| | Zenith Six Play Jelly Roll Morton CD Zenith Six Discography of CDs
orig. released on 2 LPs, now available in single CD, one of the oldest organized jazz bands in England, lead by Alan Pendlebury, 17 tracks
Personnel: Bob Ascough (banjo); Alan Dent (clarinet, trumpet); Mart Rodger (clarinet); Denis Gilmore (trumpet); Alan Pendlebury (trombone); Dave Berry, Nick Holcroft (drums).
Liner Note Authors: Bill Entwistle; George H. Buck, Jr.
Play Jelly Roll Morton Music Zenith Six Play Jelly Roll Morton Songs | 1. | Cannon Ball Blues |
| 2. | Kansas City Stomps |
| 3. | Shoe Shiner's Drag |
| 4. | Sidewalk Blues |
| 5. | Burnin' the Iceberg |
| 6. | Chant, The |
| 7. | Pontchartrain Blues |
| 8. | Georgia Swing |
| 9. | Mr. Jelly Lord |
| 10. | Tank Town Bump |
| 11. | Black Bottom Stomp |
| 12. | Sweet Substitute |
| 13. | Deep Creek |
| 14. | Wolverine Blues |
| 15. | Original Jelly-Roll Blues |
| 16. | Someday Sweetheart |
| 17. | Steamboat Stomp |
| Play Jelly Roll Morton Review
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Purchase Play Jelly Roll Morton CD To buy, Click on price to add to cart | Diana Krall Quiet Nights CD (2009)
Play Jelly Roll Morton album
$13.69 Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few bossa nova standards, most notably "The Girl from Ipanema" (here gender-reversed to "The Boy...") and the title track (originally "Corcovado"), both penned by the legendary Antonio Carlos Jobim. QUIET NIGHTS isn't solely a Brazilian-themed outing, however, as Krall also spends plenty of time in the comfortable realm of the Great American Songbook, offering up elegant orchestral renditions of "I've Grown Accustomed to His Face" and the Bacharach/David gem "Walk On By" that benefit from her supremely smoky vocals and graceful delivery.
Audio Remasterer: Doug Sax.
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| | Jeff Hamilton Symbiosis CD (2009)
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$12.59 Jeff Hamilton's recordings have always been focused as straight-ahead and mainstream as your typical superhighway, with occasional time for rest stops, gassing up, and sleepovers. While always a good listen, Hamilton and his non-stop rotation of up-and-coming pianists and bassists never really pushed the envelope, staying the course set by his mentor, the late, great bassist Ray Brown, and other California-based coolsters. With Symbiosis, though, there's a change in the weather with the addition of extraordinary young talent in pianist Tamir Hendelman and bassist Christoph Luty. This is not at all to say that Hamilton's music had no fire, guts, or glory, but the difference in internal energy heard on this recording is noticeable. Hamilton is also playing brushes for the most part, instead of sticks, and he proves the finest exponent of that style of jazz performance since Ed Thigpen. There's some truly ...
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$9.99 The first authorized documentary on the life of jazz music legend Miles Davis. From his upbringing ...
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$7.59 A TRIBUTE TO JACK JOHNSON was originally conceived as the soundtrack for a documentary on the life of the first African American heavyweight boxing champion, but the album stands on its own as one of the most brilliant, compelling fusion recordings ever made. This is due in large part to the increasing influence of rock and funk on Miles's aesthetic, to the superb musicians (including Davis himself-- who turns in some stunningly vigorous solos), and in part to the production skills of Teo Macero, who collaged the album together from numerous jam sessions into two lengthy, majestic tracks.
The infectious boogaloo groove of "Right Off" has John McLaughlin's crunching, wah-wah-driven power chords dancing fervently around the relentless backbeat of Fender bassist ...
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$13.05 Hip-hop and politics can be at their most effective when they are less overt than the dog-and-pony shows that are both political campaigns and "political raps," high in octane yet low on long-lasting fulfillment. Chicago's Capital D might want to change his name to Capitol D after the release of this collection of politically charged yet musically challenging ...
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