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Cabaret Voltaire - Living Legends CD Cover Art
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Cabaret Voltaire Living Legends CD

 Cabaret Voltaire Discography of CDs

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Recorded between 1975 and 1981. Originally released on Rough Trade Records.

If one needs a starting place to discover how an obscure trio of Sheffield sound experimentalists became one of the founders of industrial/EBM music, not to mention a whole range of artists interested in pushing the boundaries of recorded sound, The Living Legends is it. Conveniently collecting the series of singles the classic trio line-up released on Rough Trade Records, Legends makes for astonishing listening even today, alien now as it was then, and perhaps even more so. Compiled in more or less chronological order with a few exceptions, the tracks range from the quietly mysterious to astonishing, in-your-face sonics. The earliest single, "Do the Mussolini," and its various B-sides initially cast the band as gloomy, dour figures interested in fooling around with tape machines, rhythm boxes and a sense of echo that always made them sound like they were recording in the deep bowels of the earth. The Velvet Underground's "Here She Comes Now" gets an intriguing revamp here, Kirk's guitar buzzing the main riff in the background. After that, things really kick in with the groundbreaking "Nag Nag Nag," brilliantly coproduced by Rough Trade boss Geoff Travis and Red Krayola bandleader Mayo Thompson. Mallinder's abstract aggression as his electronically treated voice roars the title line is breathtaking enough, but the combination of heavily treated guitar and keyboard noise over the basic but effective rhythm pulse adds to the fantastic effect. Many other standouts follow from here, including the lengthy drone/groove of "Walls of Jerico" and the near-clinical push of "Second Too Late," with a gripping duet between a distanced Mallinder vocal and an upfront, vocodered and dead sounding voice. The sense of how the Cabs used everything from the more chaotic end of Krautrock to dub techniques surfaces throughout, capturing the sense of how they at once synthesized past approaches and created new ones. ~ Ned Raggett

All tracks have been digitally remastered.

Singles From 1978-1981

Cabaret Voltaire: Richard H. Kirk, Stephen Mallinder, Christopher Watson.

Producers include: Cabaret Voltaire, Geoff Travis, Mayo Thompson.

 
Living Legends Music


Detailed Living Legends Music Information



List Price $12.98 (You save $1.79)
Category Rock/Pop Albums, Rock CDs, R&B, Electronica, Experimental Rock, Dance
Label Mute
Orig Year 1990
All Time Sales Rank   66007  
CD Universe Part number 2851869
Catalog number 9175
Discs 1
Release Date Feb 19, 2002
Studio/Live Studio
Mono/Stereo Stereo
Engineer Cabaret Voltaire
Recording Time 67 minutes
Personnel Richard H. Kirk
Christopher Watson
Christopher Watson
Stephen Mallinder
Additional Info Singles
Cabaret Voltaire Living Legends Songs


Cabaret Voltaire Living Legends Album Track Listing



1.Do the Mussolini (Headkick)
2.Talk Over
3.Here She Comes Now
4.Set Up, The
5.Nag Nag Nag$0.99
6.Silent Command - (French)
7.Jazz the Glass
8.Walls of Jerico
9.Seconds Too Late$0.99
10.Eddie's Out
11.Burnt to the Ground
12.Extract from: Chance Versus Causality
13.Control Addict
14.Is That Me (Finding Someone at the Door Again) - (live)
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It's true that Cabaret Voltaire's first two proper studio albums hardly match the greatness of later works like Red Mecca, 2 X 45, and even 3 Crepuscule Tracks. Despite this, both Mix-Up and The Voice of America -- rather similar records that were released back to back in 1979 and 1980 -- only helped solidify Cabaret Voltaire's status as an integral part of the extended frisson of 1978-1982 post-punk, so if they had ceased to exist before their best work, it would still be very correct to refer to them as "important." ("Yes, important, but were they any good?") Mix-Up, their first album, impressively harnesses noise, primitive rhythm box percolations, tape loops, garbled vocals, and blasts of Farfisa. "Kirlian Photograph" is an ugly slab of dub with frizzling snaps of white-heat buzz, clunky percussion, and a plodding bassline forming its skanking, roiling rhythm. Both the bass and incidental vocals are relegated to the back of the mix as the piercing detritus takes center stage. A cover ...
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RED MECCA is one of the strongest offerings in the wildly eclectic catalogue of this seminal art-noise ensemble. Crucial to the development of electronic dance music, Cabaret Voltaire experimented with hardcore industrial, avant-garde noise, house, and electronica. The music on 1981's RED MECCA falls somewhere between these categories, borrowing a bit from each. Bookended by warped, unsettling versions of the theme music from the Orson Welles film TOUCH OF EVIL, RED MECCA spins the listener though a sinister soundscape that is mesmerizing, challenging, and, at times, danceable. In Cabaret Voltaire's world, nothing is as it seems. ...
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Clearly a producer with an unapologetic love for the conceptual, Scott Morgan's second album for Kranky as Loscil takes on an aquatic theme -- each track is named after a submarine. However, not a whole lot has changed in Morgan's approach from his debut. These tracks sound only a little more aqueous than the ones on Triple Point, continuing to carry wide-open spatial qualities, with the odd hint of dub occasionally thrown in for variation (with its lathery suds of dubspace, "Le Plongeur" rivals Rhythm & Sound's best work). The only significant difference is the emphasis on waves of rhythm ...
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After their breakthrough album, DEAD CITIES, RED SEAS & LOST GHOSTS, Anthony Gonzalez and Nicolas Fromageau, the collaborators in M83, parted ways. For the follow-up, BEFORE THE DAWN HEALS US, Gonzalez is at the helm, taking the swirling, evocative synth-scapes of the previous outing in tighter, more focused directions. Analog synthesizers still dominate the music, recalling early Tangerine Dream, and there is no shortage of the dramatic flourishes and cinematic sensibility that characterized DEAD CITIES (just listen to "Moon Child," ...
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