CA; Ocean Way Studios, Hollywood, CA; Schnee Studios, North Hollywood, CA; Sony Music Studios, New York, NY. Photographer: Sam Taylor-Wood. Arrangers: Diana Krall; John Clayton; Johnny Mandel. Personnel: Diana Krall (vocals, piano); Diana Krall; Jeff Clayton (flute, alto saxophone); Keith Fiddmont (clarinet, alto saxophone); Rickey Woodard, Charles Owens II (clarinet, tenor saxophone); Adam Schroeder (bass ...
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often credited to Davis, ...
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Louis Armstrong & Friends' Christmas Collection is a lot of fun. Along with Satchmo, the represented artists on this 14-song collection include Dinah Washington, Mel Tormé, Peggy Lee, Lionel Hampton, Eartha Kitt, Duke Ellington, Lena Horne, and Louis Jordan. ...
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960. The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have become standard jazz repertoire. Yet to remain in awe merely of his approach is to miss the point of what he has to say. Montgomery's technique served only to express the emotions and inspirations born from the depths of his soul. From the strings of his guitar, through all the amplifiers, tapes and speakers, what shines through ...
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Track Listing of songs: Hangover Boogie; Swanner River Boogie; Vine Street Blues; Sugar; Yancey's Mixture; Lil's Boogie; Echo's Of Spring; Handful Of Keys; Honky Tonk Train Blues; Boogie Woogie At The Civic Opera; Yancey's Last Ride; I've Found A New Baby; Boogie ...
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