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Everybody Dances Swing CD


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Everybody Dances Swing Music


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List Price $16.97 (You save $2.78)
Category Rock/Pop Albums, Jazz CDs, Contemporary Blues, Swing, Rock
Label Ripete
Orig Year 1999
CD Universe Part number 2793090
Catalog number 2257
Discs 1
Release Date Nov 16, 1999
Studio/Live Studio
Mono/Stereo Stereo
Everybody Dances Swing Songs


Everybody Dances Swing Album Track Listing



1.Drive It Home - The Clovers
2.Lipstick Powder and Paint - The Embers
3.Gonna Move Across the River - Bill Pickney/Original Drifters
4.Club Savoy - Rockin' Louie & the Mamma Jammers
5.Jesus Is Your Ticket to Heaven - The Tams
6.Whatja Do That Fo' - The Catalinas
7.Let's Have a Party - The Embers
8.She Can't Fix Grits - Shagtime
9.Boogie That Joint - Buddy Skipper
10.Lovey Dovey - The Clovers
11.Take My Wife, Please! - Poor Souls
12.It's Love Baby (24 Hours a Day) - The Roadrunners
13.Ain't Got No Money - Original Drifters/Bill Pinkney
14.Triple Shot of Rhythm and Blues - J.D. Cash
15.Joop's Jump - Rockin' Louie & the Mamma Jammers
16.My Heart Stood Still - George Gee
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On this third outing for ECM, pianist/composer Tord Gustavsen comes full circle on Being There. When he signed to the label in 2003, issuing his debut, Changing Places, he and his collaborators -- bassist Harald Johnsen and drummer Jarle Vespestad -- dug deeply into close-knit quarters, creating a detailed yet expressionistic examination of the more melancholy human emotions. Being There completes a trilogy of elegantly layered, spacious jazz from the most introspective elements. As a pianist and composer, Gustavsen employs only the barest essentials. There is no fiery technique, no gimmickry that will heighten or dampen the mood, no harmonic drift. This music flows from a source, albeit quietly and enigmatically, looking into territory explored on this side of the Atlantic on earlier albums by Brad Mehldau, albeit with a distinctly Northern European voice. Perfect for ECM, the music is cool, almost uncomfortably so, such that when its lyricism is fully given voice it often takes the listener by surprise, instilling a kind of silence that breeds wonder rather than detachment. Manfred Eicher's signature production allows Gustavsen's piano the sheer deliberation and consideration he requires to put his gorgeous melodies into the air. This rhythm section doesn't follow his lead so much as flow into it, playing as a single voice, allowing these songs form and function. Gustavsen's imagery is skeletal, yet he shines light into the darkened corners of those less than celebratory moodscapes, bringing an intricate balance to both lyric and emotion. Check the rhythmic interplay on "Blessed Feet," where his chord voicings play the blues contrapuntally against Vespestad's snare. These are blues that sing and swing. Elsewhere, the mood is less transparent on the surface, such as in the whispering "Karmosin," written by Johnsen; it begins as an exercise in percussion, then rhythm, and finally lyricism. Johnsen's ...
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