| | George Lewis' Ragtime Band Of New Orleans: The Oxford Series, Vol. 4 CD George Lewis Discography of CDs
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clarinetist's session w. superb fidelity inc. Aver Howard on trumpet
Recorded in Oxford, Ohio in 1953.
Personnel: George Lewis (clarinet); Avery Howard (trumpet); Jim Robinson (trombone); Alton Purnell (piano); Joe Watkins (drums).
Liner Note Author: Barry Martyn.
Recording information: Oxford, OH (03/19/1953/03/20/1953).
Personnel includes: George Lewis (clarinet), Kid Howard, Jim Robinson, Lawrence Marrero, Slow Drag Pavageau.
George Lewis' Ragtime Band Of New Orleans: The Oxford Series, Vol. 4 Music George Lewis' Ragtime Band Of New Orleans: The Oxford Series, Vol. 4 Songs | 1. | Runnin' Wild | |
| 2. | Just a Closer Walk With Thee | $0.99 | |
| 3. | That's A-Plenty | |
| 4. | Tin Roof Blues | |
| 5. | Sensation Rag | |
| 6. | Precious Lord | |
| 7. | Chimes Blues | |
| 8. | Just a Little While to Stay Here | |
| 9. | Chinatown, My Chinatown | |
| 10. | We Shall Walk Through the Street of the City | |
| 11. | Careless Love | $0.99 | |
| 12. | Weary Blues | |
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George Lewis' Ragtime Band Of New Orleans: The Oxford Series, Vol. 4 Review
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Purchase George Lewis' Ragtime Band Of New Orleans: The Oxford Series, Vol. 4 CD To buy, Click on price to add to cart | Memphis Jug Band, Vol. 1 CD (1998)
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The prototype jug band, Will Shade's Memphis Jug Band mapped out a street-corner litany of blues, rags, and pop standards from the late 1920s through the mid-'30s, most of them for Victor Records. This fourth volume in David French's Frog Records' survey of the MJB's output collects sides they recorded for Vocalion and OKeh in 1934 as well as presenting alternate takes and test pressings done for Victor between 1927 and 1930. What's important here is that the remastering for the series ...
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This 1999 reissue lets Charles Lloyd's music of the late '60s transcend its erstwhile, hippie era, Coltrane-lite cachet and come into its own as the expression of an expansive musical vision by a quartet of formidable players. Straddling the threshold to the avant-garde, the music doesn't so much defy categorization as dispense with the need for it. Folk themes, Eastern influences, blues, modal hard bop, and impressionistic passages meld seamlessly into a unique, cohesive musical conception. The sprawling 75-minute CD compiles two concert releases: a 1967 date at New York's Fillmore East and a 1968 concert in Oslo, Norway. Soundwise, the recording is average. It captures Lloyd, on flute and tenor sax, and pianist Keith Jarrett reasonably well and just slightly less so the bassists: Ron McClure in New York, Cecil McBee in Oslo. Drummer Jack DeJohnette, however, gets spotty treatment. At times his subtle hybrid of jazz-rock and free, pulsing styles registers well, at others it becomes a muddy clatter. Still, the CD succeeds in immersing the listener in the concerts. While the members of Lloyd's quartet are and remain enormous individual talents, this is an important but ...
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Roscoe Mitchell once fronted perhaps his most daringly different trio with multi-instrumentalist Gerald Oshita and vocalist Thomas Buckner. This recording, dedicated to Buckner, captures the singing characteristics of Buckner in a purely instrumental way, and quite beautifully. Timbres are rare and off-kilter, free flowing, static, or flat-out swinging. In the middle is Mitchell, carrying the torch that has kept him a vital, adventurous American musician for three decades. Armed with a raft of woodwind ...
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