Time To Play Music CD

Time To Play Music Music

List Price	$16.97 (You save $3.12)
Category	Rock/Pop Albums, Jazz CDs, Spoken, Enhanced CD, Educational
Label	Jamey Aebersold
Orig Year	2000
CD Universe Part number	2737083
Catalog number	5
Discs	1
Release Date	Jun 28, 2000
Mono/Stereo	Stereo

Time To Play Music Songs

	1.	Tuning Notes - Jamey Aebersold
	2.	Groovitis - Jamey Aebersold
	3.	Freddieish - Jamey Aebersold
	4.	Snap, Crackle & Pop - Jamey Aebersold
	5.	Killer Pete - Jamey Aebersold
	6.	Modal Voyage - Jamey Aebersold
	7.	Essence - Jamey Aebersold/Dan Haerle
	8.	Beatitude - Jamey Aebersold
	9.	Bebopish - Jamey Aebersold

Time To Play Music Review

Guidelines
Remember to focus your comments on Time To Play Music CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Brian Culbertson Live From The Inside CDs (2009) With DVD

Time To Play Music album

$18.49

Also Bought

Anouar Brahem The Astounding Eyes of Rita CD (2009)

Time To Play Music CD music

$15.19

Also Bought

Peter White Good Day CD (2009)

Time To Play Music music CDs

$14.95

Many people think of smooth jazz as something that didn't start until the 1980s, but arguably, smooth jazz started around 1966-1968 with the overtly commercial, pop-drenched albums that guitarist Wes Montgomery recorded during the last few years of his life. Love it or hate it, Montgomery's more commercial output had a major impact on Peter White and many other guitarists who have contributed to smooth jazz (including George Benson, Lee Ritenour, Earl Klugh, Chuck Loeb, and Henry Johnson). Musically, a lot has changed since the '60s, but the more things change in music, the more they inevitably stay the same -- and 2009 found White (like Montgomery 41, 42, and 43 years earlier) still struggling with a desire to improvise and a desire for mass acceptance (the thing that jazz, for the most part, lost after World War II). Of course, one doesn't necessarily rule out the another; the late saxophonist Grover Washington, Jr. knew how to be commercial and adventurous at the same time, but most smooth jazz artists play it way too safe -- which is what White usually does on Good Day. This 2009 release is, on the whole, an album of pleasant but not very memorable background music; White usually sounds like he is yearning to let loose as an improviser but has to hold back because he dare not offend the smooth jazz/NAC stations that have been playing his recordings ...

Also Bought

Tord Gustavsen Ground CD (2005)

Time To Play Music songs

$14.05

In the proto-typical Scandinavian ECM style of modern jazz oriented music, pianist Tord Gustavsen follows the path of previous progenitors influenced by Bill Evans, forged by Keith Jarrett, and extended by the likes of Mike Nock. This is certainly late-night, nocturnal music, completely reserved and relaxing, ultra-melodic, calm, peaceful, and non-threatening. Rarely does a tempo move beyond medium, a dynamic merge above mezzo piano, and any mood goes farther than moderately cool. Well within this consistent timbre, Gustavsen and his trio show a modicum of diversity and influences. Fellow ECM labelmate Bobo Stenson's style and technique is most extant during the lilting "Edges of Happiness," "Twins" is spiritual, calm, and light but not somber, while "Token of Tango" is perfectly representative of its title. "Curtains Aside" mixes march rhythm in 6/8 with a regal light funk, the delicate waltz ...

Also Bought

Michael Buble Kings Of Swing CD Import

Time To Play Music album

$21.05

Probably one of the hottest acts on the Modern Swing scene at the moment, Michael Buble's early 2001 recordings for DRG Records have the ...

Also Bought

Diana Krall When I Look In Your Eyes CD (1998)

Time To Play Music CD music

$11.15

WHEN I LOOK IN YOUR EYES won the 2000 Grammy Award for Best Jazz Vocal Performance and for Best Engineered Album, Non Classical. WHEN I LOOK IN YOUR EYES was nominated for the 2000 Grammy Award for Album Of The Year. WHEN I LOOK IN YOUR EYES, a 1999 Verve release, heralds the return of the cool and groovy Latin-tinged jazz of the '60s. Upon hearing the opening track, a bossa-nova-fied version of Irving Berlin's "Let's Face The Music And Dance," one might think he had accidentally put on a Getz/Gilberto record. In fact, it's hard to avoid comparing Krall's breathy alto to that of Astrud Gilberto-particularly on the more samba-flavored numbers. But Krall ultimately resists comparisons. Her simultaneously textured and smooth tone, warm timbre, and conversational phrasing mark her as unique. The set of standards here, including "Let's Fall In Love," "I've Got You Under My Skin," and "Pick Yourself Up" among others, is enhanced by fine session musicians and Johnny Mandel's tasteful arrangements. While Krall ...

Caterina Valente Collection CD (1998)

Time To Play Music music CDs

$11.49

Personnel: Caterina Valente (vocals).

Walt Weiskopf Siren CD (2000)

Time To Play Music songs

$15.05
Siren is Walt Weiskopf's second nonet project for Criss Cross since 1995's Song for My Mother. Joining the tenor saxophonist again are Jim Snidero on alto, Anders Bostrom on flute, Scott Robinson on bari sax and bass clarinet, Joe Magnarelli on trumpet, and Conrad Herwig on trombone. Pianist Joel Weiskopf, bassist Doug Weiss, and drummer Billy Drummond make up the rhythm section. Weiskopf's arrangements are lush and well-crafted, especially on the ballad "Close Your Eyes," the artless and brief reading of "Baby Won't You Please Come Home," and the evocative waltz "Night in Ferrara." The flame is turned up on the burning "Zone" and Snidero's 6/8 hard bop chart "In a Daze." Bostrom's alto flute solo on the breezily swinging title track is one of the album's best moments. Snidero's alto sax on the same cut brings to mind Cannonball Adderley's solo on the Miles Davis classic "So What." Weiskopf's tenor playing is fiery and inspired, and his fellow soloists are incredible, but one almost wishes there were more adventurous writing of the sort heard on the cryptic opening track, "Glass Eye," which fades out at just under two minutes. ~ David R. Adler On Walt's 6th Criss Cross release, he serves up material ripe ...