| | Bobby Hutcherson Dialogue CD Bobby Hutcherson Discography of CDs
(1 Customer Review)
This is part of Blue Note Records "Rudy Van Gelder Editions" series.
Vibraphonist Bobby Hutcherson was among the most successful and appealing of the 1960s musicians who merged post-bop aesthetics with the experiments of free jazz. His 1965 album DIALOGUE is one of his best--melodic, adventurous, rigorously musical, and ever-searching. Hutcherson pushes the jazz envelope here while maintaining allegiance to structure and form. The insistent, Latin-tinged opener, "Catta," is a case in point, a bold exploration set to percolating rhythms and a memorable theme. Some of the best players of the era--including trumpeter Freddie Hubbard, saxophonist Sam Rivers, and pianist Andrew Hill--help make this classic even classier.
Coming fresh on the heels of his groundbreaking work with Eric Dolphy, Bobby Hutcherson's debut album is a masterpiece of "new thing" avant-garde jazz, not really free but way beyond standard hard bop. Dialogue boasts an all-star lineup of hot young post-boppers -- trumpeter Freddie Hubbard, woodwind player Sam Rivers, pianist Andrew Hill, bassist Richard Davis, and drummer Joe Chambers -- and a set of imaginative compositions by either Hill or Chambers that frequently pushes the ensemble into uncharted territory. The result is an album bursting at the seams with ideas that still sound remarkably fresh, not to mention a strong sense of collectivity. Hutcherson has so many fine players on hand that the focus is naturally on group interaction rather than any particular soloist(s), setting up nice contrasts like the fiery sax work of Rivers versus the cooler tones of Hutcherson and Hill. Hill's pieces stand tradition on its head, twisting recognizable foundations like the blues ("Ghetto Lights"), Latin jazz ("Catta"), and marching bands ("Les Noirs Marchant," which sounds like a parade of mutant soldiers) into cerebral, angular shapes. Chambers, meanwhile, contributes the most loosely structured pieces in his delicate, softly mysterious ballad "Idle While" and the nearly free group conversations of the ten-minute title track, where Hutcherson also plays the more African-sounding marimba. What's impressive is how focused Hutcherson keeps the group through those widely varied sounds -- no one is shortchanged, yet the solos are tight, with no wasted space or spotlight-hogging. Dialogue remains Hutcherson's most adventurous, "outside" album and, while there are more extensive showcases for his playing, this high-caliber session stands as arguably his greatest musical achievement. ~ Steve Huey
All tracks have been digitally remastered.
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey on April 3, 1965. Includes liner notes by A.B. Spellman and Bob Blumenthal.
Reissue producer: Michael Cuscuna.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (04/03/1965).
Personnel includes: Bobby Hutcherson (vibraphone, marimba); Sam Rivers (soprano saxophone, tenor saxophone, flute, bass clarinet); Freddie Hubbard (trumpet); Andrew Hill (piano); Richard Davis (bass); Joe Chambers (drums).
Producer: Alfred Lion.
Dialogue Music | Category | Rock/Pop Albums, Jazz Instrument CDs, Vibraphone/Marimba, Jazz | | Label | Blue Note | | Orig Year | 1965 | | All Time Sales Rank | 18652  | | CD Universe Part number | 2814267 | | Catalog number | 35586 | | Discs | 1 | | Release Date | Jan 29, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Rudy Van Gelder | | Personnel | Bobby Hutcherson - vibraphone, marimba
Also: Freddie Hubbard, Richard Davis, Richard Davis, Sam Rivers, Joe Chambers, Andrew Hill | | Additional Info | Bonus Track; Remastered |
Bobby Hutcherson Dialogue Songs | 1. | Catta | $2.89 | |
| 2. | Idle While | $0.99 | |
| 3. | Noirs Marchant, Les | |
| 4. | Dialogue | $2.89 | |
| 5. | Ghetto Lights | $0.99 | |
| 6. | Jasper - (bonus track) | |
| Dialogue Music Review Average Rating: (5 out of 5 stars)   A classic ensemble The title "Dialogue" perfectly describes the approach this group takes. They continually interact and feed off each other with amazing results. In the great tradition of ensemble jazz, individual talents are allowed to shine but only within the framework of the greater whole. Hutcherson is only the de facto leader, as Andrew Hill and Joe Chambers composed the themes and Hill did the arrangements that provide the take-off point for the group. "Idle While" is a good example: Freddie Hubbard's solo shows him at his most lyrical, but Richard Davis provides the focus without officially soloing, as his bass provides melody and rhythm for the others to feed off of. "Les Noirs Marchant" and the title track each begin with memorable themes, then completely break down conventional time and go into dreamy fantasies. Andrew Hill does not take any solos, but his presence is felt throughout, his piano prodding the others along, especially on "Catta". Sam Rivers also contributes a variety of colors with his multiple reed instruments. Eric Dolphy died the year before this album was recorded and Rivers more or less takes the Dolphy role in the group. The sound quality from Blue Note is typically excellent. This is a classic, not to be missed.
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