| | Songs 4 Worship: Great Is The Lord CD (2 Customer Reviews)
Includes liner notes by Deborah Evans Price. Songs 4 Worship: Great Is The Lord Music Songs 4 Worship: Great Is The Lord Songs | | Songs 4 Worship: Great Is The Lord CD DISC 1: |
| 1. | Almighty - Wayne Watson |
| 2. | Victory Chant - Bob Fitts |
| 3. | Jesus Is Alive - Ron Kenoly |
| 4. | Mourning into Dancing - Tommy Walker |
| 5. | Great Is the Lord - Michael W. Smith |
| 6. | We Give Thanks - Bob Kauflin |
| 7. | I Will Bless the Lord - Don Moen |
| 8. | I Will Magnify - Bob Fitts |
| 9. | I Believe in Jesus - Keith Matten |
| 10. | We Bring the Sacrifice of Praise - Maranatha Singers & Orchestra |
| 11. | Sing Hallelujah to the Lord - Maranatha Singers & Orchestra |
| | Songs 4 Worship: Great Is The Lord Songs DISC 2: |
| 1. | King of Kings - Maranatha Singers & Orchestra |
| 2. | Glory - Danny Daniels |
| 3. | I Will Sing of the Mercies of the Lord - Maranatha Singers & Orchestra |
| 4. | Ancient of Days - Ron Kenoly |
| 5. | Our God Is Lifted Up - Eugene Greco |
| 6. | Let There Be Glory and Honor and Praises - Kent Henry |
| 7. | We Will Dance - Andy Park |
| 8. | Worthy You Are Worthy - Don Moen |
| 9. | Shield About Me, A - Maranatha Singers & Orchestra |
| 10. | Find Us Faithful - Steve Green |
| 11. | How Beautiful - Twila Paris |
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$8.49 Unquestionably Stryper's strongest and most rockin' album, To Hell with the Devil was a tough act to follow. Instead of following it up with something equally intense, the band stressed its pop side on In God We Trust. Though not quite as big a seller as To Hell with the Devil, the album quickly went gold and fell short of platinum. In God isn't a terrible album by any means, and it does have its moments (most notably, "Come to the Everlife" and "The Writing's on the Wall"), but some of the other material isn't very memorable. Quite often, Stryper sounds like just another MTV-friendly arena rock band. More devoted Stryper ...
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| | James Carr You Got My Mind Messed Up CD (1967) (Import) United Kingdom
Songs 4 Worship: Great Is The Lord songs
$16.95 If ever there was a soul singer who rivaled Otis Redding's raw, deep emotional sensuality, it was James Carr, and the proof is in the pudding with You Got My Mind Messed Up. Carr was one of the last country-soul singers to approach any chart given to him as if it was a gift from God. Carr was Redding's rival in every respect if for no other reason than the release of this, his debut album recorded in 1966. The 12 songs here, many of them covered by other artists, are all soul classics merely by their having been sung and recorded by Carr. Among them is the Drew Baker/Dani McCormick smash "Pouring Water on a Drowning Man," George Jackson's "Coming Back to Me Baby," a handful of tracks by O.B. McLinton, including "Forgetting You" and the title track, and the Chips Moman/Dan Penn hit "Dark End of the Street." And while it's true that few have ever done bad versions of the song because of the phenomenal writing, there is only one definitive version, and that one belongs to Carr. In his version he sings from the territory of a heart that is already broken but enslaved both to his regret and his desire. This is a love so pure it can only have been illicit. When he gets to the beginning of the second verse, and intones "I know time is gonna take its toll," he's already at the end of his rope; he knows that desire that burns like this can only bring about ruin and disaster, and it is precisely since it cannot be avoided that his repentance is perhaps accepted by the powers that would try him and judge him. He holds the arrangement at bay, and unlike some versions, Carr keeps his composure, making it a true song of regret, remorse, and a love so forbidden yet so faithful that it is worth risking not only disgrace and destruction for, but also hell itself. As the guitar cascades down the fretboard staccato, he can see the dark end of the street and holds it as close to his heart as a sacred and secret memory. By the album's end with the title track, listeners hear the totality of the force of Memphis soul. With Steve Cropper's guitar filling the space in the background, Carr offers a chilling portrait of what would happen to him in the future. Again pleading with the beloved in a tone reminiscent of a church-singer hell, he's in the church of love. He pleads, admonishes, begs, and finally confirms that the end of this love is his insanity, which was a chilling prophecy given what happened to Carr some years later. This is one of theMemphis soul records of the mid-'60s, full of rough-hewn grace, passion, tenderness, and danger. A masterpiece. ~ Thom Jurek
This CD reissue of Carr's first album, 1967's You Got My Mind Messed Up, doubles the length of that LP with no less than 12 bonus tracks, all of them rare and unreleased. You Got My Mind Messed Up is a fine '60s Memphis soul album, even if, in the manner of many LPs of the time, it's largely built around previously released singles. Indeed, ten of the 12 songs drawn from the original You Got My Mind Messed Up LP also show up on Carr's Ace compilation The Complete Goldwax Singles, though there is a difference in that eight of those ten songs are presented on this CD in new stereo mixes, where The Complete Goldwax Singles used the original mono masters. (If you're keeping a scorecard on such matters, the only songs on the You Got My Mind Messed Up reissue not to benefit from new stereo mixes are "Coming Back to Me Baby," "She's Better Than You," and the LP-only cut "I Don't Want to Be Hurt Anymore.") "Pouring Water on a Drowning Man," "Coming Back to Me Baby," "You Got My Mind Messed Up," ...
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