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Good Hearted Woman Review
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| | Ray Price Touch My Heart/Burning Memories CD (1964)
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$15.05 2 LPs on 1 CD: TOUCH MY HEART (1966)/BURNING MEMORIES (1964). Personnel includes: Ray Price (vocals); Wayne Moss (guitar); BuddySpicher (fiddle); Bill Pursell (piano); Snuffy Miller (drums). Originally released on Columbia Records. Personnel: Jerry Glenn Kennedy, Herman Wade, Grady Martin, Hank Cochran, Art Bishop, Wayne Moss (guitar); Howard Carpenter, Wilda Tinsley, Roby I. Story, Vernal E. Richardson, Martin Kathan, Bach Byron T., Lilian Hunt, George Binkley III, Brenton ...
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| | Nancy Apple River, Road Or Rail CD (2005)
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$13.79 Ringo Records is proud to present RIVER ROAD OR RAIL, a collaborative collection of new traditional country and western music from Nancy Apple and Buffalo Skinner recording artist Rob McNurlin. The press has called Nancy Apple Memphis' reigning Queen of Country and Princess of Twang. One critic went as far to say she was "As country as Cash, as rockin as Carl, and by god as bold as Elvis." Amazon.com said of the Kentucky's Rob McNurlin: "The old is new in his capable hands, and dead voices rise to pass their tales on to the living."In the same spirit as Conway and Loretta / Johnny and June, Nancy and Rob have conjured up a potent mix of genuine heartfelt music with enough twang to bounce you from Tennessee to Bakersfield. They cover the classic "Lost Highway" - performed in nearly gospel style. The rest is all new material written by Nancy or Rob with the exception of two great tunes from friends - ("Lucille," a murder ballad, and "Drover," a western trail blazer). Two original Christmas songs (bonus tracks) are bound to become classics. Both artists have received a wagon load of press, and have healthy fan bases. Together they set a new standard for modern day troubadours. With their combined fan bases and a slew of one-nighters booked from coast to coast, RIVER ROAD OR RAIL is sure to be a turning point for both artists.Nancy Apple has been a volunteer DJ on WEVL in Memphis for 9 years. She has performed in America and Asia. She has been called a Memphis treasure by the Commercial Appeal, and a honky tonk legend in the Bluff City by Northwest Airlines World Traveler in-flight magazine. She has released 5 albums and is also known as The Cadillac Cowgirl. She has been a finalist in the International Songwriting Contest ...
| | Alan White Ramshackled CD (1976)
Good Hearted Woman
$9.69 Personnel: Alan White (vocals, drums, percussion); Pete Kirtley (vocals, guitar); Ken Craddock (vocals, keyboards); Alan Marshall (vocals); Bud Beadle (flute, saxophone, wind); Steve Gregory (flute, tenor saxophone, wind); Henry Lowther (trumpet); Colin Gibson (bass guitar, percussion); Andy Phillips (steel drum, percussion); Vicki Brown, Joanne Williams, Madeline Bell (background vocals). Recording information: Basing Street Studios (05/23/1975/05/25/1975); The Manor Studios, Shipton-on-Cherwell (05/23/1975/05/25/1975). Arranger: David Bedford. Something of a summit meeting of the cream of mid-1970s British prog-rock and jazz musicians, Yes drummer Alan White's solo album features Jon Anderson and Steve Howe from that band, as well as session stalwarts including trumpeter Henry Lowther and singer Madeleine Bell. "Avakak" is a shape-shifting journey through different shades of psychedelia and challenging time signatures, while Howe's guitar excursion on "Marching Into a Bottle" will delight fans of mid-period Yes. As a special bonus, Anderson contributes vocals to the pastoral "Song of Innocence," which sets the words of artist and poet William Blake to music. In the '70s, drummer Alan White was among the Yes members who recorded solo projects; the others included Jon Anderson, Chris Squire, and Rick Wakeman. Ramshackled, White's only solo album, was far from a huge seller, but some Yes fans bought it out of curiosity. Many of them were no doubt expecting to hear progressive rock, but this out of print LP is a long way from Relayer or Tales from Topographic Oceans. Instead, White turns his attention to blue-eyed soul-pop and, to a lesser degree, jazz fusion with erratic results. While the singing is unimpressive, ...
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$8.99 Personnel: Billie Holiday (vocals); Ladybug Mecca (rap vocals); Steve Kelly, Sorin Romanescu (guitar); Andre LaSalle (guitars); Fabio Morgera (trumpet); Oli Rockberger (piano); Takuya Nakamura (grand piano); Selen Lerner (keyboards); Neil Evans (Moog synthesizer); Scott Ritchie (bass guitar); Adam Deitch (drums); Eddie (timbales); Kaoss (programming); Louis Benedetti, Roland Richards, Scott Schlachter (drum programming); DJ Logic (turntables). Much like the ...
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| | Lykke Li Youth Novels CD (2008)
Good Hearted Woman
$10.49 On her 2008 debut, YOUTH NOVELS, indie-pop singer Lykke Li stakes out territory somewhere between the coy breeziness of fellow Swede Victoria Bergsman (Taken By Trees, ex-Concretes) and the playful eccentricity of Bjork. Produced by Peter, Bjorn & John's Bjorn Yttling, NOVELS boasts a crystal-clear sound that allows the nuances of Li's kitten-like voice to emerge, particularly on the sassy "I'm Good, I'm Gone" and the irresistible "Little Bit." Advance hype fueled by the Little Bit EP had Lykke Li pegged as the next in a growing string of cool-kid-approved perfect-pop fixes to leak out from Sweden's endless supply, but Youth Novels doesn't entirely play out as expected, emphasizing neither Robyn's electronic dance-pop precision nor the affable strumming of Jens Lekman or Peter Björn and John (whose Björn Yttling handles production duties here, and also co-wrote every track). Although it does bear some traces of those approaches, as well as El Perro Del Mar's earnest melancholia, the album is decidedly odder and harder to pin down, proffering an idiosyncratic, stripped-down vision of pop that foregrounds repetition and simplicity over familiarity or even melody (though rest assured, there is ample catchiness to be had here). The graceful symphonic layering of the beat-less, spoken-word opener "Melodies and Desires" starts things off on a deceptively lush note, but much of the album is about as instrumentally sparse as pop can get, often sounding as though it were cobbled together from a scrap yard of barely functioning instruments and non-instruments. The painfully introverted hip-shaker of "Dance Dance Dance" ("my hips they lie/cause in reality I'm shy shy shy") lilts atop an aptly minimalist groove consisting of nothing but two insistently bowed bass notes, some found-sounding percussion, and a brief sax solo, while even the assertive standout "I'm Good, I'm Gone" gets by on little more than hand claps, driving drums, a bit of vibraphone doubling, and a simple bass line pounded out on a piano's lower ...
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