| | Enigma Soundtrack CD (1 Customer Review)
Original score composed by John Barry. Recorded at the Concertgebouw, Amsterdam, Holland in November 2000. Includes liner notes by Michael Apted. Audio Mixer: John Richards. Liner Note Author: Michael Apted. Recording information: Concertgebouw, Amsterdam, The Netherlands (11/27/2000-11/30/2000). John Barry's score for director Michael Apted's World War II drama Enigma is a lush, orchestral effort performed by members of the Concertgebouw Orchestra in Amsterdam and conducted by the composer. The cues are mostly short, with only four of 19 lasting more than three minutes, but there is a consistency of tone for most of them, and it is a quiet, contemplative one. Things pick up a bit in terms of tension on such titles as "Police Chase" and "Puck Dies," but even then Barry maintains a deliberate feel that never becomes too stirring. More typical are pieces like "The Quarry" and "Tom Goes to the Cottage," in which a piano plays a single-note theme supported by stately strings. This is not the music for a battlefield war film, but rather one fought internally, with plenty of time for contemplation and uncertainty. Still, the result is both moving and elegiac. (The album concludes with a couple of period songs, DeSylva, Brown and Henderson's "The Black Bottom" as played by Bunny Berigan and His Orchestra in 1937; and Harry Warren and Mack Gordon's "You'll Never Know," recorded in 1943 by British bandleader Ambrose and His Orchestra with Ann Shelton on vocals, which are used as source music in the film; as well as a 1994 recording of Vaughan Williams' "Dives & Lazarus" played by the New Queen's Hall Orchestra, conducted by Barry Wordsworth.) ~ William Ruhlmann
Music By:John Barry Enigma Soundtrack Music Review Purchase Music From Enigma CD To buy, Click on price to add to cart | Wicked: A New Musical CD (2003)
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$63.39 This is an Enhanced CD which contains both regular audio tracks and multimedia computer files. Original score composed by Howard Shore. Includes liner notes by Howard Shore, Peter Jackson. This limited edition release includes a bonus DVD of trailers and "Howard Shore: An Introspective". Original music composed by Howard Shore. This elegantly packaged box set presents composer Howard Shore's expansive score for the extended version of THE LORD OF THE RINGS: THE RETURN OF THE KING in its entirety, including many pieces not featured on the theatrical edition of the soundtrack. Highlights of this comprehensive collection include lengthy orchestral tracks such as "The Lighting of the Beacon," "Shelob's Lair," and "Days of the Ring," ...
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| | Sting Brand New Day CD (1999) (Import) Japan; Remastered; Super-High Material
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$38.59 Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008.
Personnel: Sting (vocals, guitar, bass); Cheb Mami, James Taylor, Ste (vocals); Dominic Miller (guitar); B.J. Cole (pedal steel guitar); Katherine Tickell (fiddle, Northumbrian pipes); Gavin Wright, Moulay Ahmed, Koulder Berkan, Salem Bnouni, Sameh Catalan (strings); Branford Marsalis (clarinet); Stevie Wonder (harmonica); Chris Botti (trumpet); Jason Robello (piano, Clavinet); Dave Hartley, Don Blackman (Hammond B-3 organ); Kipper (keyboards, drum programming); Manu Katche, Vinnie Colaiuta (drums); Minu Cinelu (percussion); Joe Mendez, Janice Pendarvis, Althea Rodgers, Marlon Saunders, Veneese Thomas, Darryl Tookes, Ken Williams, Tawatha Agee, Dennis Collins (background vocals); Ettamri Mustapha. Principally recorded at Il Palagio, Italy and Mega Studios, Paris, France. BRAND NEW DAY won the 2000 Grammy Award for Best Pop Album. "Brand New Day" won the 2000 Grammy Award for Best Male Pop Performance. Personnel: Sting (vocals, background vocals); Sté, James Taylor , Cheb Mami (vocals); Dominic Miller (guitar); B.J. Cole (pedal steel guitar); Sameh Catalan, Salem Bnoumi (strings); Stevie Wonder (harmonica); Branford Marsalis (clarinet); Chris Botti (trumpet); Jason Robello (piano, Clavinet); Kipper (keyboards, drum programming); Manu Katche, Vinnie Colaiuta (drums); Mino Cinelu (percussion); Althea Rodgers, Darryl Tookes, Dennis Collins, Marlon Saunders, Tawatha Agee, Janice Pendarvis (background vocals). Audio Mixer: Simon Osborne. Photographer: Olaf Heine. By the late '90s, Sting had reached a point where he didn't have to prove his worth every time out; he had so ingrained himself in pop culture, he really had the freedom to do whatever he wanted. He had that attitude on Mercury Falling, but it was too somber and serious, everything that its successor, Brand New Day, is not. Light, even effervescent, Brand New Day feels like little else in Sting's catalog. Not that it represents a new beginning, contrary to what the title may promise. The album is not only firmly within his tradition, it sounds out of time -- it's odd how close Brand New Day comes to feeling like a sequel to Nothing Like the Sun. Musically, that is. The sparkling, meticulous production and the very tone of the music -- ranging from light funk to mellow ballads to the Lyle Lovett tribute "Fill Her Up" -- are of a piece with Sting's late-'80s work. That's the main thing separating it from Ten Summoner's Tales, his other straight pop album ...
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