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Ivory may be the finest Jefferson Airplane album not by Jefferson Airplane themselves. It is not quite a masterpiece on a par with Surrealistic Pillow, but it easily holds its own with many of the second-tier albums from the band's prime era. Ivory -- and producers Les Brown Jr. and Al Schmitt -- definitely knew how to get the most out of their relatively minimalistic setup. It would be difficult to over-praise the abilities of Kenny Thomure and Mike McCauley, who exhibit a near-telepathic partnership on their instruments, while Chris Christman's full-bodied vocals are room-filling powerful -- all that plus a really first-rate studio drummer. Lyrically Ivory mostly dispensed with topics of amorousness, instead concentrating on far-out, cosmic concerns ranging from the stars to such nebulous ideas of the inner dimension as "infinite realms of peace" to more era-endemic principles like freedom. This does date the album, but the music is so often such a heady, enveloping thrill that it scarcely matters. The songs are mostly strong. The opening "Silver Rains" is perhaps the album's most potent track. A bit ominous and spooky, a bit chaotic and wired, it displays just how dynamic and forceful Christman's vocals could be. Nearly as stellar is the awesome garage psych of "A Thought," complete with guitars so fuzzy you could get a buzz off them and intertwining organ and piano lines that lead into a brief but scintillating rave-up with some of the boogie funk looseness of Traffic. The album's most beautiful moment, however, is the tender "Losin' Hold," a song with more than a slight resemblance to the give-and-take duets perfected by Marty Balin and Grace Slick. It is nearly up to the standards of the classic ballads on Surrealistic Pillow. There are a couple of dull spots during the album's second half, and Ivory wasn't really able to develop a distinctive personality of their own -- one can only bemoan the band's early demise and speculate how they might have gone on to develop -- but borrowed sound and style or not, the band's sole album stands up as menacing, tough-nosed psychedelia loaded with flashes of genuine brilliance. ~ Stanton Swihart
The virtually unknown band Ivory modeled their music after the sounds of Jefferson Airplane. In fact, it was produced in 1968 by the Airplane's genius himself, Mr. Al Schmitt. The group features the beautiful female vocals of Chris Christman, and fuzzed-
Liner Note Author: Roger Maglio.
Recording information: Amigo Recording Studios (1968).
Ivory includes: Chris Christman (vocals).
Personnel: Michael McCauley (vocals, keyboards); Chris Christman (vocals).
Ivory Songs | 1. | Silver Rains |
| 2. | Free and Easy |
| 3. | Losin' Hold |
| 4. | Laugh |
| 5. | Thought, A |
| 6. | I, of the Garden |
| 7. | All in My Mind |
| 8. | Light, A |
| 9. | Last Laugh |
| 10. | Grey November |
| Ivory Review
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Purchase Ivory CD To buy, Click on price to add to cart | Christopher CD (1970)
Ivory album
$11.29 From the psychedelic tribal blues opener "Dark Road" through to the end of the album, Christopher shows just how strong the second-level psychedelia of the late '60s could be. There was no shortage of great musicians hailing from Texas during the era, and the ones who remained in the state were forming some of the most idiosyncratic bands of the swirling, inventive times: top-flight bands such as Thirteenth Floor Elevators, Lost & Found, the Golden Dawn, and Christopher. Christopher, though, cannot exactly be lumped together with those peers. They had to leave Texas for California to make their mark, and indeed, Christopher owes a good deal to the music of that state -- songs such as "Magic Cycles" and "In Your Time" are informed by the dreamier qualities of the San Francisco sound, especially the extended atmospherics of Jefferson Airplane and the Grateful ...
| | Day Blindness CD (1969)
Ivory CD music
$11.69 A typical description of Day Blindness involves references to the theoretically similar but inherently antithetical West Coast bands the Doors and Iron Butterfly, and it does in fact play something like a cross between those two groups, though with none of the musical nuance and aesthetic vision -- and none of the existential considerations -- of the former and with all the unrelenting bombast and sonic pretension of the latter. What it does have in common with the Doors is its organ-heavy, acid-touched moodiness and its dense blues underpinning, though it is unable to do anything significantly innovative with either element. And like Iron Butterfly, Day Blindness draped their music in a sometimes smothering, cerebrum-numbing blanket of quasi-metal guitar. The band, indeed, took their hard rock very seriously, and that leads to a good ...
| | Children Rebirth CD (1967)
Ivory music CDs
$10.99 This edition of REBIRTH includes material released by 2 predecessor bands, The Stoics and The Mind's Eye. Also includes bonus tracks originally released as 45's.
