Everly Brothers Golden Hits CD

Golden Hits Music

Category	Rock/Pop Albums, Rock CDs, Oldies, Oldies Collections
Label	Hollywood / IMG
Orig Year	1994
All Time Sales Rank	298889
CD Universe Part number	2705277
Catalog number	439
Discs	1
Release Date	Aug 16, 1994
Studio/Live	Studio
Mono/Stereo	Stereo

Everly Brothers Golden Hits Songs

1.	Wake up Little Susie
2.	All I Have to Do Is Dream	$0.99
3.	Let It Be Me	$0.99
4.	Be Bop a Lula
5.	Rip It Up	$0.99
6.	When Will I Be Loved	$0.99
7.	For Jenny
8.	Like Strangers	$0.99
9.	I'm Here to Get My Baby Out of Jail	$0.99
10.	Maybe Tomorrow	$0.99

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Principally recorded at Around The Golf studio and Gang Studio, Paris, France. Their trans-Atlantic notoriety may have come amidst compilations of French house and electronic scenes, but Nicolas Godin and JB Dunckel are not just another pair of Gallic beat-miners. Like DJs and studio wizards, the duo known as Air does construct their records pastiche-style; but instead of unleashing dancefloor-friendly "tracks", they come up with mellow abstractions for retro-minded chill-out rooms, flaunting their analog instrumentation and love for make-out melodies every step of the way. MOON SAFARI, Air's full-length debut, is like a fuzzy, blissful daydream in which a glowing ambiance pervades over a crossroads of '60s French pop, '70s Philly soul and '80s Eurodisco. Rarely does the tempo reach mid, and when it does ("Kelly Watch The Stars" and "Le Voyage de Penelope"), it's on the strength of funky synth-pop grooves. Overall, their sounds are rarely less than kaleidoscopic, enveloping the listener in happy, high-IQ muzak. If it sounds somewhat disposable, it's because all good pop should. It is the fact that one can't leave Air's aural confections behind that makes MOON SAFARI great. This remix album, centered on tunes from the 10,000 MHZ LEGEND disc, turns the tables on the usual relationship between proper album and remix collection in that it may be more interesting than it's parent record. The bulk of Air's charm has always been the stylistic tweaking and sonic hijinks they perpetrate over the ...

Steve Young Primal Young CD (2000)

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Steve Young has a big voice. It is the type of voice most shower dreamers wish they had, comprised of volume, sustain, range, and emotion. Young, however, is also an accomplished songwriter, though, typically, his albums tend to be half covers and half originals. This album, released 30 years into his career, finds Young's vocal pipes as strong as ever and his songwriting just as sharp as when he penned such classics as "Seven Bridges Road" and "Montgomery in the Rain." And, true to form, there are six originals to five covers. The opening cut, "Jig," is a Young song about the dance (jig) of life. The "jig" is universal and individual: "If you wanna get it on with me/you gotta listen to my tune/If you want me to get it on with you/you gotta play your tune, too." It is a subtle, solid beginning by a sure, old hand. Cut two, "Scotland Is a Land," is a Young-penned song anthemic enough to become Scotland's national song (or some such). Young's powerful baritone, accompanied by the erstwhile Van Dyke Parks on accordion, is hypnotic as he proclaims, "Scotland is a land/where I might want to die." For a cracker from North Georgia, Young sings of Scotland with the conviction of a native. And that is Young's strength as a songwriter -- he is instantly, and naturally, believable. Of course, it doesn't hurt that his booming voice nails the listener to a wall. Young's take of "East Virginia" evidences another of his strong points -- he can play an acoustic guitar as fast and deft as if playing a banjo. In fact, on up-tempo burners, Young frequently plays banjo lines on the guitar, pumping like some crazed-though-on-the-one piston. The tempo of his vocal on "East Virginia" is only half the tempo of his breakneck picking, creating a unique tension and emphasis on what he is singing. It is as attention grabbing as a steady gaze across a bustling room. Young has successfully plied this technique in the past on such songs as "Travelin' Kind" and "The White Trash Song." Nothing misses on Primal Young. Other originals, such as "Heartbreak Girl," "Little Birdie," and "No Longer Will My Heart Be Truly Breaking," are so distinguished in composition and performance, one once again wonders why Steve Young has never been placed on an equal pedestal with the likes of Merle Haggard or Waylon Jennings. The covers, including a devil-may-care, shirttails-out rendition of Tom T. Hall's "The Year That Clayton Delaney Died" and a warbling, soul-drenched take of Lloyd Price"'s "Lawdy Miss Clawdy," are so splendidly bent to Young's style, he could easily be their composer. Thirty years in and Steve Young is still "primal." ~ Steve Cooper "Primal Young," released by Appleseed in 2000, was Southern singer-songwriter Steve Young's first US CD in six years and remains the most recent in his three decade career.His fans include alt.country luminaries like Steve Earle, Lucinda Williams, and Dave Alvin, and his songs have been covered by the Eagles, Joan Baez, Hank Williams Jr., ...