| | Barney Bigard And The Pelican Trio CD Barney Bigard Discography of CDs
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Clarinetist Barney Bigard's final recording (cut four years before his death) is perhaps more notable for the name of his group and the cover drawing (of three pelicans playing jazz) than it is for the music. The performances of mostly swing standards (along with three standards) is fine, but the group (consisting of Bigard, pianist Duke Burrell and drummer Barry Martyn) would have certainly benefited from the inclusion of a bassist, while the three vocals (two by Burrell and one by Martyn) do not help much. In general, Bigard is in good form and, despite the lack of any real adventure, the music is pleasing and swinging. ~ Scott Yanow
the great New Orleans clarinetist from Duke Ellington Orchestra, one of his last recordings, 12 tracks
Unknown Contributor Role: Barney Bigard.
Personnel: Barney Bigard (clarinet, tenor saxophone).
Recording information: Hollywood, CA (1976).
And The Pelican Trio Music Barney Bigard And The Pelican Trio Songs | 1. | Wrap Your Troubles in Dreams (And Dream Your Troubles Away) |
| 2. | Man I Love, The |
| 3. | Don't Ge Around Much Anymore |
| 4. | Wampum |
| 5. | Rosetta |
| 6. | Undecided |
| 7. | Stardust |
| 8. | Clarinet Gumbo |
| 9. | My Funny Look' Baby |
| 10. | Just You, Just Me |
| 11. | World Is Waiting for the Sunrise |
| 12. | Makin' Whoopee |
| 13. | 'S Wonderful |
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And The Pelican Trio Review
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Buy And The Pelican Trio CD Purchase And The Pelican Trio CD To buy, Click on price to add to cart | Art Tatum Tatum Group Masterpieces, Vol. 3 CD (1955)
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| | Art Tatum Tatum Group Masterpieces, Vol. 8 CD (1956)
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Recorded in Los Angeles on August 1, 1955. Includes liner notes by Benny Green.
This CD has the same tracks as THE TATUM GROUP MASTERPIECES, VOL. 3 (Pablo 2405-426), except for "Hallelujah" - (alternate take) which is only on the other CD.
Recorded in Los Angeles, California on September 11, 1956. Includes liner notes by Benny Green.
Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.
The final volume in this very worthy series is a comparatively relaxed affair, a quartet set with tenor-saxophonist Ben Webster. Webster lets Tatum ...
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Though known mostly as a guitarist for Man, Deke Leonard also did some work on his own in the 1970s, sometimes as the head of Deke Leonard's Iceberg. Wireless collects previously unreleased recordings he made for radio during the decade, the first seven tracks coming from European broadcasts of Deke Leonard's Iceberg between 1972 and 1974 (the exact dates and locations are not known), the final four from a BBC John Peel session in February 1978. The 1972-1974 material is an awkward, and not too pleasing, mix of boogified bluesy rock with some art rock brush strokes, not helped by the dull sound (though the fidelity is basically of studio standard). Particularly due to some pointed, quizzical circular guitar riffs, there's sometimes the strange feeling that you're hearing a blues-oriented bar band trying to be Yes, or vice versa. It's not the most inviting combination, and when you throw in the thin vocals of limited power, you have music that even lovers of '70s hard rock/blues-rock blends might seldom dig out of the archive. Leonard plays it much ...
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One of the many branches extending from the Broken Social Scene tree, Apostle of Hustle is essentially vocalist/multi-instrumentalist Andrew Whiteman and a loose cadre of fellow BSS-affiliated Canadian musicians. Mixing laid-back indie-folk tendencies with a keen sense of songcraft (see the oddball pop of "My Sword Hand's Anger"), Whiteman has a created a charming album that will likely appeal to fans of the mellower, lo-fi side of the Broken Social Scene collective.
Recording information: Andrew's Bedroom, Toronto, CA (12/2005-09/2006); Masterkut, Montreal, Quebec, Canada (12/2005-09/2006); The Party, Monocentre, Canada (12/2005-09/2006).
Photographers: ...
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