The first half of Rebirth is a rather phenomenal document: mood-driven and densely textured psychedelia at its very best. "Daybreak" opens the album with what seems to be a fairly quaint ditty until its controlled eruptions of orchestration, unique and enticing, cause the music to grow in dimension. "Maypole" also initially leans toward preciousness, the themes of childhood naïveté employed by dozens of bands in the wake of Sgt. Pepper's, but in its seesawing-calliope backing and minor-key shifts there is also something compellingly creepy that resonates more of shadows than innocence. It leads wonderfully into "Don't Ever Lose It," a macabre fairy tale as ...
| | David Gilmour CD (1978) Remastered
Ivory songs
$6.79 Before David Gilmour virtually "became" Pink Floyd he was always the most likely member of the band (with the possible exception of de-facto leader Roger Waters) to release a solo album. 1978's welcome eponymous debut showcased his multi-faceted performing talents.
The album opener "Mihalis" is an ANIMALS period instrumental, which, along with "Raise My Rent," sounds like an outtake from that album. The beautiful "There's No Way Out of Here" begins with a lonely harmonica and, with "No Way" and "I Can't Breathe Anymore," expounds the album's main theme of being trapped in an untenable situation. "Cry From the Streets" is a nod to the blues, while the lovely "So Far Away" harks back to the ballads of OBSCURED BY CLOUDS. Almost a missing mid-period Floyd album, this solo effort is a must-have for all Pink Floyd fans.
By the time of David Gilmour's solo debut, he had not only established ...
| | Al Stewart 24 Carrots CD (1980) Bonus Tracks
Ivory album
$10.45 "Here In Angola," "Pandora," and "Indian Summer" were originally released on the LP INDIAN SUMMER.
24 CARROTS is folk-rocker Al Stewart's 1980 album, recorded with Shot in the Dark. This reissue features five bonus tracks, "Here in Angola", "Indian Summer", "Pandora", "Delia's Gone", and "Princess Olivia".
The pun of the title of 24 Carrots -- the first overt signal of humor Al Stewart has displayed in years, possibly ever -- illustrates that a lot has changed since 1978's Time Passages. The loosening of his wit is perhaps the most evident, but the most significant is the departure of producer Alan Parsons, who collaborated with Stewart on his mid-'70s triptych of masterpieces. In truth, 24 Carrots isn't far removed from those high points, because he is indeed still writing at a remarkably ...
| | Doors Soft Parade CD (1969) Gold; Remastered
Ivory CD music
$16.02 Dismissed by the benighted as the Doors' "pop album," SOFT PARADE is one of the band's most adventurous recordings, utilizing strings and horns without resorting to schlocky over-production and moving far beyond their blues roots. Morrison was fully into his shaman phase by 1969, and his obsession with that image is reflected in the proselytizing air of "Tell All the People," and of course "Shaman's Blues." The album's biggest hit "Touch Me," while easily the group's most radio-friendly offering, is a pop classic that ranks among the great '60s AM radio tunes. "Wild Child" is a brief return to the blues-rock of yore, but the title track is a sophisticated, extended piece that moves through several different moods and textures, full ...
| | Bill Frisell Quartet CD (1996)
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| | 1985 Sleng Teng Extravaganza CD (2005)
Ivory album
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| | Sick Symphonies CD (2005)
Ivory CD music
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Photographer: Estavan Oriol.
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| | Helena De Lima Uma Noite No Cangaceiro CD (2006) (Import)
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| | Symbol Heavy Vol. 1-Symbol Heavy CD (2007)
Ivory album
$12.65 Symbol Heavy is a small independent record label based in Kansas City, Missouri. "VOL. 1" is a compilation of 38 new tracks and collaborations from the Symbol Heavy factory, including tracks ...
| | Grupo Irak Yo Se Que Te Gusta CD (2008)
Ivory CD music
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