| | Leicester Square-The Best Of Yeah Yeah Noh CD - Import Yeah Yeah Noh Discography of CDs
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The 20 tracks here were taken from EPs, LPs, and BBC radio sessions, with a couple of unreleased songs added. There's a complete discography with song listings in the liner notes. But could it really have been that much trouble to indicate the date and source of each song on the actual track list, instead of necessitating cumbersome scanning of the whole discography to match each tune with its point of origination? Anyway, this is a sufficient overview of the Leicester band's nonchalant brand of British post-punk. There have been comparisons of this group to the Fall elsewhere, but really this lot were much more melodic and less abrasive. Any similarity would arise in a generally downbeat stream-of-consciousness outlook, though Yeah Yeah Noh's melancholy was far less bleaker than that of the Fall (or numerous other British groups from the same school). Indeed some of these cuts are rather poppy, with creepy reverberant guitar lines and chirpy female backup vocals. "Pink Green" has enough of a circular folk-rock ring to widen its appeal beyond the British post-punk audience, while there's an occasional fetching folkiness in offerings like "Zoological Gardens." It's above-average mid-1980s British indie rock in diversity and quality, but one wishes for more passion and originality in the songwriting and reserved, slightly bummed-out vocals. ~ Richie Unterberger
Best Of Yeah Yeah
Arranger: Rob Grant.
Personnel: Derek Hammond (vocals); Rob Grant, Tom Slater (guitar); Sue Dorey, Graham Summers (drums); Julie Dennis (background vocals).
Recording information: 07/28/1984-01/27/1986.
Leicester Square-The Best Of Yeah Yeah Noh Music Leicester Square-The Best Of Yeah Yeah Noh Songs Leicester Square-The Best Of Yeah Yeah Noh Music Review Average Rating: (5 out of 5 stars)   Much underrated/unknown 80's band In the Eighties I only was familiar with one song from Yeah Yeah Noh, Cottage Industry. My local college radio stations in New Jersey, WRSU and WPRB, would occasionally play this one song. It was hypnotic, multi-layered, and had lyrics that were only partly intelligible to my American ear. No matter; the song stayed in my head for twenty years, until I finally found/bought the album. What of it? More hypnosis, layering, and yes, partially intelligible lyrics. I still cannot understand why I did not know more of them at the time, nor why they never went on to greater (or any) fame. Mores the pity. A great album. Submitted by bimbi (Cambridge, MA, US)  Was This Review Helpful? Yes No
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