| | Tiny Bradshaw 1934-1947 CD Tiny Bradshaw Discography of CDs
Recorded in New York, New York between 1934 & 1947. Includes liner notes by Dave Penny.
From Decca, Regis, Manor and Savoy sides. Track Listing: Shout, Sister, Shout / Mister, Will You Serenade? / The Darktown Strutters' Ball / The Sheik Of Araby / Ol' Man River / I Ain't Got Nobody / I'm A Ding Dong Daddy / She'll Be Coming 'Round The Moun
Tiny Bradshaw & His Orchestra includes: Tiny Bradshaw (vocals); Russell Procope, Sonny Stitt (alto saxophone); Big Nick Nicholas (tenor saxophone);
Wild Bill Davis (piano).
1934-1947 Review
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Purchase 1934-1947 CD To buy, Click on price to add to cart | Roy Brown 1947-1949 CD (2002)
1934-1947 album
$18.05 With his gospel-inflected vocals, full of melismatic swoops and sighs, and a penchant for speeded-up jump blues songs with strong sax lines, Roy Brown created the very template for early rock & roll in the late 1940s and early '50s. This first installment in Classics Records' chronological survey of Brown's recorded work includes both sides of his rare first single, "Deep Sea Diver" b/w "Bye Baby Bye," cut for the Houston independent Gold Star Records in 1947, and then moves on to feature his initial sides for the Braun Brothers' DeLuxe Records ...
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$12.89 Jimmy Witherspoon was either a blues singer who worked from a jazz perspective, or a jazz singer with blues tendencies, or most accurately, a blues singer who applied jazz rhythms to a gospel delivery, which makes him, in some ways, a less propulsive version of Ray Charles. This disc of his earliest recordings, most of them released on Modern Records, shows Witherspoon predominantly as a shouter, and he sounds like a man used to years of fronting a small jazz orchestra. ...
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$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't ...
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Released in the same year as 1975's THERE'S ONE IN EVERY CROWD, E.C. WAS HERE is a live album short on content but long in presentation. Backed by his usual mid-70's studio cohorts (George Terry, Jamie Oldaker, Yvonne Elliman, Marcy Levy, etc.), Clapton ignored his then-current material off CROWD and 461 OCEAN BOULEVARD, instead choosing to explore his immediate, post-Cream era along with some extended, old favorites. "Presence Of The Lord" and "Can't Find My Way Home" were retrieved ...
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$9.95 In 2002, the Nighthawks celebrated their 30th anniversary. The Chicago-minded blues-rock outfit had not changed very much over the years; the Nighthawks of the early 2000s didn't sound much different from the Nighthawks of the early '70s. A collection of live performances from 2001, Live Tonite! makes no attempt to reinvent the blues-rock wheel -- this CD is hardly a radical departure from what the Washington, D.C., band was doing 25 and 30 years earlier. But if the Nighthawks are predictable on Live Tonite!, they are predictably enjoyable. The gritty blues-rockers always sound inspired; that is true whether they are turning their attention to Howlin' Wolf's "Who'll Be the Next One" or Muddy Waters' "Still a Fool." And even though Live Tonite! is far from groundbreaking, at least the Nighthawks don't inundate listeners with overdone blues standards. A lot of Chicago-minded blues releases favor the repertory approach; they stick to standards that blues fans have heard time and time again. But the Nighthawks don't ...
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$12.05 | | Pfister Sisters Puttin' It On CD (2008)
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$20.19 Formed in 1979, the Pfister Sisters have devoted the last 3 decades to delivering 3 part vocal jazz to the city of New Orleans. During that time, we've shared the stage with the Neville Brothers, Vet Boswell (of the Boswell Sisters), Maxene Andrews (of the Andrews Sisters), Kermit Ruffins, Ernie-K-Doe, Banu Gibson, Leigh "lil Queenie" Harris, Marcia Ball, Henry Butler, Linda Rondstadt, Jimmy Buffet, and, most recently, the Dukes of Dixieland.This latest CD is a little bit of departure from their previous recordings. ...
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