| | Wild Bill Davison's Jazzologists CD Wild Bill Davison Discography of CDs
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Our Price: $14.55  CDFor Sale Usually ships in 1-2 days
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w. Lou McGarity, Tony Parenti 1955 ... Wild Bill Davison's Jazzologists Music Wild Bill Davison's Jazzologists Songs | 1. | Limehouse Blues | $0.99 | |
| 2. | Carolina in the Morning | |
| 3. | Down by the Riverside | |
| 4. | Washington & Lee Swing | |
| 5. | Battle Hymn of the Republic | |
| 6. | Blues for Brad | |
| 7. | Weary Blues | |
| 8. | Waiting for the Robert E. Lee | |
| 9. | Battle Hymn of the Republic | |
| 10. | Blues for Brad | |
| 11. | Limehouse Blues | $0.99 | |
| 12. | Waiting for the Robert E. Lee - (Incomplete Take) | |
| 13. | Waiting for the Robert E. Lee - (Incomplete Take) | |
| 14. | Waiting for the Robert E. Lee - (Complete Take) | |
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Wild Bill Davison's Jazzologists Review
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| | Bebel Gilberto All In One CD (2009)
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With ALL IN ONE, Bebel Gilberto made her home at Verve, which is not just an auspicious label for music but also the home of some of the best Brazilian records of all time--by Antonio Carlos Jobim, Astrud Gilberto (who is no relation, although she was married to Bebel's father before Bebel's birth), Stan Getz, and, of course, her father, Joao Gilberto. It's obvious Gilberto is well aware of this: the cover is reminiscent of an Astrud Gilberto album and she sings a version of "Bim Bom," which was written by her father and is known popularly for Astrud's version (what's more, it features the piano work of Brazilian royalty Dan Jobim). Still, it's clear Bebel Gilberto knows where to draw the line, and ALL IN ONE is defined more by her songs and her collaborators than the weight of Brazilian musical history that she must carry. Multi-percussionist Carlinhos Brown gets the most instrument credits (his kit bag must weigh a ton), and his string of percussion instruments brings a rich texture to every song he graces. (He also co-wrote the best new songs, "Nossa Senhora" and "Ela [On My Way].") Also appearing is superstar producer Mark Ronson for the single "The Real Thing," a song whose history hits a sweet spot here--Stevie Wonder originally ...
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| | Donald Byrd Royal Flush: RVG Series CD (1961)
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In the early 1960s, long before he'd pursue a funkier, electric direction, Donald Byrd was one of the leading trumpeters on the American jazz scene. Recorded in autumn 1961, ROYAL FLUSH is hard-swinging (with the baritone sax of Pepper Adams, how could it not be?) and deep-grooving hard bop. It does, however, point to aspects of jazz's future--note the poignant "Requiem," contributed by a young Herbie Hancock (this session's pianist) and the inventive drumming of Billy Higgins.
In the early 1960s, long before he'd pursue a funkier, electric direction, Donald Byrd was one of the leading straight-ahead trumpeters on the American jazz scene. ROYAL FLUSH, recorded in autumn 1961, is bold, swinging (with the baritone sax of Pepper Adams, how could it not be?), and deep-grooving hard bop. Yet, it does at times point to aspects of jazz's future--note the poignant "Requiem," contributed by a young Herbie Hancock (this session's pianist) and the inventive drumming of Billy Higgins.
Donald Byrd was at his peak as a straight-ahead hard bop band leader in the early '60s, turning in a series of remarkably solid, enjoyable sessions for Blue Note. Royal Flush is no exception to the rule. Recorded in the fall of 1961, Royal Flush finds Byrd once again working with baritonist ...
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