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Andy Griffith Show Soundtrack CD Buy Andy Griffith Show Soundtrack CD Purchase Music From Andy Griffith Show CD To buy, Click on price to add to cart | Cacophony Go Off CD (1989)
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Includes liner notes by Roger McGuinn, Jim Bickhart, Derek Taylor.
Originally released as the two-album set UNTITLED, this double disc includes an entire album's worth of unreleased material. Split between live cuts of vintage Byrds material and newer studio songs, disc one features new member Skip Battin's contributions along with songs originally written by Roger McGuinn for an aborted Broadway remake of Ibsen's PEER GYNT. Guitarists McGuinn and Clarence White are the in-concert driving forces throughout Dylan covers ("Positively 4th Street"), early hits ("Hey Mr. Spaceman"), and newer songs ("Lover Of The Bayou").
Battin proved his value ...
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The 2003 Deluxe Edition of THE HARDER THEY COME includes a bonus CD of early reggae tracks recorded between 1968 & 1972, rare photos and original artwork.
Originally released on Mango SMSAS (7400). Includes liner notes by David Katz.
The soundtrack to the groundbreaking film about Jamaican subcultures, this superb selection is also a synthesis of late 60s and early 70s reggae. Recordings by Jimmy Cliff, the movie's star, form the album's core and his contributions, notably 'Many Rivers To Cross', show his understated power ...
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Dan Cohen, a Nashville-based musician who makes a living backing country artists such as Tracy Byrd and T. Graham Brown, is both a clever songwriter and an accomplished guitarist, and he is intent on demonstrating both talents on his self-titled debut album. On his compositions, Cohen portrays himself as a lovable loser with a taste for similes and metaphors he doesn't mind mixing (one verse of the leadoff track, "Rabbit's Foot," goes, "So I wear my soul like alligator skin/Hard as leather with a toothy grin/Stubborn as an anvil, crazy as a clown/But I smile for you when the sun goes down"). He usually seems to be involved, either happily or unhappily, with some woman who is a cut above him socially and intellectually ("You quoted Keats, I quoted Carlin"), and he alternately aspires to raise himself to her level or, more likely, bring her down to his. He also alternates between tuneful ballads and honky tonk rave-ups, and he tosses in three instrumentals that establish his talents as a fingerpicking guitarist. But his least emphasized yet most accessible talent may be his rich, warm tenor, which producer Matt King mikes closely on the ballads, making for a sound somewhat like Jackson Browne, but smoother. That asset may actually help Cohen succeed as a frontman. ~ William Ruhlmann
Raised by English professors in the backwoods of Kentucky, reading P.G. Wodehouse and Shakespeare and listening to Randy Newman and Paul Simon, Dan Cohen's music represents different facets of contemporary Americana. It is surreally Southern, but cosmopolitan at the edges--if not quite "sophisticated." Domesticated, yes, but not ready for the good china. Dan began playing guitar at age 12 and started writing his first songs shortly afterwards."Writing and playing have always seemed to go hand-in-hand for me," he says. "I've never had a lot of interest in playing other people's songs. Listening, sure - but not really playing. I feel like... they did that already! I can't do it better than that. I better go do my own thing - figure out what that is."Figuring that out led him to college, to Philadelphia for a few years, and then to Nashville, where he quickly garnered a reputation as a blazing picker as well as a talented writer, penning songs with hit-makers like Jeffrey Steele, Bob diPiero, and Don Poythress. He began getting work playing on demo sessions (and a few masters, as well) working with veteran producers such as Blake Chancey, Scott Hendricks, Billy Joe Walker, Jr, Jay Joyce, Desmond Child and others. After stints on the road with national country acts, including Tracy Byrd, Bryan White, ...
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